Fedor Bondarchuk, the son of noted Russian filmmaker Sergei Bondarchuk, debuts as a director with the harrowing and relentless military drama 9th Company, set between 1988 and 1989 at the tail end of the U.S.S.R. Afghani war (the Soviet equivalent of Vietnam). The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake. – Nathan Southern, All Movie Guide (Source)
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Follows a group of people struggling to find a place for themselves in an unpredictable and volatile world. The past haunts the present and imperils the future: ghosts circle and loom, trouble and console. The question of forgiveness and its limits threads throughout a series of intersecting love stories, offering clarity and possibly alternatives to the comforts of forgetting. (
Bobby Walker is living the American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and co-workers Phil Woodward and Gene McClary jobless, the three men are forced to re-define their lives as men, husbands, and fathers. Bobby soon finds himself enduring enthusiastic life coaching, a job building houses for his brother-in-law which does not play to his executive skill set, and perhaps the realization that there is more to life than chasing the bigger, better deal. (
Academy Award® winner Robert De Niro and Oscar® nominee Edward Norton deliver powerful performances as a seasoned corrections official and a scheming inmate whose lives become dangerously intertwined in Stone, a thought-provoking drama directed by John Curran (The Painted Veil, We Don’t Live Here Anymore) and written by Angus McLachlan (Junebug). As parole officer Jack Mabry (De Niro) counts the days toward a quiet retirement, he is asked to review the case of Gerald “Stone” Creeson (Norton), in prison for covering up the murder of his grandparents with a fire. Now eligible for early release, Stone needs to convince Jack he has reformed, but his attempts to influence the older man’s decision have profound and unexpected effects on them both. Stone skillfully weaves together the parallel journeys of two men grappling with dark impulses, as the line between lawman and lawbreaker becomes precariously thin. The film’s superb ensemble features Milla Jovovich (The Fifth Element) as Lucetta, Stone’s sexy, casually amoral wife, and Golden Globe® winner Frances Conroy (Six Feet Under) as Madylyn, Jack’s devout, long-suffering spouse. Set against the quiet desperation of an economically ravaged community and the stifling brutality of a maximum security prison, this tale of passion, betrayal and corruption examines the fractured lives of two volatile men breaking from their troubled pasts to face uncertain futures. (
WELCOME TO THE RILEYS is a powerful drama about finding hope in the most unusual of places. Once a happily married and loving couple, Doug and Lois Riley (James Gandolfini and Melissa Leo) have grown apart since losing their teenage daughter eight years prior. Leaving his agoraphobic wife behind to go on a business trip to New Orleans, Doug meets a 17-year-old runaway (Kristen Stewart) and the two form a platonic bond. For Lois and Doug, what initially appears to be the final straw that will derail their relationship, turns out to be the inspiration they need to renew their marriage. (
MESRINE: KILLER INSTINCT – the first of two parts – charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti-gang unit. Thirty years after his death, his infamy lives on. Mesrine was helped along the way by beautiful and equally reckless Jeanne Schneider (Cécile de France), a Bonnie to match his Clyde. Mesrine made up his own epic, between romanticism and cruelty, flamboyance and tragedy. Both a thriller and a biopic, KILLER INSTINCT explores the man behind the icon. (
Doug MacRay is an unrepentant criminal, the de facto leader of a group of ruthless bank robbers who pride themselves in stealing what they want and getting out clean. With no real attachments, Doug never has to fear losing anyone close to him. But that all changed on the gang’s latest job, when they briefly took a hostage–bank manager, Claire Keesey. Though they let her go unharmed, Claire is nervously aware that the robbers know her name and where she lives. But she lets her guard down when she meets an unassuming and rather charming man named Doug not realizing that he is the same man who only days earlier had terrorized her. The instant attraction between them gradually turns into a passionate romance that threatens to take them both down a dangerous, and potentially deadly, path. (
After 10 years in prison, Driver has a singular focus – to avenge the murder of his brother during the botched bank robbery that led to his imprisonment. Now a free man with a deadly to-do list in hand, he’s finally on his mission… but with two men on his trail – a veteran cop just days from retirement, and a young egocentric hitman with a flair for the art of killing and a newfound worthy opponent. The hunter is also the hunted. It’s a do or die race to the list’s finish as they myster surrounding his brother’s murder deepens, and new details emerge along the way hinting that Driver’s list may be incomplete. (
Prince of Broadway is the story of Lucky, a charismatic hustler eking out a living in the underbelly of New York's wholesale fashion district. An illegal immigrant from Ghana, Lucky makes ends meet by soliciting shoppers on the street with knock-off brand merchandise. Life is good for Lucky, but his dreams are suddenly upended when a child is thrust into his world by a woman who insists the toddler is his son. A tender comedy of fatherhood, family and love set in the shadow of the Flatiron building and soaked in the colorful bustle of urban realism, Prince of Broadway reveals unseen lives creating their own knock-off of the American Dream. (
Jacqueline Kennedy Onassis sued him, Marlon Brando broke his jaw and Steve McQueen gave him a look that would have killed, if looks could kill. To the celebrities he pursued, photographer Ron Galella was the beast who threatened beauty. As it turned out, he gave them a strange and lasting beauty they might never have known without him. Inherent in the story of this notorious paparazzo are the complex issues of the right to privacy, freedom of the press and the ever-growing vortex of celebrity worship. He sneaked around and invaded and bribed and held up his camera and shot till he dropped (or someone dropped him). His was the artistry of the sniper. Yet Galella found something essential in his real-life subjects, and he gave it permanence. (