CIA officer Claire Stenwick (Roberts) and MI6 agent Ray Koval (Owen) have left the world of government intelligence to cash in on the highly profitable cold war raging between two rival multinational corporations. Their mission? Secure the formula for a product that will bring a fortune to the company that patents it first. For their employers-industry titan Howard Tully (Tom Wilkinson) and buccaneer CEO Dick Garsik (Paul Giamatti)- nothing is out of bounds. But as the stakes rise, the mystery deepens and the tactics get dirtier, the trickiest secret for Claire and Ray is their growing attraction. And as they each try to stay one double-cross ahead, two career loners find their schemes endangered by the only thing they can’t cheat their way out of: love. (Source)
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Randy “The Ram” Robinson, a 1980s-era pro wrestler, has become a burnt-out shell of his former self. After he has a heart attack during a small-time match, a doctor tells him he could die if he fights again. In an effort to build a new life, Robinson takes a job at a deli, moves in with an aging stripper and tries to build a relationship with her son. But the prospect of a rematch with his old nemesis, the Ayatollah, proves too tempting to resist, even if it means risking his life. (
Set in Metro City, a grieving scientist constructs a young robot with incredible powers in the image of the son he has lost. Unable to fulfill the grieving scientist’s expectations, “Astro Boy” leaves, embarking on a journey of acceptance and betrayal that eventually leads him back to to the home he left in order to save Metro City and the father who had rejected him. (
In Australia, on the brink of World War II, an English aristocrat travels to the faraway continent, where she meets a rough-hewn local and reluctantly agrees to join forces with him to save the land she inherited. Together, they embark upon a transforming journey across hundreds of miles of the world’s most beautiful yet unforgiving terrain, only to still face the bombing of the city of Darwin by the Japanese forces that attacked Pearl Harbor. (
Follows the epic migratory journeys of four animal families as well as the earth’s journey around the sun and the massive influence it has on all life on the planet, from the Arctic spring to the Antarctic winter. (
Inkheart is a thrilling adventure that stars Brendan Fraser as Mo Folchart, a father who possesses a secret ability to bring characters from books to life when he reads them aloud. But when Mo accidentally brings a power-hungry villain from a rare children’s fable to life, the villain kidnaps Mo’s daughter and demands Mo bring other evil fictional characters to life. In an attempt to rescue his daughter, Mo assembles a disparate group of friends – both real and magic – and embarks on a journey to save her and set things right. (
When upscale, happily unmarried San Francisco couple Kate and Brad find themselves socked in by fog on Christmas morning, their exotic vacation plans morph into the family-centric holiday they had, until now, gleefully avoided. Out of obligation–and unable to escape–they trudge to not one, not two, but four relative-choked festivities, increasingly mortified to find childhood fears raised, adolescent wounds reopened… and their very future together uncertain. As Brad counts the hours to when he can get away from their parents, step-parents, siblings and an assortment of nieces and nephews, Kate is starting to hear the ticking of a different kind of clock. And by the end of the day, she is beginning to wonder if their crazy families’ choices are not so crazy after all. (
Press play on A GOOD DAY TO BE BLACK AND SEXY. A mixed tape of deftly arranged vignettes on Black Love, Sex, and Reciprocity. What you hear may be unrecognizable at first… Neo-realistic intimacy between black people found in rare grooves previously drowned out by the sounds of modern hook-ups and bougie preoccupations, a cacophony of mass-produced beats created with drum machine loops and software. A Good Day to be Black and Sexy is that dusty LP you find in the crates. But as soon as you put the needle to wax, all the forgotten lyrics return to your lips in this dreamy love sonnet to the beautiful and chocolate coated. The intro track is a prelude into the heavily sensual world of expectations – the rhythm that drives the film. Erotic moments are lullabies that turn into syncopated groves without notice. This record skips, and jumps to the hook of a Millie Jackson remix. An anthem belted out by a minx who knows her limits, but can’t resist testing the boundaries. It’s a song a sistah can roll her neck and snap her fingers to, exuding, at least for the moment, the confidence that every Black woman wished they had underneath the facade. When the bridge is over, a slow jam slides in- the one from prom night when curfews were extended and hotel rooms were reserved. Back when wistful notions of love were only true when written in diaries and carved on school desks. A sticky interlude eases in and out of the song, and you move a little closer and wrap your arms around to dance tighter, until growing up too fast and maturing too late, causes innocence to be lost too soon. Needle getting closer to the middles leaving the last cut a re-imagined version of masculinity, basketball, and the inability to freely love who you want to love, at the ease that non-Negroes take for granted. Time runs out and so does the tape. Eject (
YONKERS JOE is an exciting, high-stakes con film and moving family drama written and directed by Robert Celestino, and starring Academy Award-nominee Chazz Palminteri, Academy Award-winner Christine Lahti, Tom Guiry (THE BLACK DONNELLYS), Golden Globe-nominee Linus Roache, and Academy Award-nominee Michael Lerner. An ode to old time gamblers, now outdated in an age of powerful upscale casinos, YONKERS JOE tells the story of a dice hustler (Palminteri) whose determination to make one last grab for a big score in Vegas is complicated by the reappearance of his estranged, mentally challenged son into his life. (
Journalist Steve Lopez discovers Nathaniel Anthony Ayers , a former classical music prodigy, playing his violin on the streets of L.A. As Lopez endeavors to help the homeless man find his way back, a unique friendship is formed, one that transforms both their lives. (