When Annie, a 14-year-old girl, is seduced by a 41-year-old internet predator she knows only as “Charlie,” it tears apart her family. While her father becomes obsessed with revenge fantasies, Annie enters therapy, where she refuses to admit she’s been victimized. (Source)
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When Annie, a 14-year-old girl, is seduced by a 41-year-old internet predator she knows only as “Charlie,” it tears apart her family. While her father becomes obsessed with revenge fantasies, Annie enters therapy, where she refuses to admit she’s been victimized. (Source)
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A suburban family is torn apart when 14-year-old Annie (Liana Liberato) meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend is not who he originally claimed to be. Shocked into disbelief, her parents (Clive Owen and Catherine Keener) are shattered by their daughter’s actions and struggle to support her as she comes to terms with what has happened to her once innocent life. (Source)
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With John’s social life at a standstill and his ex—wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life — her son. Written and directed by Jay and Mark Duplass, the iconoclastic filmmaking team behind Sundance Film Festival favorite THE PUFFY CHAIR, CYRUS takes an insightful and funny look at love and family in contemporary Los Angeles. (Source)
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With John’s social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life – her son. Still single seven years after the breakup of his marriage, John has all but given up on romance. But at the urging of his ex-wife and best friend Jamie, John grudgingly agrees to join her and her fiance Tim at a party. To his and everyone else’s surprise, he actually manages to meet someone: the gorgeous and spirited Molly. Their chemistry is immediate. The relationship takes off quickly but Molly is oddly reluctant to take the relationship beyond John’s house. Perplexed, he follows her home and discovers the other man in Molly’s life: her son, Cyrus. A 21-year-old new age musician, Cyrus is his mom’s best friend and shares an unconventional relationship with her. Cyrus will go to any lengths to protect Molly and is definitely not ready to share her with anyone, especially John. Before long, the two are locked in a battle of wits for the woman they both love – and it appears only one man can be left standing when it’s over. Using the innovative improvisational techniques that have earned them critical accolades and a devoted following, Jay Duplass and Mark Duplass enter the mainstream with a touching, original story that blends humor and heartbreak, much like life itself. (Source)
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With John’s social life at a standstill and his ex—wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life – her son. Written and directed by Jay and Mark Duplass, the iconoclastic filmmaking team behind Sundance Film Festival favorite THE PUFFY CHAIR, CYRUS takes an insightful and funny look at love and family in contemporary Los Angeles. (Source)
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With John’s social life at a standstill and his ex—wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life – her son. Written and directed by Jay and Mark Duplass, the iconoclastic filmmaking team behind Sundance Film Festival favorite THE PUFFY CHAIR, CYRUS takes an insightful and funny look at love and family in contemporary Los Angeles. (Source)
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With John’s social life at a standstill and his ex—wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life – her son. Written and directed by Jay and Mark Duplass, the iconoclastic filmmaking team behind Sundance Film Festival favorite THE PUFFY CHAIR, CYRUS takes an insightful and funny look at love and family in contemporary Los Angeles. (Source)
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Kate has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store. And how much markup can she get away with? There’s the materialism problem of not wanting her teenage daughter to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex but sensing doubt nibbling at the foundations. And there’s Kate’s free-floating 21st century malaise – the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra and the two granddaughters who look after her. (Source)
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Kate (Catherine Keener) has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store (and how much markup can she get away with?). There’s the materialism problem of not wanting her teenage daughter (Sarah Steele) to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex (Oliver Platt) but sensing doubt nibbling at the foundations. And there’s Kate’s free—floating 21st century malaise—the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra (Ann Guilbert) and the two granddaughters who look after her (Rebecca Hall and Amanda Peet). As Kate, Alex, and Abby interact with the people next door, with each other, and with their New York surroundings, a complex mix of animosity, friendship, deception, guilt, and love plays out with both sharp humor and pathos. PLEASE GIVE is writer/director Nicole Holofcener’s perceptive—and devastatingly funny—take on modern life’s contradictions, good intentions and shaky moral bearings. (Source)
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