Picking up at the cliffhanger ending where Ong Bak 2 leaves off, Tony Jaa ramps up the epic supernatural elements of the previous film, while still maintaining the trademark bone-crunching action that the series is known for. This time he must face his ultimate enemy: a fierce supernatural warrior named “Demon Crow.” (Source)
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Picking up at the cliffhanger ending where Ong Bak 2 leaves off, Tony Jaa ramps up the epic supernatural elements of the previous film, while still maintaining the trademark bone-crunching action that the series is known for. This time he must face his ultimate enemy: a fierce supernatural warrior named “Demon Crow.” (Source)
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The Warrior’s Way, a visually-stunning modern martial arts western starring Korean actor Dong-gun Jang who plays an Asian warrior assassin forced to hide in a small town in the American Badlands. Rounding out the ensemble cast are Kate Bosworth (Superman Returns), Oscar(R)-winner Geoffrey Rush (Shine), Danny Huston (The Kingdom), and Tony Cox (The Hustle).The fantasy action film was written and directed by newcomer Sngmoo Lee, and is being produced by Barrie M. Osborne (Lord of the Rings), Jooick Lee (Seven Swords) and Michael Peyser (Hackers). (Source)
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After escaping the Japanese occupation of his hometown of Foshan, China, Ip Man and his family have arrived in Hong Kong, which is living under the iron fist of British colonial rule. Ip wants to support his family by opening up a martial arts academy to teach his unique Wing Chun style. But a corrupt cabal of Hong Kong martial arts masters, led by Hung Chun-nam, refuses to allow Ip to teach until he proves himself – and prove himself he does, in an intense series of fights against the masters showcasing a dazzling variety of martial arts styles, culminating in a highly anticipated brawl between Ip and Hung atop a rickety table. But even after gaining the respect of the masters, Ip’s troubles are far from over. Hong Kong under British rule is a world of corruption, and when a Western-style boxer named Taylor “Twister” Milos comes to town to entertain the British upper-class, and insults both Chinese martial arts and the native citizens in a horrifically violent way, Ip must step up and fight for the honor of both his kung fu and the Chinese people. Forced by honor to enter a brutal “King of the Ring” boxing match against Twister, it’s East versus West in an amazing, knock-down drag-out fight to the finish. (Source)
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In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca, Marcus sets out across Hadrian’s Wall into the uncharted highlands of Caledonia – to confront its savage tribes, make peace with his father’s memory, and retrieve the lost legion’s golden emblem, the Eagle of the Ninth. (Source)
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From Claire Denis, the incomparable director of BEAU TRAVAIL, L’INTRUS and 35 SHOTS OF RHUM, comes WHITE MATERIAL: a rich and thrilling account of a woman driven to the edge. An official section of the Venice, Toronto and New York Film Festivals, the film is a riveting exploration the dark complexities of racial conflict and limits of human will. The legendary Isabelle Huppert (LA CEREMONIE, THE PIANO TEACHER, 8 WOMEN,) is Maria Vial, a fearless French woman attempting to run her family’s coffee plantation in an unnamed African country. Torn violently apart by hate-fueled civil conflict, this unforgiving setting soon turns against the foreign family, declaring them outlaw in their new home. In a brash effort to save her family and livelihood, Maria risks everything, fighting with every shred of her will to buck the rebel forces wrestling for control of local power. (Source)
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From Claire Denis, the incomparable director of BEAU TRAVAIL, L’INTRUS and 35 SHOTS OF RHUM, comes WHITE MATERIAL: a rich and thrilling account of a woman driven to the edge. An official section of the Venice, Toronto and New York Film Festivals, the film is a riveting exploration the dark complexities of racial conflict and limits of human will. The legendary Isabelle Huppert (LA CEREMONIE, THE PIANO TEACHER, 8 WOMEN,) is Maria Vial, a fearless French woman attempting to run her family’s coffee plantation in an unnamed African country. Torn violently apart by hate-fueled civil conflict, this unforgiving setting soon turns against the foreign family, declaring them outlaw in their new home. In a brash effort to save her family and livelihood, Maria risks everything, fighting with every shred of her will to buck the rebel forces wrestling for control of local power. (Source)
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Barney Panofsky is a seemingly ordinary man who lives an extraordinary life. A candid confessional, told from Barney’s point of view, the film spans three decades and two continents, taking us through the different “acts” of his unusual history. There is his first wife, Clara, a flame-haired, flagrantly unfaithful free sprit with whom Barney briefly lives “la vie de Boheme” in Rome. The “Second Mrs. P.,” is a wealthy Jewish Princess who shops and talks incessantly, barely noticing that Barney is not listening. And it is at their lavish wedding that Barney meets, and starts pursuing, his third wife, the mother of his two children, and his true love. With his father, Izzy as his sidekick, Barney takes us through the many highs, and a few too many lows, of his long and colorful life. Not only does Barney turn out to be a true romantic, he is also capable of all kinds of sneaky acts of gallantry, generosity, and goodness when we — and he — least expect it. His is a gloriously full life, played out on a grand scale. (Source)
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When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive task force investigating the paranormal, must solve the riddle of a frightening message the girl delivers which suggests humanity is on the verge of extermination by a hostile alien force. (Source)
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Unique improvisational techniques are employed to construct an intimate portrait of people’s lives. (