From Julian Schnabel, Academy Award(c) nominated director of The Diving Bell and the Butterfly, Before Night Falls and Basquiat, comes Miral, the story of four women whose lives intertwine in the starkly human search for justice, hope and reconciliation amid a world overshadowed by conflict, rage and war. The story begins in war-torn Jerusalem in 1948 when Hind Husseini (HIAM ABBASS, The Visitor, Amreeka) opens an orphanage for refugee children that quickly becomes home to 2000 orphans. One of the children is seventeen year old Miral (FRIEDA PINTO, Slumdog Millionaire) who arrived at the orphanage 10 years earlier, following her mother’s tragic death. On the cusp of the Intifada resistance, Miral is assigned to teach at a refugee camp where she falls for a fervent political activist, Hani (OMAR METWALLY, Munich, Rendition) and finds herself in a personal battle that mirrors the greater dilemma around her: to fight like those before her or follow Mama Hind’s defiant belief that education will pave a road to peace. (Source)
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Set in a French bourgeois province in 1977, Suzanne is the submissive wife of rich industrialist Robert Pujol who runs his umbrella factory with an iron hand. After the workers go on strike and hold Robert captive, Suzanne ends up managing the factory instead of her husband, who is disowned by the staff. Distressed and in poor health, Robert goes away for a while and, to the surprise of most, Suzanne proves to be an assertive woman of action. With the help of the communist deputy she puts an end to the strike, gets the factory running again and improves the employees’ working conditions. But when Robert returns from his trip in good health, the situation gets complicated. (
In THE PRINCESS OF MONTPENSIER, acclaimed filmmaker Bertrand Tavernier (‘ROUND MIDNIGHT) directs a spectacular cast in a riveting, lush romantic drama set in the high courts of 16th Century France. Against the backdrop of the savage Catholic/Protestant wars, Marie de Mezieres (Melanie Thierry), a beautiful young aristocrat finds herself married to a young prince (Gregoire Leprince-Ringuet LOVE SONGS), she does not love, haunted by a rakish suitor Gaspard Ulliel (A VERY LONG ENGAGEMENT) from her childhood, and advised by an aging nobleman Lambert Wilson (OF GODS AND MEN), harboring his own forbidden desire for her. The Princess of Montpensier must struggle passionately to stay alive in the intrigue of this corrupt political and romantic web of duty, passion, religion and war. (
Oscar winner Kevin Kline (A Fish Called Wanda) and the luminous Sandrine Bonnaire (Vagabond) square off in this stylish and sophisticated dramedy of newfound passions and mid-life triumphs, set on the postcard-perfect isle of Corsica. Lovely, repressed and quietly intelligent, French chambermaid Helene (Bonnaire) discovers she has a knack for chess. This obsession–much to the chagrin of her husband and teenaged daughter–leads her to seek the clandestine tutelage of a reclusive American doctor (Kline, in his first French-speaking role)–a liaison that radically transforms both of their lackluster lives. Based on Bertina Henrichs’ acclaimed novel La Joueuse d’echec (The Chess Player), Queen to Play is the feature film debut of French director and screenwriter Caroline Bottaro. (
In 1925, the nation of China is divided by infighting, and Japan has become the most powerful force in Asia. With the city of Shanghai torn in half by international conflict, Club Casablanca has become a hotbed of spies, mobsters, English officials and the Japanese military- all looking to gain control of the country, with little regard for what happens to its citizenry. Into this den of intrigue enters Chen Zhen (Donnie Yen), who has returned to China after fighting alongside the Allied forces in Europe, bringing some dark secrets from his past along with him. During the day, he’s known as “Qi”, and appears to be just another wealthy playboy. But at night, he takes to the street as a masked warrior, determined to subvert the Japanese invasion while becoming entangled with the sultry Kiki (Played by Shu Qi), who has a dangerous secret of her own. When his past catches up to him, Zhen is faced with near impossible odds- but his skills are formidable, and he’s up to the challenge. (
Spanning the years 1948-1994, revolves around the Palestinian-Israeli conflict and real-life Palestinian woman Hind Husseini, who started the Dar Al-Tifl orphanage in Jerusalem in the wake of the 1948 partition of Palestine and the creation of the state of Israel. (
Dae-hoon is a special agent whose pregnant wife becomes the latest victim of a disturbed and brutal serial killer. Vowing revenge, Dae-hoon blurs the lines between hunter and hunted and good and evil, eventually becoming a monster himself in his twisted pursuit of revenge. (
Set in 1977 in a provincial French town, POTICHE is a free adaptation of the 1970s eponymous hit comic play. Catherine Deneuve is Suzanne Pujol, a submissive, housebound ‘trophy housewife’ (or “potiche,”) who steps in to manage her wealthy and tyrannical husband (Fabrice Lucchini)’s umbrella factory after the workers go on strike and take him hostage. To everyone’s surprise, Suzanne proves herself a competent and assertive woman of action. But when her husband returns from a restful cruise in top form, things get complicated. Gerard Depardieu plays a former union leader and Suzanne’s ex-beau who still holds a flame for her. Acclaimed writer-director Francois Ozon (“Swimming Pool,” “Under the Sand,” “Time to Leave,”) who had previously directed Ms. Deneuve in “8 Women,” twists the original play on its head to create his own satirical and hilarious take on the war between the sexes and classes. (
Anton is a doctor who commutes between his home in an idyllic town in Denmark, and his work at an African refugee camp. In these two very different worlds, he and his family are faced with conflicts that lead them to difficult choices between revenge and forgiveness. Anton and his wife Marianne, who have two young sons, are separated and struggling with the possibility of divorce. Their older, ten-year-old son Elias is being bullied at school, until he is defended by Christian, a new boy who has just moved from London with his father, Claus. Christian’s mother recently lost her battle with cancer, and Christian is greatly troubled by her death. Elias and Christian quickly form a strong bond, but when Christian involves Elias in a dangerous act of revenge with potentially tragic consequences, their friendship is tested and lives are put in danger. Ultimately, it is their parents who are left to help them come to terms with the complexity of human emotions, pain and empathy. (