A love story is both a physical and emotional tale, one that can be deeply personal and heartbreaking for an audience to experience. Director Drake Doremus’ film Like Crazy beautifully illustrates how your first real love is as thrilling and blissful as it is devastating. When a British college student (Felicity Jones) falls for her American classmate (Anton Yelchin) they embark on a passionate and life-changing journey only to be separated when she violates the terms of her visa.Like Crazy explores how a couple faces the real challenges of being together and of being apart. Winner of the Grand Jury Prize for Best Picture at the 2011 Sundance Film Festival and of the Special Jury Prize for Best Actress for Felicity Jones, Like Crazydepicts both the hopefulness and the heartbreak of love. (Source)
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Best-selling comic book artist Joann Sfar delivers an inventive biography of famed French singer Serge Gainsbourg (Eric Elmosnino). Born Lucien Ginsburg to Russian-Jewish parents, Sfar follows him from his childhood in Nazi-occupied Paris, his transition from painter to jazz musician to pop superstar and his many relationships including Juliette Greco (Anna Mouglalis), Brigitte Bardot (Laetitia Casta) and Jane Birkin (Lucy Gordon) while employing a witty surrealistic style and a soundtrack that acts like a time capsule to ’60’s Paris. (
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A single act of both compassion and arrogance leads to a war unlike any other — and to the RISE OF THE PLANET OF THE APES. (
The intertwining stories of a group of New Yorkers as they navigate their way through romance over the course of New Year’s Eve. (
Tells the story of a man who miraculously survived a terrible fall from a spectacular 200 foot- high precipice that is the area's major attraction. After recovering, he abruptly abandoned friends and family and disappeared without explanation. The secret he couldn't share with them was that, while recovering, he had suddenly developed the power to heal others. Tired of running away, he returns home after a long absence and decides to use his gift– but not altruistically. If people pay him, he will cure them. Though he appears to be doing the right thing, he is doing it for for all the wrong reasons, and risks driving away anyone who ever loved or trusted him. As his moral crisis peaks, he must figure out why he survived his fall, and what he is really meant to do with his life. (
A speculative account of Maria Anna “Nannerl” Mozart, five years older than Wolfgang and a musical prodigy in her own right. Originally the featured performer, she has given way to Wolfgang as the main attraction, as their strict but loving father Leopold tours his talented offspring in front of the royal courts of pre-French revolution Europe. Approaching marriageable age and now forbidden to play the violin or compose, Nannerl chafes at the limitations imposed on her gender. But a friendship with the son and daughter of Louis XV offers an alternative. (
1937: Spain is in the midst of the brutal Spanish Civil War. A “Happy” circus clown is interrupted mid-performance and forcibly recruited by a militia. Still in his costume, he is handed a machete and led into battle against National soldiers, where he single handedly massacres an entire platoon. Fast forward to 1973, the tail end of the Franco regime. Javier, the son of the clown, dreams of following in his father’s career footsteps, but has seen too much tragedy in his life – he’s simply not funny and is only equipped to play the role of the Sad Clown. He finds work in a circus where he befriends an outlandish cast of characters, but as the Sad Clown he must take the abuse of the brutish Happy Clown Sergio, who humiliates Javier daily in the name of entertainment. It is here that he meets Natalia, a gorgeous acrobat, and abused wife of Sergio. Javier falls deeply in love with Natalia and tries to rescue her from her cruel and violent husband, unleashing Sergio’s jealousy. But Natalia is torn between her affection towards Javier, and her lust for Sergio. With neither man willing to back down, this twisted love triangle evolves into a ferocious battle between Sad Clown and Happy Clown, escalating to unbelievable heights. (
Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white-knuckle ride deep into the lawless playground of excess and violence known as Bagdad, 1987. Summoned from the frontline to Saddam Hussein’s palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the “royal family” when he’s ordered to become the ‘fiday’ – or body double – to Saddam’s son, the notorious “Black Prince” Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sangier), Uday’s seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost. (