My Week With Marilyn (Trailer No. 1)

My Week With Marilyn PosterIn the early summer of 1956, 23-year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of ‘The Prince and the Showgirl’. The film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Arthur Miller (Dougray Scott).

Nearly 40 years on, his diary account The Prince, the Showgirl and Me was published, but one week was missing and this was published some years later as My Week with Marilyn — this is the story of that week. When Arthur Miller leaves England, the coast is clear for Colin to introduce Marilyn to some of the pleasures of British life; an idyllic week in which he escorted a Monroe desperate to get away from her retinue of Hollywood hangers-on and the pressures of work. (Source)

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War Horse (Trailer No. 2)

War Horse PosterFrom director Steven Spielberg comes ‘War Horse,’ an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, ‘War Horse’ begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him. When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets–British cavalry, German soldiers, and a French farmer and his granddaughter–before the story reaches its emotional climax in the heart of No Man’s Land.

The First World War is experienced through the journey of this horse–an odyssey of joy and sorrow, passionate friendship and high adventure. ‘War Horse’ is one of the great stories of friendship and war– a successful book, it was turned into a hugely successful international theatrical hit that is arriving on Broadway next year. It now comes to screen in an epic adaptation by one of the great directors in film history. (Source)

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I Melt with You (Trailer No. 1)

I Melt with You PosterRichard Thomas Jane), Ron (Jeremy Piven), Jonathan (Rob Lowe) and Tim (Christian McKay) are old college friends that gather annually for a week in Big Sur to celebrate their friendship and catch-up on each other’s lives. They seem like typical men in their forties – all with careers, families, and enormous responsibilities – but like most people there is a lot more beneath the surface.

As the week progresses, they go down the rabbit hole of excess as mountains of drugs are consumed to a blaring rock ‘n’ roll soundtrack. Parties with much younger women spin out of control. Exhausted and run ragged, they bare their souls to one another revealing the disillusionment with their lives. As the truth emerges, the reunion takes a much darker turn when a promise from their past is brought to light. From director Mark Pellington, ‘I Melt With You’ is a visually dazzling, wild and wooly trip deep into the male psyche, driven by four amazingly committed and profound performances. (Source)

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Melancholia (Featurette)

Melancholia Poster In this beautiful movie about the end of the world, Justine (Kirsten Dunst) and Michael (Alexander Skarsgard) are celebrating their marriage at a sumptuous party in the home of her sister Claire (Charlotte Gainsbourg), and brother-in-law John (Kiefer Sutherland). Despite Claire’s best efforts, the wedding is a fiasco, with family tensions mounting and relationships fraying. Meanwhile, a planet called Melancholia is heading directly towards Earth… MELANCHOLIA is a psychological disaster film from director Lars von Trier. (Source)

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The Tree of Life (TV Spot)

The Tree of Life Poster From Terrence Malick, the acclaimed director of such classic films as Badlands, Days of Heaven and The Thin Red Line, The Tree of Life is the impressionistic story of a Midwestern family in the 1950’s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick’s signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life. (Source)

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My Week With Marilyn (Theatrical Trailer)

My Week With Marilyn (2011) Poster Colin Clark met Marilyn Monroe while working as a young assistant on Laurence Olivier's “The Prince and the Showgirl.” When Marilyn experienced emotional difficulties during shooting, the 23-year-old third assistant director came to her aid and romance developed. But one week of honesty and fun was not enough to save the doomed star from self-destruction. (Source)

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Answers to Nothing (Theatrical Trailer)

Answers to Nothing (2011) Poster Against the backdrop of a missing girl case, lost souls throughout Los Angeles search for meaning and redemption and affect each other in ways they don’t always see.

Ryan and Kate are in a strained marriage. They are trying to have a baby, but instead of bringing them closer together the difficulties are tearing them apart. Two strangers, sharing a home, they each lead private lives unbeknownst to each other. Ryan, grew up listening to the impossible romantic story of his grandparents’ courtship, but isn’t even sure he believes in love. He hates his mother for believing that his father is coming back, even though he left her 10 years ago, and he hates himself for following in his father’s steps of infidelity.

Tara is a young singer at the center of Ryan’s infidelity who despite all her ferocious self-confidence on stage can’t seem to stand up for herself when it comes to Ryan.

Despite his inability to take care of his own personal life, Ryan is a therapist who tries to help others find their way. Allegra is his patient who is trying to understand her own type of self hatred — the resentment of her own race. Uncomfortable in her own skin, she’s the only black staff writer on the first-season TV show “Labor Pains.” She sees Ryan to try to come to terms with her inner struggles but ultimately finds what she’s looking for when she meets Evan, the manager at the club where Tara regularly performs. Evan is a distracted daydreamer and a hopeless romantic who has seemingly been “preparing” for years to be the ideal boyfriend for the girl he finally meets. He meets Allegra while posting signs about a lost dog he found.

Meanwhile Kate carries the burden of desperately wanting a child in ways she can’t express to Ryan or her best friend Frankie. She secretly buys baby clothes and hides them away. As a lawyer, she tries to throw herself into a particularly hard case involving Drew, a recovering alcoholic battling her parents for custody of her severely disabled brother, a former marathon runner. As the court date approaches Drew is determined to run the only major race her brother never ran, the LA Marathon, and push him in his wheelchair across the finish line.

Meanwhile the case of a missing 11 year-old girl continues to play out on television and Frankie, the lead detective, is taking this one personally. A single, divorced mom of a girl the same age, she has a hard time separating the personal and the professional. And she isn’t the only one. Carter is a teacher at Frankie’s daughter’s school. Carter feels like a doormat in much of his life and the missing girl case makes him feel even more helpless. Soon the heroic deeds he engages in at night in the virtual world of his online video game begin to inspire him to do the same in the real world. Fantasy and reality begin to blur leading him to confront his neighbor living down the hallway of his apartment building. Jerry is a beat cop and recent widower who spends much of his day visiting random wakes of others who have lost someone just to listen to the eulogies.

Carter wants to know why the man who appears to be a prime suspect has not been taken into custody. Jerry tries to explain that there are legal procedures that need to be considered but all this does is lead Carter to attempt to take the law into his own hands. (Source)

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