The brutal and bloodthirsty King Hyperion and his murderous Heraklion army are rampaging across Greece in search of the long lost Bow of Epirus. With the invincible Bow, the king will be able to overthrow the Gods of Olympus and become the undisputed master of his world. With ruthless efficiency, Hyperion and his legions destroy everything in their wake, and it seems nothing will stop the evil king’s mission. As village after village is obliterated, a stonemason named Theseus vows to avenge the death of his mother in one of Hyperion’s raids. When Theseus meets the Sybelline Oracle, Phaedra, her disturbing visions of the young man’s future convince her that he is the key to stopping the destruction. With her help, Theseus assembles a small band of followers and embraces his destiny in a final desperate battle for the future of humanity. (Source)
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Tintin is the intrepid young reporter whose relentless pursuit of a good story thrusts him into a world of high adventure (
A newly widowed father — and one of the richest men in Oahu, Hawaii — takes off with his two rebellious daughters to track down his wife’s lover on the island of Kauai. (
Based on the life of the UFC fighter, Matt Hamill, The Hammer is a coming of age drama about the first deaf wrestler’s journey to win a National Collegiate Championship. Raised among those with the ability to hear, Matt finds himself no less an outsider amidst the Deaf community. But through sheer determination, he turns what could be a disability into an asset and in the process serves as an inspiration for both those who can hear and those who cannot. (
From writer/director James Westby (Film Geek, The Auteur) comes RID OF ME, a black comedy that follows Meris, an awkward young woman trying too hard to perfect her marriage, amongst a new group of friends. With a breakthrough lead performance by Katie O’Grady, and an ensemble that includes Art Alexakis (of Everclear) and Theresa Russell (Black Widow, Bad Timing), RID OF ME follows Meris’ rejection from the cool crowd down a path towards truth and salvation which includes a job at a local candy shop, a group of punk friends, community gardening and a newfound love for Cambodian rock music. (
Germany 1772 – the young and tumultuous Johann Wolfgang von Goethe (Alexander Fehling) aspires to be a poet; but after failing his law exams, he is sent by his father (Henry Huebchen) to a sleepy provincial court to mend his ways. Unsure of his talent and eager to prove himself, Goethe soon wins the praise and friendship of his superior Kestner (Moritz Bleibtreu). But then Lotte (Miriam Stein) enters his life and nothing is the same as before. However, the young lovers are unaware that her father has already promised Lotte’s hand to another man. Director Phillip Stoelzl returns to the very wellspring of Romanticism – Goethe’s loosely autobiographical masterpiece The Sorrows of Young Werther – and conjures up a beguiling and refreshingly innocent period romance. (
Throughout his extraordinary career, Academy Award-wining director Martin Scorsese has brought his unique vision and dazzling gifts to life in a series of unforgettable films. This holiday season the legendary storyteller invites you to join him on a thrilling journey to a magical world with his first-ever 3-D film, based on Brian Selznick’s award-winning, imaginative New York Times best-seller, “The Invention of Hugo Cabret.” HUGO is the astonishing adventure of a wily and resourceful boy whose quest to unlock a secret left to him by his father will transform Hugo and all those around him, and reveal a safe and loving place he can call home. (
Directed by Tristan Patterson and executive produced by indie-maverick Christine Vachon, DRAGONSLAYER is the Grand Jury Prize winner for Best Documentary Feature at SXSW 2011, and is the second feature to be released theatrically by Drag City following Harmony Korine’s Trash Humpers. DRAGONSLAYER documents the transgressions of a lost skate punk falling in love in the stagnant suburbs of Fullerton, California in the aftermath of America’s economic collapse. Taking the viewer through a golden SoCal haze of broken homes, abandoned swimming pools and stray glimpses of unusual beauty, DRAGONSLAYER captures the life and times of Josh “Skreech” Sandoval, a local skate legend and new father, as his endless summer finally collides with the future. Set to the alternately roaring and dreamy soundtrack of bands from the indie labels Mexican Summer and Kemado Records–including Best Coast, Bipolar Bear, Children, Dungen, Eddy Current and the Suppression Ring, Golden Triangle, Jacuzzi Boys, Little Girls, Real Estate, The Soft Pack, Saviours, as well as DEATH and Thee Oh Sees –DRAGONSLAYER is a punk-rock manifesto to youth, love and learning to survive after the decline of western civilization. (
Sherlock Holmes has always been the smartest man in the room… until now. There is a new criminal mastermind at large — Professor Moriarty — and not only is he Holmes’ intellectual equal, but his capacity for evil, coupled with a complete lack of conscience, may actually give him an advantage over the renowned detective. When the Crown Prince of Austria is found dead, the evidence, as construed by Inspector Lestrade points to suicide. But Sherlock Holmes deduces that the prince has been the victim of murder — a murder that is only one piece of a larger and much more portentous puzzle, designed by one Professor Moriarty. Mixing business with pleasure, Holmes tracks the clues to an underground gentlemen’s club, where he and his brother, Mycroft Holmes are toasting Dr. Watson on his last night of bachelorhood. It is there that Holmes encounters Sim, a Gypsy fortune teller, who sees more than she is telling and whose unwitting involvement in the prince’s murder makes her the killer’s next target. Holmes barely manages to save her life and, in return, she reluctantly agrees to help him. The investigation becomes ever more dangerous as it leads Holmes, Watson and Sim across the continent, from England to France to Germany and finally to Switzerland. But the cunning Moriarty is always one step ahead as he spins a web of death and destruction — all part of a greater plan that, if he succeeds, will change the course of history. (