Some teachers just don’t give an F. For example, there’s Elizabeth (Cameron Diaz). She’s foul-mouthed, ruthless, and inappropriate. She drinks, she gets high, and she can’t wait to marry her meal ticket and get out of her bogus day job. When she’s dumped by her fiance, she sets her plan in motion to win over a rich, handsome substitute (Justin Timberlake) – competing for his affections with an overly energetic colleague, Amy (Lucy Punch). When Elizabeth also finds herself fighting off the advances of a sarcastic, irreverent gym teacher (Jason Segel), the consequences of her wild and outrageous schemes give her students, her coworkers, and even herself an education like no other. (Source)
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In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth – something more terrifying than any of them could have imagined. (
When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train. In an assignment unlike any he's ever known, he learns he's part of a government experiment called the “Source Code,” a program that enables him to cross over into another man's identity in the last 8 minutes of his life. With a second, much larger target threatening to kill millions in downtown Chicago, Colter re-lives the incident over and over again, gathering clues each time, until he can solve the mystery of who is behind the bombs and prevent the next attack. (
A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil. (
“Public Speaking” is a feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film, directed by Martin Scorsese, is in the vein of his early documentaries such as “American Boy” and “Italian American”. “Public Speaking” weaves together extemporaneous monologues featuring Fran Lebowitz with archival footage. The effect is a portrait of Fran’s worldview and experiences. (
Mickey Haller (Matthew McConaughey) is a Los Angeles criminal defense attorney who operates out of the back of his Lincoln sedan. Haller has spent most of his career defending garden-variety criminals, until he lands the case of his career: defending Louis Roulet (Ryan Phillippe), a Beverly Hills playboy accused of rape and attempted murder. But the seemingly straightforward case suddenly develops into a deadly game of survival for Haller. (
QUEEN OF THE SUN: What Are the Bees Telling Us? is a profound, alternative look at the global bee crisis from Taggart Siegel, acclaimed director of the grass-roots hit THE REAL DIRT ON FARMER JOHN. Taking us on a journey through the catastrophic disappearance of bees and the mysterious world of the beehive, this engaging and ultimately uplifting film weaves an unusual and dramatic story of the heartfelt struggles of beekeepers, scientists and philosophers from around the world including Michael Pollan, Gunther Hauk and Vandana Shiva. Together they reveal both the problems and the solutions in renewing a culture in balance with nature. (
Inspired by the bestselling novel SNOW FLOWER AND THE SECRET FAN by Lisa See, the film is a timeless portrait of female friendship. In 19th-century China, seven-year-old girls Snow Flower and Lily are matched as laotong – or “old sames” – bound together for eternity. Isolated by their families, they furtively communicate by taking turns writing in a secret language, nu shu, between the folds of a white silk fan. In a parallel story in present day Shanghai, the laotong’s descendants, Nina and Sophia, struggle to maintain the intimacy of their own childhood friendship in the face of demanding careers, complicated love lives, and a relentlessly evolving Shanghai. Drawing on the lessons of the past, the two modern women must understand the story of their ancestral connection, hidden from them in the folds of the antique white silk fan, or risk losing one another forever. What unfolds are two stories, generations apart, but everlasting in their universal notion of love, hope and friendship. (
In THE PRINCESS OF MONTPENSIER, acclaimed filmmaker Bertrand Tavernier (‘ROUND MIDNIGHT) directs a spectacular cast in a riveting, lush romantic drama set in the high courts of 16th Century France. Against the backdrop of the savage Catholic/Protestant wars, Marie de Mezieres (Melanie Thierry), a beautiful young aristocrat finds herself married to a young prince (Gregoire Leprince-Ringuet LOVE SONGS), she does not love, haunted by a rakish suitor Gaspard Ulliel (A VERY LONG ENGAGEMENT) from her childhood, and advised by an aging nobleman Lambert Wilson (OF GODS AND MEN), harboring his own forbidden desire for her. The Princess of Montpensier must struggle passionately to stay alive in the intrigue of this corrupt political and romantic web of duty, passion, religion and war. (