The radiant Natalie Portman (CLOSER, BLACK SWAN) lights up the screen in this frank, funny, and heart-wrenching adaptation of bestselling author Ayelet Waldman’s novel about life, loss, and family directed by Don Roos (THE OPPOSITE OF SEX, HAPPY ENDINGS). Emilia (Portman) is a Harvard law school graduate and a newlywed, having just married Jack (Scott Cohen, THE UNDERSTUDY), a high-powered New York lawyer, who was her boss – and married – when she began working at his law firm. Unfortunately, her life takes an unexpected turn when Jack and Emilia lose their newborn daughter. Emilia struggles through her grief to connect with her new stepson William (Charlie Tahan, I AM LEGEND), but is finding it hard to connect with this precocious child. Perhaps the most difficult obstacle of all for Emilia is trying to cope with the constant interferences of her husband’s angry, jealous ex-wife, Carolyn (Lisa Kudrow). (Source)
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The landmark anime Evangelion evolves, reaching new heights of intensity in the new feature film, EVANGELION: 2.0 YOU CAN (NOT) ADVANCE. In an explosive new story full of brutal action and primal emotion, a group of young pilots maneuver their towering, cyborg Eva Units into combat against a deadly and disturbing enemy. In the battle to prevent the apocalyptic Third Impact, Shinji and Rei were forced to carry humanity’s hopes on their shoulders. Now, as the onslaught of the bizarre, monstrous Angels escalates, they find their burden shared by two new Eva pilots: the fiery Asuka and the mysterious Mari. In this thrilling new experience for fans of giant robot action, the young pilots fight desperately to save mankind – and struggle to save themselves. (
A favorite at this year’s Cannes, Toronto and Fantastic Fest film festivals, THE HOUSEMAID is a stylish, sexy thriller about an innocent young woman caught in the twisted web of a rich family’s games. Eun-yi (Cannes Best Actress winner Jeon Do-youn of SECRET SUNSHINE) is hired as a nanny in an lavish mansion by businessman Hoon (Lee Jung-jae) and his very pregnant wife, Hae-ra (Seo Woo). When Eun-yi is seduced by the father of the house, she becomes the unwitting victim in a series of traps laid by the women of the house-Hae-ra, her villainous mother (Park Ji-young), and their seemingly loyal but increasingly bitter housekeeper (Yun Yeo-jong). Intensely erotic and fiendishly entertaining, THE HOUSEMAID builds to an unforgettable climax as Eun-yi must outwit them and escape their schemes to protect her sanity-and her life-from the vicious family. (
Juliet (Academy Award-winner Hilary Swank, Million Dollar Baby), a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It’s got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone. She is being watched. She is being stalked. And no one is safe when she discovers the relentless horror on her doorstep. But how do you stop an evil that you can’t see…until it’s too late? Jeffrey Dean Morgan (Grey’s Anatomy) and screen legend Christopher Lee (The Lord of the Rings) costar in this pulse-pounding shocker from famed horror studio Hammer Films (Let Me In). (
A legendary Warrior Priest from the last Vampire War now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on an obsessive quest to find her before they turn her into one of them. He is joined on his crusade by his niece’s boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. (
Barney Panofsky is a seemingly ordinary man who lives an extraordinary life. A candid confessional, told from Barney’s point of view, the film spans three decades and two continents, taking us through the different “acts” of his unusual history. There is his first wife, Clara, a flame-haired, flagrantly unfaithful free sprit with whom Barney briefly lives “la vie de Boheme” in Rome. The “Second Mrs. P.,” is a wealthy Jewish Princess who shops and talks incessantly, barely noticing that Barney is not listening. And it is at their lavish wedding that Barney meets, and starts pursuing, his third wife, the mother of his two children, and his true love. With his father, Izzy as his sidekick, Barney takes us through the many highs, and a few too many lows, of his long and colorful life. Not only does Barney turn out to be a true romantic, he is also capable of all kinds of sneaky acts of gallantry, generosity, and goodness when we — and he — least expect it. His is a gloriously full life, played out on a grand scale. (
An inspired story of love, dedication and the remarkable bond between humans and animals. This film documents orphaned orangutans and elephants and the extraordinary people who rescue and raise them – saving endangered species one life at a time. Stunningly captured in IMAX 3D, Born to be Wild 3D is a heartwarming adventure transporting moviegoers into the lush rainforests of Borneo with world-renowned primatologist Dr. Birute Galdikas, and across the rugged Kenyan savannah with celebrated elephant authority Dame Daphne Sheldrick, as they and their team rescue, rehabilitate and return these incredible animals back to the wild. (
The Kids Are All Right is the heartfelt new comedy from acclaimed director Lisa Cholodenko, starring Annette Bening, Julianne Moore, and Mark Ruffalo. Two teenaged children (Alice in Wonderland’s Mia Wasikowska and Journey to the Center of the Earth’s Josh Hutcherson) get the notion to seek out their biological father and introduce him into the family life that their two mothers (Bening and Moore) have built for them. Once the donor (Ruffalo) is found, the household will never be the same, as family ties are defined, re—defined, and re—re—defined. The New York Times raves that it’s “a generous, nearly note—perfect portrait of a modern family,” and Entertainment Weekly calls the movie “funny, smart and sexy!” (
The third installment in the series, TETSUO III: THE BULLET MAN, and Tsukamoto’s first English-language film, stars Eric Bossick as Anthony, a young man who was born and raised in Tokyo and is now raising a family there. What should be a happy time in Anthony’s life is not: his wife is crippled by anxiety and unable to leave the house. She also has recurring nightmares about a horrible fate awaiting the pair’s young son, Tom. Those nightmares turn out to be prophetic when Tom is cruelly run down in the street. Losing their boy pushes Yuriko over the edge and triggers violent emotions in Anthony, whose body begins to transform. Anthony flies into a terrible rage, and soon discovers that the power of his emotion transforms him into a strange, metallic monster. When the driver who killed Tom reappears and Anthony learns the truth about his father’s past experiments on human guinea pigs and about his mother’s death, Anthony mutates into a mass of metal – a human weapon fueled by an uncontrollable rage. This delights the mysterious man who ran down Anthony’s son, a man who now continually taunts Anthony from a distance. (