THE IRON LADY is a surprising and intimate portrait of Margaret Thatcher (Meryl Streep), the first and only female Prime Minister of The United Kingdom. One of the 20th century’s most famous and influential women, Thatcher came from nowhere to smash through barriers of gender and class to be heard in a male dominated world. (Source)
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David Bourne (JACK HUSTON), a promising American novelist now living in Paris, meets the volatile and seductive Catherine (MENA SUVARI) and immediately falls under her spell. After a whirlwind romance they set off for their honeymoon on the Cote d’Azur. David is increasingly distracted from his writing by Catherine’s sexual liberation and erotic role-playing. As David struggles to control his emotions, Catherine raises the erotic tension by bringing David a present in the form of the sultry Marita (CATERINA MURINO), an Italian heiress, who provokes excitement and jealousy in both David and Catherine. As he becomes a pawn between the two manipulative women, David retreats into his writing, re-creating the story of his relationship with his father, a charismatic big-game hunter (MATTHEW MODINE). As jealous as she is of Marita, Catherine is even more obsessively envious of David’s success as a writer, especially if his stories do not involve her. Catherine becomes vindictive and her dangerous, erotic game-playing only serves to drive David into Marita’s arms. (Source)
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Set in the jazz age of the 1920s, the story follows a successful young American writer, David Bourne, and his beautiful wife, Catherine, on their extended honeymoon in Europe. Catherine soon becomes restless and starts to test her husband's devotion, pushing him to the limits of her erotic imagination and luring a sultry Italian girl Marita into their inner circle. With the stakes continually ratcheting higher, the events that follow change their lives forever. (Source)
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An adaptation of Nobel laureate Ernest Hemingway’s novel, The Garden of Eden, which was published posthumously in 1986 to great success. The novel remains one of the author’s most debated novels and is considered a departure from Hemingway’s usual work as it is widely accepted the novel is far more reflective of his personal life, perhaps even semi-autobiographical. The fact the book was not published until after Hemingway’s suicide has sparked debate as to whether the erotic nature of it was such that he never wished it published at all.
Set in the jazz age of the 1920s, the story follows a successful young American writer, David Bourne (Jack Huston), and his beautiful wife, Catherine (Mena Suvari), on their extended honeymoon in Europe. Catherine soon becomes restless and starts to test her husband’s devotion, pushing him to the limits of her erotic imagination and luring a sultry Italian girl Marita (Caterina Murino) into their inner circle. With the stakes continually ratcheting higher, the events that follow change their lives forever. (Source)
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Set in the jazz age of the 1920s, the story follows a successful young American writer, David Bourne, and his beautiful wife, Catherine, on their extended honeymoon in Europe. Catherine soon becomes restless and starts to test her husband’s devotion, pushing him to the limits of her erotic imagination and luring a sultry Italian girl Marita into their inner circle. With the stakes continually ratcheting higher, the events that follow change their lives forever. (Source)
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David Bourne (JACK HUSTON), a promising American novelist now living in Paris, meets the volatile and seductive Catherine (MENA SUVARI) and immediately falls under her spell. After a whirlwind romance they set off for their honeymoon on the Cote d’Azur. David is increasingly distracted from his writing by Catherine’s sexual liberation and erotic role-playing. As David struggles to control his emotions, Catherine raises the erotic tension by bringing David a “present” in the form of the sultry Marita (CATERINA MURINO), an Italian heiress, who provokes excitement and jealousy in both David and Catherine. As he becomes a pawn between the two manipulative women, David retreats into his writing, re-creating the story of his relationship with his father, a charismatic big-game hunter (MATTHEW MODINE). As jealous as she is of Marita, Catherine is even more obsessively envious of David’s success as a writer, especially if his stories do not involve her. Catherine becomes vindictive and her dangerous, erotic game-playing only serves to drive David into Marita’s arms. (Source)
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Andriy Krystiyan, or A K for short, has come to England from the Ukraine. A K is a philosopher (at least that’s what he claims to be), a poet, and an authority on all aspects of life. At the same time, he is following his grand plan to become an international star. Global stardom is how A K describes the goal that he and his band Gogol Bordello are pursuing with their particular brand of boisterous gypsy punk. For the time being, however, he makes ends meet by performing role play in women’s clothing for straightmarried men. A K shares a flat with two young women named Juliette and Holly. Juliette dreams of being a kind of Florence Nightingale of the developing world. She is currently working behind the counter at the local drug store run by Sardeep, the Indian chemist. Holly is a trained ballerina. Her big dream is todance with the Royal Ballet. So far she hasn’t been able to earn a single penny with her dancing, and continues to ‘polish’ her skills as a pole dancer at Beechman’s Exotic Gentleman’s Club. (Source)
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Madonna’s directorial debut, FILTH AND WISDOM, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of ‘trans-continental superstardom’ with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), an aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky Mclure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa’s youth. FILTH AND WISDOM is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face in our pursuits of happiness. (Source)
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A magical story of a young woman, Penelope Wilhern (Christina Ricci), born to wealthy socialites. Penelope is afflicted by a secret family curse that can only be broken when she is loved by “one of her own kind”. Hidden away inthe family’s majestic home, she is subjected to meeting a string of blue-bloods through her parent’s futile attempt to marry her off and break the curse. (Source)
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A modern day romantic tale about a young girl’s inspiring journey, a mysterious family secret and the power of love. With all odds against her, in order for Penelope to break the family curse, she must find true love with “one of her own kind.” The warm and funny adventure leads her to realize the most important life lesson, “I like myself the way I am.” Penelope Wilhern, born to wealthy socialites, is afflicted by the Wilhern spell that can only be broken when she finds love. Hidden away in her family’s estate, the lonely girl meets a string of suitors in her parent’s futile attempt to break the curse. Each eligible bachelor is enamored with Penelope and her sizable dowry… until her curse is revealed. Lemon, a mischievous and eager tabloid reporter wants a photograph of the mysterious Penelope and hires Max to pose as a prospective suitor to get the shot. The handsome down-on-his luck gambler finds he falling for Penelope, but not wanting to disappoint her or to expose his surreptitious ways, he decides to disappear. Fed up by his latest betrayal and determined to live life on her own terms, Penelope breaks free from her family and ventures into the world alone. She finds adventure and Annie, her first friend and becomes the person she was meant to be. (Source)
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