David Bourne (JACK HUSTON), a promising American novelist now living in Paris, meets the volatile and seductive Catherine (MENA SUVARI) and immediately falls under her spell. After a whirlwind romance they set off for their honeymoon on the Cote d’Azur. David is increasingly distracted from his writing by Catherine’s sexual liberation and erotic role-playing. As David struggles to control his emotions, Catherine raises the erotic tension by bringing David a present in the form of the sultry Marita (CATERINA MURINO), an Italian heiress, who provokes excitement and jealousy in both David and Catherine. As he becomes a pawn between the two manipulative women, David retreats into his writing, re-creating the story of his relationship with his father, a charismatic big-game hunter (MATTHEW MODINE). As jealous as she is of Marita, Catherine is even more obsessively envious of David’s success as a writer, especially if his stories do not involve her. Catherine becomes vindictive and her dangerous, erotic game-playing only serves to drive David into Marita’s arms. (Source)
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Set in the jazz age of the 1920s, the story follows a successful young American writer, David Bourne, and his beautiful wife, Catherine, on their extended honeymoon in Europe. Catherine soon becomes restless and starts to test her husband's devotion, pushing him to the limits of her erotic imagination and luring a sultry Italian girl Marita into their inner circle. With the stakes continually ratcheting higher, the events that follow change their lives forever. (
Set against the backdrop of contemporary London and the international art scene, where lust, ambition, power and betrayal seem to prevail. Dealers, collectors, artists and wannabees vie with each other in a world in which success and downfall rest on a knife edge. (
A tycoon’s crafty wife plays rival bidders against each other as a shady art dealer tries to obtain a valuable painting. (
What happens when the people we count on to hold us together…are barely holding it together themselves? Jonas Pate’s Shrink is a striking, fast-paced exposé of the “other” Hollywood, featuring folks living outside their comfort zone and the people who put them there. Henry Carter (Kevin Spacey) is a psychiatrist with an A-list clientele, including a once-famous actress (Saffron Burrows), an insecure young writer (Mark Webber), and a comically obsessive-compulsive superagent (Dallas Roberts). Henry is not in a good place, however. He has been asked to take his first pro bono case, a troubled teenage girl from a neighborhood far from the Hollywood hills. Considering his present state of mind, is he ready for the real-life troubles of a young woman who loves the world of movies he has become so jaded by? At its core, Shrink is a study of control and our endless need for it, even when it grows increasingly impossible to obtain. Writer Thomas Moffett uses classic archetypes in this modern Hollywood tale, but never pushes them over the edge of credibility. Performed by a well-matched cast at the top of their form, the result is both satisfying and exhilarating. Watching Shrink makes us feel like voyeurs looking through a window into the lives of people who look great, feel worse, and end up behaving badly. (
Outlander begins when a space craft crashes into the majestic fjords of ancient Norway and into the time of the Vikings. From the wreckage emerge two bitter enemies: a soldier from another world –- Kainan (James Caviezel) –- and a bloodthirsty creature known as the Moorwen. Man and monster both seeking revenge for violence committed against them. As the Moorwen ravages the Viking world, killing everything in its path, Kainan forms an unlikely alliance with the primitive but fierce warriors. Combining his advanced technology with ancient Iron Age weapons, the hero leads a desperate attempt to kill the monster — before it destroys them all. (