X-MEN FIRST CLASS charts the epic beginning of the X-Men saga, and reveals a secret history of famous global events. Before mutants had revealed themselves to the world, and before Charles Xavier and Erik Lehnsherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Not archenemies, they were instead at first the closest of friends, working together with other Mutants (some familiar, some new), to prevent nuclear Armageddon. In the process, a grave rift between them opened, which began the eternal war between Magneto’s Brotherhood and Professor X’s X-Men. (Source)
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Hathaway portrays Maggie, an alluring free spirit who won’t let anyone – or anything – tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie’s evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love. (
Kate has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store. And how much markup can she get away with? There’s the materialism problem of not wanting her teenage daughter to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex but sensing doubt nibbling at the foundations. And there’s Kate’s free-floating 21st century malaise – the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra and the two granddaughters who look after her. (
Kate (Catherine Keener) has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store (and how much markup can she get away with?). There’s the materialism problem of not wanting her teenage daughter (Sarah Steele) to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex (Oliver Platt) but sensing doubt nibbling at the foundations. And there’s Kate’s free—floating 21st century malaise—the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra (Ann Guilbert) and the two granddaughters who look after her (Rebecca Hall and Amanda Peet). As Kate, Alex, and Abby interact with the people next door, with each other, and with their New York surroundings, a complex mix of animosity, friendship, deception, guilt, and love plays out with both sharp humor and pathos. PLEASE GIVE is writer/director Nicole Holofcener’s perceptive—and devastatingly funny—take on modern life’s contradictions, good intentions and shaky moral bearings. (