After losing the woman of his dreams, how can a man recuperate his faith in love? When Javier marries Maria, he believes his life is set. However, when his true love leaves him, Javier falls into a depression that sends him to psychoanalysis, his ex-girlfriends, friends, and new romances, all in the hope of forgetting Maria and moving on. (Source)
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In THE PRINCESS OF MONTPENSIER, acclaimed filmmaker Bertrand Tavernier (‘ROUND MIDNIGHT) directs a spectacular cast in a riveting, lush romantic drama set in the high courts of 16th Century France. Against the backdrop of the savage Catholic/Protestant wars, Marie de Mezieres (Melanie Thierry), a beautiful young aristocrat finds herself married to a young prince (Gregoire Leprince-Ringuet LOVE SONGS), she does not love, haunted by a rakish suitor Gaspard Ulliel (A VERY LONG ENGAGEMENT) from her childhood, and advised by an aging nobleman Lambert Wilson (OF GODS AND MEN), harboring his own forbidden desire for her. The Princess of Montpensier must struggle passionately to stay alive in the intrigue of this corrupt political and romantic web of duty, passion, religion and war. (Source)
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Created from an astonishing 500,000 hand-painted frames of animation, MIA AND THE MIGOO is a stunningly beautiful and thrilling family adventure that pits a plucky, wild haired young heroine Mia against profit-hungry developers, with the future of life on Earth in the balance. One night Mia has a premonition. So after saying a few words of parting at her mother’s grave, she sets out on a journey across mountains and jungles in search of her father, who has been trapped in a landslide at a disaster-plagued construction site on a remote tropical lake. In the middle of the lake stands the ancient Tree of Life, watched over by innocent, bumbling forest spirits called the Migoo, who grow and change shape as they please, morphing from small childlike beings to petulant giants. It is the Migoo who have been disrupting the construction to protect this sacred site – and now together with Mia they join in a fight to find Mia’s father and save the Tree. (Source)
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Cult director Takeshi Miike (Ichi the Killer, Audition) delivers a bravado period action film set at the end of Japan’s feudal era in which a group of unemployed samurai are enlisted to bring down a sadistic lord and prevent him from ascending to the throne and plunging the country into a wartorn future. (Source)
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The first documentary ever chosen to compete in the International Critics’ Week at Cannes (where it won the grand prize), Janus Metz’s ARMADILLO follows a platoon of Danish soldiers on a six-month tour of Afghanistan in 2009. An intimate, visually stunning account of both the horror and growing cynicism of modern warfare, the film premiered at the top of the box office in Denmark, provoking a national debate over government policy and the rules of engagement. (Source)
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A champion marathoner leads a double life as a serial bank robber, sprinting between fixes (and away from police cavalcades) as many as three times a day. Based on the real-life story of Austria’s most-wanted bank robber of the 1980s, Benjamin Heisenberg’s thriller is a lean, visceral study of pathological compulsion, featuring a riveting central performance by Andreas Lust (REVANCHE). (Source)
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A train rolls into its final stop. From one of the freight cars jumps a weary-eyed transient with dreams of a fresh start in a new town. Instead, he lands smack-dab in the middle of an urban hellhole, a place where the cops are crooked and the underprivileged masses are treated like insignificant animals. This is a city where crime reigns supreme, and the man pulling the strings is known only as “The Drake.” Along with his two cold-blooded and sadistic sons, Ivan and Slick, he rules with an iron fist, and nobody dares fuck with The Drake, especially not some hobo. (Source)
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Just after the death of her newly-born sister, Chanda, 12 years old, learns of a rumor that spreads like wildfire through her small, dust-ridden village near Johannesburg. It destroys her family and forces her mother to flee. Sensing that the gossip stems from prejudice and superstition, Chanda leaves home and school in search of her mother and the truth. (Source)
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Set in 1977 in a provincial French town, POTICHE is a free adaptation of the 1970s eponymous hit comic play. Catherine Deneuve is Suzanne Pujol, a submissive, housebound ‘trophy housewife’ (or “potiche,”) who steps in to manage her wealthy and tyrannical husband (Fabrice Lucchini)’s umbrella factory after the workers go on strike and take him hostage. To everyone’s surprise, Suzanne proves herself a competent and assertive woman of action. But when her husband returns from a restful cruise in top form, things get complicated. Gerard Depardieu plays a former union leader and Suzanne’s ex-beau who still holds a flame for her. Acclaimed writer-director Francois Ozon (“Swimming Pool,” “Under the Sand,” “Time to Leave,”) who had previously directed Ms. Deneuve in “8 Women,” twists the original play on its head to create his own satirical and hilarious take on the war between the sexes and classes. (Source)
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When an old villager insists on attending school so he can learn to read, everyone learns that it’s never too late to dream. (