At Prom, every couple has a story and no two are exactly alike. Several intersecting stories unfold at one high school as the big dance approaches; Prom portrays the precarious passage from high school to independence as some relationships unravel and others ignite. For Nova Prescott (Aimee Teegarden), it’s a battle of wills as she finds herself drawn to the guy (Thomas McDonell) who gets in the way of her perfect prom. Fellow seniors Mei (Yin Chang) and Tyler (De’Vaughn Nixon) harbor secrets, while others face all the insecurity and anticipation that surrounds one of high school’s most seminal events. There are hundreds of nights in high school, but there’s only one Prom. (Source)
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At the dawn of the civil rights movement, three Mississippi women are about to take one extraordinary step. Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss and her mother won’t be happy till she finds a husband. Aibileen, a wise African-American maid and caretaker suffers after the loss of her own child. And Minny, Aibileen’s sassy best friend, struggles to find and hold a job. Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. (
In 19th-century China, seven year old girls Snow Flower and Lily are matched as laotong – or “old sames” – bound together for eternity. Isolated by their families, they furtively communicate by taking turns writing in a secret language, nu shu, between the folds of a white silk fan. In a parallel story in present day Shanghai, the laotong’s descendants, Nina and Sophia, struggle to maintain the intimacy of their own childhood friendship in the face of demanding careers, complicated love lives, and a relentlessly evolving Shanghai. Drawing on the lessons of the past, the two modern women must understand the story of their ancestral connection, hidden from them in the folds of the antique white silk fan, or risk losing one another forever. What unfolds are two stories, generations apart, but everlasting in their universal notion of love, hope and friendship. (
A married couple, apart for one night, faces temptation as the husband takes a business trip with an attractive colleague and the wife encounters a former lover. (
Based on the true-life experiences of four combat photographers capturing the final days of apartheid in South Africa. (
Recovering alcoholic stage actress, Thea Barfoed (Paprika Steen) has gone through turmoil. Having divorced her husband, Christian (Michael Falch), and relinquished custody of their two boys during her heavy drinking days, Thea wants to start over. As her past alcohol use and indiscretions still haunt her, the reality of a new beginning seems bleak. Thea uses her inner actress’s charm and manipulation to convince her ex-husband that she is fully recovered and capable of being a good mother to their children; however, she hasn’t completely convinced herself. On stage, Thea plays the binge drinking, ostentatious Martha in “Who’s Afraid of Virginia Woolf?” Ironically, her stage character bears an uncanny resemblance to her personal life. As her alcoholism and past regrets hang in the balance, Thea must decide whether to confront her inner demons or to let the show go on. (
A teen finds himself in mortal danger after realizing that his entire childhood has been built on lies. Realizing that the people who raised him aren’t his real parents after stumbling across a childhood photo of himself on a website devoted to missing children, the frightened teen flees for his life as FBI agents Frank Burton and Sandra Burns race to protect him and uncover the truth about his mysterious past. (