Despite all evidence to the contrary, aging short-money hustler Joe May (Dennis Farina) always believed he had a glorious future ahead of him. Now in his sixties, Joe is released from the hospital after a long battle with pneumonia and forced to confront the harsh reality of his legacy: everyone he knew had assumed he was dead, and life had gone on around him without missing a beat. Returning to his old neighborhood in Chicago’s “Patch” district, he finds his car gone, all his worldly possessions pawned by his landlord, and the apartment he’s lived in his entire adult life rented out to a single mother named Jenny and her eight year-old daughter Angelina . After a rough night’s sleep outdoors, Joe reluctantly moves in with the new tenants of his home – at least until he is able to get back on his feet. Even as Joe doggedly pursues his comeback, he finds the odds stacked drastically against him. He gets no respect from his old supplier, his best friend and partner in crime has moved into an assisted living facility, and even Joe’s prized pigeon coops have fallen into disrepair. Throughout this ordeal, Joe’s one lifeline is his burgeoning friendship with his co-tenants. So when things turn ugly between Jenny and her boyfriend – a crooked detective with a penchant for domestic violence – Joe is determined to take a stand for his unlikely new family, and perhaps take one last shot at redefining his legacy. (Source)
Find more trailers and clips on our homepage.
A troubled high-school kid pretending to be dying of cancer confronts problems with his new girlfriend and terminally ill father as he struggles with his daily existence. (
The day is May 6, 2007, France’s run-up to the presidential elections. As the French people are getting ready to go to the polls to elect their new president, presidential candidate Nicolas Sarkozy has shut himself away in his home. Though Sarkozy soon learns he has won the election, he is alone, gloomy and despondent. For hours he has been trying to reach his wife, Cecilia, to no avail. The last five years start to unfurl before our eyes, recounting Sarkozy’s unstoppable ascent to power, riddled with in-party backstabbing, media manipulation, riots, sarcastic confrontations and extra-marital affairs. (
Three artists struggling against the grid of society find spiritual renewal. (
Set in the political snake-pit of Elizabethan England, “Anonymous” speculates on an issue that has for centuries intrigued academics and brilliant minds such as Mark Twain, Charles Dickens, and Sigmund Freud, namely: who actually created the body of work credited to William Shakespeare? Experts have debated, books have been written, and scholars have devoted their lives to protecting or debunking theories surrounding the authorship of the most renowned works in English literature. “Anonymous” poses one possible answer, focusing on a time when scandalous political intrigue, illicit romances in the Royal Court, and the schemes of greedy nobles lusting for the power of the throne were brought to light in the most unlikely of places: the London stage. (
Set in the high-stakes world of the financial industry, Margin Call is a thriller entangling the key players at an investment firm during one perilous 24-hour period in the early stages of the 2008 financial crisis. When an entry-level analyst unlocks information that could prove to be the downfall of the firm, a roller-coaster ride ensues as decisions both financial and moral catapult the lives of all involved to the brink of disaster. (
A romantic comedy full a refreshing global perspective, SIDEWALLS is director Gustavo Taretto’s clever and moving ode to the modern people and urban landscape of Buenos Aires. Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. Her head is a mess, just like the apartment where she takes refuge. Martin and Mariana are perfect for each other– they live in the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together? (
After dying, André Luiz encounters neither the Heaven nor the Hell depicted in the teachings he had received during his Catholic upbringing. Rather, he initially has to endure a period in the so-called umbral, a region where less-than-perfect souls face the consequences of their infelicitous actions while alive. After a while, André Luiz is able to perceive the presence of Clarêncio a friendly spirit who had been trying to help him all along during his stay in the umbral. Clarêncio then takes André Luiz to Nosso Lar, a spirit colony, or astral city, where André becomes acquainted with the intricacies of afterlife and reincarnation. (