Traces the life of three brothers whose family has been driven off its land and survived the Setif massacres. They end up in France where two of the brothers campaign for Algerian independence. The Battle of Paris, which brings the FLN (National Liberation Front) into conflict with the French police, crushes and divides them. (Source)
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n 1976, after years of mysterious absence, Marcus (Anthony Mackie, “The Hurt Locker”) returns to the Philadelphia neighborhood where he came of age in the midst of the Black Power movement. While his arrival raises suspicion among his family and former neighbors, he finds acceptance from his old friend Patricia (Kerry Washington, “Ray,” “Lift”) and her daughter. However, Marcus quickly finds himself at odds with the organization he once embraced, whose members suspect he orchestrated the slaying of their former comrade-in-arms. In a startling sequence of events, Marcus must protect a secret that could shatter everyone’s beliefs as he rediscovers his forbidden passion for Patricia. (Source)
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From writer-director Rachid Bouchareb (Days of Glory aka Indigenes) comes the film Outside the Law, the story of three brothers who fight for Algeria’s independence from France after World War II. After losing their family home in Algeria, three brothers are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement; Said moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle. Gradually, their interconnecting destinies reunite them in the French capital, where freedom is a battle to be fought and won. (Source)
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22-year-old Aura returns home to her artist mother’s TriBeCa loft with the following: a useless film theory degree, 357 hits on her Youtube page, a boyfriend who’s left her to find himself at Burning Man, a dying hamster, and her tail between her legs. Luckily, her trainwreck childhood best friend never left home, the restaurant down the block is hiring, and ill-advised romantic possibilities lurk around every corner. Surrounded on all sides by what she could become,Aura just wants someone to tell her who she is. (Source)
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Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life’s corridors, whether bright, bad – or biutiful. (Source)
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Chris Gardner is a bright and talented, but marginally employed salesman. Struggling to make ends meet, Gardner finds himself and his five-year-old son evicted from their San Francisco apartment with nowhere to go. When Gardner lands an internship at a prestigious stock brokerage firm, he and his son endure many hardships, including living in shelters, in pursuit of his dream of a better life for the two of them. (Source)
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In 1972, the neatness-obsessed but sharply observant 6-year-old Augusten finds himself trapped between his troubled parents: his mother Deirdre, an unpublished–not to mention unstable–confessional poet with delusions of being hugely famous; and his father Norman, an alcoholic math professor who long ago gave up trying to solve the riddle of his wife’s problems or his son’s precocious behavior. When the Burroughs’ marriage goes to pieces, Deirdre signs up for therapy with the eccentric Dr. Finch, a highly unconventional shrink who takes the family under his wing. From the beginning, Augusten is suspicious of Dr. Finch’s peculiarities, but when Dr. Finch fails to save the Burroughs’ marriage, Augusten’s life takes an even more wrenching turn. While Deirdre is packed off to a motel to continue her Valium-aided therapy, Augusten is sent to live in the Finch family home–a kind of Brady-Bunch-gone-bad world where for some dog kibble is a snack, sedatives are consumed like candy and grand prophecies emerge from the bathroom. Soon Augusten unwittingly becomes part of the family comprised of: the shell-shocked Mrs. Finch, “Bible-dipping” daughter Hope, disco-rebel daughter Natalie and Neil Bookman, the disturbed, 35-year-old, “adopted” son who lives in a shed at the back of the house; along the way Augusten descends into a kind of surreal childhood hell. Yet, he also finds optimism among the horror, hilarity in the insanity and even love amid the dilapidated ruins as he never loses his spirit or his resilience. (Source)
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One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold’s carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold’s head turns out to be the once celebrated, but now nearly forgotten, novelist Karen “Kay” Eiffel, who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay’s publisher has dispatched a hard-nosed “assistant,” Penny Escher, to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert, who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy’s most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal. As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. (Source)
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A veteran engineer and a young conductor try frantically to stop a half-mile-long freight train carrying enough combustible liquids and poisonous gas to wipe out a nearby city. (
A woman must deal with the untimely death of her husband and the revelation of secrets he kept from her. (