Helen Mirren and Sam Worthington star in “The Debt,” the powerful story of Rachel Singer, a former Mossad agent who endeavored to capture and bring to trial a notorious Nazi war criminal-the Surgeon of Birkenau-in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must go back to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred. (Source)
Find more trailers and clips on our homepage.
Becca and Howie Corbett are returning to their everyday existence in the wake of a shocking, sudden loss. Just eight months ago, they were a happy suburban family with everything they wanted. Now, they are caught in a maze of memory, longing, guilt, recrimination, sarcasm and tightly controlled rage from which they cannot escape. While Becca finds pain in the familiar, Howie finds comfort. The shifts come in abrupt, unforeseen moments. Becca hesitantly opens up to her opinionated, loving mother and secretly reaches out to the teenager involved in the accident that changed everything; while Howie lashes out and imagines solace with another woman. Yet, as off track as they are, the couple keeps trying to find their way back to a life that still holds the potential for beauty, laughter and happiness. (
In 1974, Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” made its stage debut, combining poetry, dance and music, and most significantly, placing the black female experience center stage. In lyrical, honest, angry, funny and tender language, Shange’s “colored girls” evoked the feelings woven into the fabric of black female life in America. Within two years, the play became a Broadway sensation, won an Obie and Tony Award, and would eventually be produced in regional theaters throughout the country. Now, thirty six years later, filmmaker Tyler Perry adapts this landmark work for the big screen, integrating the vivid language of Shange’s poems into a contemporary narrative that explores what it means to be a woman of color – and a woman of any color – in this world. (
From the imagination of acclaimed Russian director Andrei Konchalovsky, the cherished story of The Nutcracker will be brought to life in spectacular 3D this holiday season. THE NUTCRACKER IN 3D follows nine-year-old Mary (Elle Fanning) whose dull Viennese Christmas is suddenly filled with excitement and adventure following the arrival of her beloved Uncle Albert (Nathan Lane) and his gift of an enchanted nutcracker. On Christmas night, Mary’s new friend, The Nutcracker (Charlie Rowe) or “NC,” comes to life and takes her on a wondrous journey into his magical world of fairies, sugarplums, and other Christmas toys which come to life. Mary soon realizes that this fantastical kingdom is facing danger from the tyrannical rule of the evil Rat King (John Turturro) and his devious mother (Frances de la Tour). When NC is taken hostage, Mary and her newfound toy friends must uncover the secret of the Rat King to rescue NC and his kingdom. Based on the story that inspired acclaimed Russian composer Piotr Tchaikovsky to create the music for the iconic ballet, the film includes eight exciting new songs penned by Oscar-winning lyricist and librettist Sir Tim Rice (The Lion King, Evita, Jesus Christ Superstar). (
An American seminary student who attends exorcism school at the Vatican finds faith through encounters with demonic forces. (
A love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life’s corridors, whether bright, bad – or biutiful. (
Although far from the Swinging Sixties of Carnaby Street, life for the women of Dagenham, England is tinged with the sounds and sights of the optimistic era, heard on their radios and seen on their TV sets. Rita O’Grady reflects that upbeat era, along with her friends and co-workers at the city’s Ford Motor Factory — Sandra, Eileen, Brenda, Monica and Connie — who laugh in the face of their poor conditions. Lisa is a fiercely intelligent Cambridge-educated woman who feels a bit trapped, tending to the home with a husband that suggests she keep her opinions to herself. She may not live in the same world as the other women, but she shares their views. No one thought the revolution would come to Dagenham, until one day, it did. Rita, who primarily sees herself as a wife and mother, is coerced into attending a meeting with shop steward Connie, sympathetic union representative Albert and Peter Hopkins, Ford’s Head of Industrial Relations. What she expects to be simply a day out of work, complete with a free lunch, turns into much more when she and her colleagues become outraged by the lack of respect shown in the meeting to the women employees. With humor, common sense and courage Rita and the other women take on their bosses, an increasingly belligerent local community, and finally the government, as their intelligence and unpredictability proves to be a match for any of their male opponents. Daring to stand up and push boundaries, the women changed a system that no one wanted to admit was broken. (
Northern Iraq, 2003. Two weeks after the fall of Saddam Hussein. Ahmed, a 12-year-old boy, begrudingly folliows in the shadow of his grandmother. On hearing news that prisoners of war have been found alive in the South, she in determined to discover the fate of her missing son, Ahmed’s father, who never returned from the Guld war. From the mountains of Kurdistan to the sands of Babylon, they hitch rides from strangers and cross paths with fellow pilgrims on all too similar journeys. Struggling to understand his grandmother’s search, Ahmed follows in the forgotten footsteps of a father he never know. This journey will lead the boy to come of age. (
David Bourne (JACK HUSTON), a promising American novelist now living in Paris, meets the volatile and seductive Catherine (MENA SUVARI) and immediately falls under her spell. After a whirlwind romance they set off for their honeymoon on the Cote d’Azur. David is increasingly distracted from his writing by Catherine’s sexual liberation and erotic role-playing. As David struggles to control his emotions, Catherine raises the erotic tension by bringing David a “present” in the form of the sultry Marita (CATERINA MURINO), an Italian heiress, who provokes excitement and jealousy in both David and Catherine. As he becomes a pawn between the two manipulative women, David retreats into his writing, re-creating the story of his relationship with his father, a charismatic big-game hunter (MATTHEW MODINE). As jealous as she is of Marita, Catherine is even more obsessively envious of David’s success as a writer, especially if his stories do not involve her. Catherine becomes vindictive and her dangerous, erotic game-playing only serves to drive David into Marita’s arms. (
From director Baltasar Kormakur (JAR CITY), INHALE is a riveting thriller about a father ready to go to any lengths to save the life of his daughter. Dermot Mulroney (MY BEST FRIEND’S WEDDING) stars as Paul Stanton, a District Attorney who, with the help of his wife (Diane Kruger, INGLORIOUS BASTERDS), is trying desperately to find a transplant donor for his young daughter, Chloe. Diagnosed with a rare degenerative condition, Chloe is in mortal need of a lung transplant, and when her health worsens Paul becomes determined to do anything to save her. A frantic search leads the couple to a doctor in Mexico, who after promising a cure, is revealed to have connections runing deep into a criminal underworld where his patients aren’t donors – they’re victims. (