Caius Martius ‘Coriolanus’ (Ralph Fiennes), a revered and feared Roman General is at odds with the city of Rome and his fellow citizens. Pushed by his controlling and ambitious mother Volumnia (Vanessa Redgrave) to seek the exalted and powerful position of Consul, he is loath to ingratiate himself with the masses whose votes he needs in order to secure the office. When the public refuses to support him, Coriolanus’s anger prompts a riot that culminates in his expulsion from Rome. The banished hero then allies himself with his sworn enemy Tullus Aufidius (Gerard Butler) to take his revenge on the city. (Source)
Find more trailers and clips on our homepage.
From the creators of Despicable Me and the imagination of Dr. Seuss comes the 3D-CG feature Dr. Seuss’ The Lorax, an adaptation of the classic tale of a forest creature who shares the enduring power of hope. The animated adventure follows the journey of a 12-year-old as he searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world. Danny DeVito will lend his vocal talents to the iconic title character of the Lorax, while Ed Helms will voice the enigmatic Once-ler. Also bringing their talents to the film are global superstars Zac Efron as Ted, the idealistic youth who searches for the Lorax, and Taylor Swift as Audrey, the girl of Ted’s dreams. Rob Riggle will play financial king O’Hare, and beloved actress Betty White will portray Ted’s wise Grammy Norma. Dr. Seuss’ The Lorax is the third feature created by Universal Pictures and Illumination Entertainment (Despicable Me, Hop). (
Way before Puss ever met Shrek, our suave and furry feline hero goes on a swashbuckling ride, as he teams with mastermind Humpty Dumpty and the street-savvy Kitty to steal the famed Goose that lays the Golden Eggs. (
Based on the debut novel by Hunter S. Thompson, “The Rum Diary” tells the increasingly unhinged story of itinerant journalist Paul Kemp (Johnny Depp). Tiring of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, Kemp travels to the pristine island of Puerto Rico to write for a local newspaper, The San Juan Star, run by downtrodden editor Lotterman (Richard Jenkins). Adopting the rum-soaked life of the island, Paul soon becomes obsessed with Chenault (Amber Heard), the wildly attractive Connecticut-born fiancee of Sanderson (Aaron Eckhart). Sanderson, a businessman involved in shady property development deals, is one of a growing number of American entrepreneurs who are determined to convert Puerto Rico into a capitalist paradise in service of the wealthy. When Kemp is recruited by Sanderson to write favorably about his latest unsavory scheme, the journalist is presented with a choice: to use his words for the corrupt businessmen’s financial benefit, or use them to take the bastards down. (
Set in the political snake-pit of Elizabethan England, “Anonymous” speculates on an issue that has for centuries intrigued academics and brilliant minds such as Mark Twain, Charles Dickens, and Sigmund Freud, namely: who actually created the body of work credited to William Shakespeare? Experts have debated, books have been written, and scholars have devoted their lives to protecting or debunking theories surrounding the authorship of the most renowned works in English literature. “Anonymous” poses one possible answer, focusing on a time when scandalous political intrigue, illicit romances in the Royal Court, and the schemes of greedy nobles lusting for the power of the throne were brought to light in the most unlikely of places: the London stage. (
Blamed for the terrorist bombing of the Kremlin, IMF operative Ethan Hunt is disavowed along with the rest of the agency when the President initiates “Ghost Protocol”. Left without any resources or backup, Ethan must find a way to clear his agency’s name and prevent another attack. To complicate matters further, Ethan is forced to embark on this mission with a team of fellow IMF fugitives whose personal motives he does not fully know. (
Legendary filmmaker Werner Herzog (CAVE OF FORGOTTEN DREAMS, GRIZZLY MAN) returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory. (