The story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature – and indeed our own – is comic, revealing and profoundly unsettling. (Source)
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Three young women – Ada, Esther, and Marjorie – emigrate from post-WWII Holland for what they hope will be a better life in New Zealand with their fiancés who are already settled in Christchurch. On the plane trip – the “Bride Flight” – the three become fast friends and meet a dashing young man, Frank, who who will play a large role in each of their lives. Upon their arrival, they part ways to start their new lives yet their paths continue to cross with chance meetings resulting in adultery, betrayal and near tragedy on to a reunion fifty years later. (
REJOICE AND SHOUT is the definitive history of GOSPEL music — some of the most emotional and powerful music in the world, and the foundation of the blues, country and rock n’ roll. Packed with evocative photos, rare audio, recordings, stirring film appearances and TV performances, REJOICE AND SHOUT is a jubilant journey through the 200 year musical history of African-American Christianity. Culled from hundreds of hours of music, REJOICE AND SHOUT features interviews and performances from the most celebrated voices in gospel music, including: Smokey Robinson, Mavis Staples and the Staple Singers, Mahalia Jackson, Clara Ward, Sister Rosetta Tharpe, Andrae Crouch, The Blind Boys of Alabama, the Selvey Family, Darrel Petties and many more. REJOICE AND SHOUT traces the evolution of Gospel through its many musical styles — the spirituals and early hymns, the four-part harmony-based quartets, the integration of blues and swing into Gospel, the emergence of Soul, and the blending of Rap and Hip Hop elements. Gospel music walks in step with the story of African-American culture — slavery, hardscrabble rural existence and plantation work, the exodus to major cities, the Depression, World War II, civil rights and empowerment. REJOICE AND SHOUT connects the history of African-American culture with Gospel as it first impacted popular culture at large. Years in the making, REJOICE AND SHOUT captures so much of what is special about this music and African-American Christianity — the sermonizing, the heartfelt testimonials, getting slain in the spirit, the hard hollering, and of course the inspiring music. (
Star racecar Lightning McQueen and the incomparable tow truck Mater take their friendship to exciting new places when they head overseas to compete in the first-ever World Grand Prix to determine the world’s fastest car. But the road to the championship is filled with plenty of potholes, detours and hilarious surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Torn between assisting Lightning McQueen in the high-profile race and towing the line in a top-secret spy mission, Mater’s action-packed journey leads him on an explosive chase through the streets of Japan and Europe, trailed by his friends and watched by the whole world. Adding to the fast-paced fun is a colorful new all-car cast that includes secret agents, menacing villains and international racing competitors. (
Oscar-winning director James Marsh (Man on Wire) shifts his focus from man to monkey to tell the remarkable story of Nim, a chimpanzee who managed the unique feat of learning sign language after being raised like a typical human child. Interviews with Nim’s trainers as well as other key researchers combine with archival footage to offer incredible insight into the experiment that would forever alter our perceptions regarding the differences between man and beast. By attempting to turn Nim human, scientists learned more about the true nature of humanity than they ever thought possible. – Jason Buchanan, Rovi (
Paramount Pictures and Columbia Pictures Present a 3D Motion Capture Film “The Adventures of Tintin: Secret of the Unicorn” directed by Steven Spielberg from a screenplay by Steven Moffat and Edgar Wright & Joe Cornish. Starring Jamie Bell (“Billy Elliot,” “Defiance”) as Tintin, the intrepid young reporter whose relentless pursuit of a good story thrusts him into a world of high adventure, and Daniel Craig (“Quantum of Solace,” “Defiance”) as the nefarious Red Rackham. (
Every family has one: the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz, Miranda and Natalie, that person is their perennially upbeat brother Ned, an erstwhile organic farmer whose willingness to rely on the honesty of mankind is a less-than-optimum strategy for a tidy, trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and so, after his girlfriend dumps him and boots him off the farm, his sisters once again come to his rescue. As Liz, Miranda and Natalie each take a turn at housing Ned, their brother’s unfailing commitment to honesty creates more than a few messes in their comfortable routines. But as each of their lives begins to unravel, Ned’s family comes to realize that maybe, in believing and trusting the people around him; Ned isn’t such an idiot after all. (
Senior Charlie Brewster finally has it all — he’s running with the popular crowd and dating the hottest girl in high school. In fact, he’s so cool he’s even dissing his best friend Ed. But trouble arrives when an intriguing stranger Jerry moves in next door. He seems like a great guy at first, but there’s something not quite right — and everyone, including Charlie’s mom, doesn’t notice. After witnessing some very unusual activity, Charlie comes to an unmistakable conclusion: Jerry is a vampire preying on his neighborhood. Unable to convince anyone that he’s telling the truth, Charlie has to find a way to get rid of the monster himself. (
Dennis Gansel, director of the critically acclaimed THE WAVE, explores a seething dark side of Berlin in the WE ARE THE NIGHT. Following a sect of seductive female vampires that hide out in the city’s alternative clubs, enjoying the luxury and pleasures their attained immortality provides them and wreaking horror on a string of unsuspecting victims, the film is a brilliantly stylized vision of the classic vampire myth — a sensual, charismatic thrill ride fascinated with all aspects of the night. (