Chloe Moretz (Hit Girl from Kick-Ass) stars as Abby, a mysterious 12-year old girl, who moves next door to Owen (Kodi Smit-McPhee, The Road). Owen is a social outcast who is viciously bullied at school and in his loneliness, forms a profound bond with his new neighbor. Owen can’t help noticing that Abby is like no one he has ever met before. As a string of grisly murders occupy the town, Owen has to confront the reality that this seemingly innocent girl is really a savage vampire. (Source)
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Fourteen-year-old Mattie Ross’s (Hailee Steinfeld) father has been shot in cold blood by the coward Tom Chaney (Josh Brolin), and she is determined to bring him to justice. Enlisting the help of a trigger-happy, drunken U.S. Marshal, Rooster Cogburn (Jeff Bridges), she sets out with him — over his objections — to hunt down Chaney. Her father’s blood demands that she pursue the criminal into Indian territory and find him before a Texas Ranger named LeBoeuf (Matt Damon) catches him and brings him back to Texas for the murder of another man. (
In THE GIRL WHO KICKED THE HORNET’S NEST – the final installment of the “Millennium trilogy” – Lisbeth Salander is fighting for her life in more ways than one. In intensive care and charged with three murders, she will not only have to prove her innocence, but also identify and denounce those corrupt government institutions that very nearly destroyed her life. Once upon a time, she was a victim. Now Salander is fighting back. (
For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despite increased spending and politicians’ promises, our buckling public—education system, once the best in the world, routinely forsakes the education of millions of children. Oscar®—winning filmmaker Davis Guggenheim (AN INCONVENIENT TRUTH) reminds us that education “statistics” have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR “SUPERMAN.” As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying “drop—out factories” and “academic sinkholes,” methodically dissecting the system and its seemingly intractable problems. However, embracing the belief that good teachers make good schools, Guggenheim offers hope by exploring innovative approaches taken by education reformers and charter schools that have—in reshaping the culture—refused to leave their students behind. (
Young law student Johann Wolfgang von Goethe is in love with Lotte, but Albert Kestner also laid an eye on her. (
Suzanne is a devoted doctor’s wife and mother of two teenagers living in the South of France. Although she seems to have it all, a beautiful home, all of the material possessions a woman could want and a loving family, she has put her own life on hold for fifteen years and in doing so has unknowingly lost herself. With the children almost grown, she feels it is time to return to work as a physiotherapist. When her husband hires a contractor to fix up an office for her, Suzanne meets Ivan, a handsome Spanish builder, recently released from prison for a petty crime. Although Suzanne and Ivan are from completely different worlds, or perhaps because of this, the mutual attraction is sudden and intense. Overwhelmed with a passion she has never felt before, Suzanne must decide if following her desires is worth losing everything. (
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history, but for this entrepreneur, success leads to both personal and legal complications. (