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MESRINE: KILLER INSTINCT – the first of two parts – charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti-gang unit. Thirty years after his death, his infamy lives on. Mesrine was helped along the way by beautiful and equally reckless Jeanne Schneider (Cécile de France), a Bonnie to match his Clyde. Mesrine made up his own epic, between romanticism and cruelty, flamboyance and tragedy. Both a thriller and a biopic, KILLER INSTINCT explores the man behind the icon. (Source)
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For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despite increased spending and politicians’ promises, our buckling public—education system, once the best in the world, routinely forsakes the education of millions of children. Oscar®—winning filmmaker Davis Guggenheim (AN INCONVENIENT TRUTH) reminds us that education “statistics” have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR “SUPERMAN.” As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying “drop—out factories” and “academic sinkholes,” methodically dissecting the system and its seemingly intractable problems. However, embracing the belief that good teachers make good schools, Guggenheim offers hope by exploring innovative approaches taken by education reformers and charter schools that have—in reshaping the culture—refused to leave their students behind. (Source)
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Doug MacRay is an unrepentant criminal, the de facto leader of a group of ruthless bank robbers who pride themselves in stealing what they want and getting out clean. With no real attachments, Doug never has to fear losing anyone close to him. But that all changed on the gang’s latest job, when they briefly took a hostage–bank manager, Claire Keesey. Though they let her go unharmed, Claire is nervously aware that the robbers know her name and where she lives. But she lets her guard down when she meets an unassuming and rather charming man named Doug not realizing that he is the same man who only days earlier had terrorized her. The instant attraction between them gradually turns into a passionate romance that threatens to take them both down a dangerous, and potentially deadly, path. (Source)
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After 10 years in prison, Driver has a singular focus – to avenge the murder of his brother during the botched bank robbery that led to his imprisonment. Now a free man with a deadly to-do list in hand, he’s finally on his mission… but with two men on his trail – a veteran cop just days from retirement, and a young egocentric hitman with a flair for the art of killing and a newfound worthy opponent. The hunter is also the hunted. It’s a do or die race to the list’s finish as they myster surrounding his brother’s murder deepens, and new details emerge along the way hinting that Driver’s list may be incomplete. (Source)
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Prince of Broadway is the story of Lucky, a charismatic hustler eking out a living in the underbelly of New York's wholesale fashion district. An illegal immigrant from Ghana, Lucky makes ends meet by soliciting shoppers on the street with knock-off brand merchandise. Life is good for Lucky, but his dreams are suddenly upended when a child is thrust into his world by a woman who insists the toddler is his son. A tender comedy of fatherhood, family and love set in the shadow of the Flatiron building and soaked in the colorful bustle of urban realism, Prince of Broadway reveals unseen lives creating their own knock-off of the American Dream. (Source)
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Jacqueline Kennedy Onassis sued him, Marlon Brando broke his jaw and Steve McQueen gave him a look that would have killed, if looks could kill. To the celebrities he pursued, photographer Ron Galella was the beast who threatened beauty. As it turned out, he gave them a strange and lasting beauty they might never have known without him. Inherent in the story of this notorious paparazzo are the complex issues of the right to privacy, freedom of the press and the ever-growing vortex of celebrity worship. He sneaked around and invaded and bribed and held up his camera and shot till he dropped (or someone dropped him). His was the artistry of the sniper. Yet Galella found something essential in his real-life subjects, and he gave it permanence. (Source)
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Shot by Academy Award-winning cinematographer Vilmos Zsigmond as a modern re-imagining of early silent film, LOUIS is an homage to Louis Armstrong, Charlie Chaplin, beautiful women and the birth of American music. The grand Storyville bordellos, alleys and cemeteries of 1907 New Orleans provide a backdrop of lust, blood and magic for 6 year old Louis (Anthony Coleman) as he navigates the colorful intricacies of life in the city. Young Louis's dreams of playing the trumpet are interrupted by a chance meeting with a beautiful and vulnerable girl named Grace (Lowry) and her baby, Jasmine. Haley, in a performance reminiscent of the great comic stars of the silent screen, plays the evil Judge Perry who is determined not to let Jasmine's true heritage derail his candidacy for governor. (Source)
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Imagine… John Lennon's childhood. Liverpool 1955: a smart and troubled fifteen year—old is hungry for experience. In a family full of secrets, two incredible women clash over John: Mimi, the buttoned—up Aunt who raised him, and Julia, the prodigal mother. Yearning for a normal family, John escapes into the new and exciting world of rock n' roll where his fledgling genius finds a kindred spirit in the teenage Paul McCartney. Just as John begins his new life, tragedy strikes. But a resilient young man finds his voice — and an icon explodes into the world. (Source)
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Based on the true story of Rita Atria, THE SICILIAN GIRL tells the gripping story of a seventeen-year-old girl who broke the Sicilian Mafia’s code of silence and testified against the “family business” after both her father and brother were murdered by a rival family. (Source)
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