His days had been filled with climbing trees, soccer games, and love from his family. Then one day, 9-year-old Tyler Doherty learned a new word – cancer. Brady McDaniels; life was spiraling out of control. The letter carrier had little reason to keep going, until one day he met young Tyler. The result is about what happens when a beleaguered postman must decide what to do with the prayer letters written by a boy stricken with cancer. (Source)
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What is HIV? What is AIDS? What is being done to cure it? These questions sent Canadian filmmaker Brent Leung on a worldwide journey, from the highest echelons of the medical research establishment to the slums of South Africa, where death and disease are the order of the day. In this up-to-the-minute documentary, he observes that although AIDS has been front-page news for over 28 years, it is barely understood. Despite the great effort, time, and money spent, no cure is in sight. Born in 1980 (on the cusp of the epidemic), Leung reveals a research establishment in disarray, and health policy gone tragically off course. Gaining access to a remarkable array of the most prominent and influential figures in the field — among them the co-discoverers of HIV, presidential advisors, Nobel laureates, and the Executive Director of UNAIDS, as well as survivors and activists — his restrained approach yields surprising revelations and stunning contradictions. The HIV/AIDS story is being rewritten, and this is the first film to present the uncensored POVs of virtually all the major players — in their own settings, in their own words. It rocks the foundation upon which all conventional wisdom regarding HIV/AIDS is based. If, as South African health advocate Pephsile Maseko remarks, “this is the beginning of a war…a war to reclaim our health,” then House of Numbers could well be the opening salvo in the battle to bring sanity and clarity to an epidemic clearly gone awry. (
Horrorfest is back with it’s 4th Installment in 2010. There are 8 more films to die for in this annual celebration of horror started in 2006 by After Dark Films. This year’s “fest” includes a wide range of horror from psychological to slasher, creature feature to ghost story. This year’s titles are: Dread, Lake Mungo, The Reeds, The Graves, Zombies of Mass Destruction, The Final, Kill Theory and Hidden. The Ultimate Horror Event – HORRORFEST – 8 FILMS TO DIE FOR—In Theatres January 29th-February 4th. (
Jeanne (Emilie Dequenne) lives in a house in the suburbs with her mother Louise (Catherine Deneuve). The two women get on well together. Louise earns her living by looking after children. Jeanne is half-heartedly looking for a job. Louise harbors the hope of getting her daughter a job with Samuel Bleistein (Michel Blanc), a famous lawyer whom she knew in her youth. Jeanne and Bleistein’s worlds are light years apart. However, they’ll be set on a collision course because of an incredible lie that Jeanne invents, a lie that grows into the biggest news and political story of the day. (
Sure to be one of the cinematic events of the year, RED RIDING is a mesmerizing neo-noir epic based on factual events and adapted for the screen by Tony Grisoni (FEAR AND LOATHING IN LAS VEGAS) from David Peace’s electrifying series of novels revolving around the manhunt for the “Yorkshire Ripper,” a serial killer who terrorized northwest England in the 1970s and ’80s. The three films are directed by three notable filmmakers—Julian Jarrold (BRIDESHEAD REVISITED), James Marsh (MAN ON WIRE) and Anand Tucker (SHOPGIRL). Each boasts a stellar British cast that includes Andrew Garfield (THE IMAGINARIUM OF DOCTOR PARNASSUS), Sean Bean (LORD OF THE RINGS), Paddy Considine (DEAD MAN’S SHOES), Rebecca Hall (VICKY CRISTINA BARCELONA), and Peter Mullan (TRAINSPOTTING). The RED RIDING TRILOGY screened at the Telluride and New York film festivals and will open in New York on Friday, February 5 at the IFC Center, with a national release to follow. It will simultaneously be available on IFC Films’ video on demand platform, available to over 50 million homes in all major markets. (
Dave Lizewski, a comic-book fanboy, decides to take his obsession as inspiration to become a real-life superhero. As any good superhero would, he chooses a new name — Kick-Ass — assembles a suit and mask to wear, and gets to work fighting crime. There’s only one problem standing in his way: Kick-Ass has absolutely no superpowers. His life is forever changed as he inspires a subculture of copy cats, is hunted by assorted violent and unpleasant characters, and meets up with a pair of crazed vigilantes, including an 11-year-old sword-wielding dynamo, Hit Girl and her father, Big Daddy. (