Ten-year-old Laure moves into a new town with her parents and little sister. Laure does not know any of the kids in the neighborhood, and when she meets a girl named Lisa, she lets her think she’s a boy. Laure starts to play with other kids, taking on the persona of a boy named Mickael. As she gets closer to Lisa, the creation of her persona makes the ambiguity of her situation ever more complicated. (Source)
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Rocket Releasing presents writer-director Celine Sciamma’s multiple award-winner TOMBOY, a truly contemporary coming of age story, scheduled to open in New York on November 16 followed by a national roll out. In Ms. Sciamma’s (‘Water Lilies”) second feature, a French family with two daughters, 10-year-old Laure (Zoe Heran) and 6-year-old Jeanne (Malonn Levana), moves to a new neighborhood during the summer holidays. With her Jean Seberg haircut and tomboy ways, Laure is immediately mistaken for a boy by the local kids and decides to pass herself off as Mikael, a boy like the others but different enough to catch the attention of leader of the pack Lisa (Jeanne Disson) who becomes smitten with him. At home with her parents (Mathieu Demy and Sophie Cattani) and girlie younger sister she is Laure, while hanging out with her new pals and girlfriend, she is Mikael. Finding resourceful ways to hide her true self Laure takes advantage of her new identity as if the end of the summer would never reveal her unsettling secret. Celine Sciamma (“Water Lilies”) brings a light and charming touch to this tale of childhood gender confusion, which is also about relationships between children, children and parents, and the even more complicated one between one’s heart and body. (Source)
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Jeanne (Emilie Dequenne) lives in a house in the suburbs with her mother Louise (Catherine Deneuve). The two women get on well together. Louise earns her living by looking after children. Jeanne is half-heartedly looking for a job. Louise harbors the hope of getting her daughter a job with Samuel Bleistein (Michel Blanc), a famous lawyer whom she knew in her youth. Jeanne and Bleistein’s worlds are light years apart. However, they’ll be set on a collision course because of an incredible lie that Jeanne invents, a lie that grows into the biggest news and political story of the day. (Source)
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