Roger Greenberg (Ben Stiller), a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. Since Roger doesn’t drive, he’s immediately stranded, until his brother’s assistant, Florence (Greta Gerwig), comes to his rescue. Florence is as much a lost soul as Roger, and as the pair begin spending more time together, they form a significant connection — giving Roger a much-needed reason to finally be happy. (Source)
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Roger Greenberg, single, fortyish and at a crossroads in his life, finds himself in Los Angeles, house-sitting for six weeks for his more successful/married-with-children brother. In search of a place to restart his life, Greenberg tries to reconnect with old friends including his former bandmate Ivan. But old friends aren’t necessarily still best friends, and Greenberg soon finds himself spending more and more time with his brother’s personal assistant Florence, an aspiring singer and also something of a lost soul. Despite his best attempts not to be drawn in, Greenberg and Florence manage to forge a connection, and Greenberg realizes he may at last have found a reason to be happy. (
Greenberg (Ben Stiller) is at a crossroads in his life. Out of a job and none too interested in finding one, he agrees to housesit for his younger and more successful brother, thereby getting a free place to stay in Los Angeles. Once settled in, Greenberg sets out to reconnect with his old friend and former bandmate Ivan (Rhys Ifans). But times have changed, and old friends aren’t necessarily still best friends, so Greenberg finds himself spending more and more time instead with his brother’s personal assistant Florence (Greta Gerwig), an aspiring singer and herself something of a lost soul. As their relationship develops through a series of embarrassingly awkward romantic encounters, even someone as irascible as Greenberg might have at last found a reason to be happy. (
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs. (