A bounty hunter is hired to track down his ex-wife. (Source)
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Directed by Neil LaBute, Death at a Funeral is a hilarious day in the life of an American family come together to put a beloved husband and father to rest. As mourners gather at the family home, shocking revelations, festering resentments, ugly threats, blackmail and a misdirected corpse unleash riotous mayhem. (Source)
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After challenging an evil dragon, rescuing a beautiful princess and saving your in—laws’ kingdom, what’s an ogre to do? Well, if you’re Shrek, you suddenly wind up a domesticated family man. Instead of scaring villagers away like he used to, a reluctant Shrek now agrees to autograph pitch forks. What’s happened to this ogre’s roar? Longing for the days when he felt like a “real ogre,” Shrek is duped into signing a pact with the smooth—talking dealmaker, Rumpelstiltskin. Shrek suddenly finds himself in a twisted, alternate version of Far Far Away, where ogres are hunted, Rumpelstiltskin is king and Shrek and Fiona have never met. Now, it’s up to Shrek to undo all he’s done in the hopes of saving his friends, restoring his world and reclaiming his one True Love. (Source)
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A seemingly perfect family moves into a suburban neighborhood and immediately becomes the toast of the town. In reality, the family is a fake–commissioned by a marketing company to introduce new products around the world. (Source)
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Kate (Catherine Keener) has a lot on her mind. There’s the ethics problem of buying furniture on the cheap at estate sales and marking it up at her trendy Manhattan store (and how much markup can she get away with?). There’s the materialism problem of not wanting her teenage daughter (Sarah Steele) to want the expensive things that Kate wants. There’s the marriage problem of sharing a partnership in parenting, business, and life with her husband Alex (Oliver Platt) but sensing doubt nibbling at the foundations. And there’s Kate’s free—floating 21st century malaise—the problem of how to live well and be a good person when poverty, homelessness, and sadness are always right outside the door. Plus, there’s the neighbors: cranky, elderly Andra (Ann Guilbert) and the two granddaughters who look after her (Rebecca Hall and Amanda Peet). As Kate, Alex, and Abby interact with the people next door, with each other, and with their New York surroundings, a complex mix of animosity, friendship, deception, guilt, and love plays out with both sharp humor and pathos. PLEASE GIVE is writer/director Nicole Holofcener’s perceptive—and devastatingly funny—take on modern life’s contradictions, good intentions and shaky moral bearings. (Source)
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Roger Greenberg (Ben Stiller), a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. Since Roger doesn’t drive, he’s immediately stranded, until his brother’s assistant, Florence (Greta Gerwig), comes to his rescue. Florence is as much a lost soul as Roger, and as the pair begin spending more time together, they form a significant connection — giving Roger a much-needed reason to finally be happy. (Source)
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“Harlem Aria” is an urban fairytale about Anton (Gabriel Casseus), a mentally challenged young man from Harlem, who dreams of becoming an opera singer, just like his idol, Fabiano Grazzi (Paul Sorvino). Frustrated at home, he runs away to pursue his dreams in Italy, but he is conned out of his life savings by Wes (Damon Wayans), a heartless street hustler. Anton becomes homeless on the streets of New York City, until he is discovered by Matthew (Christian Camargo), a bitter street musician whose dream of being a concert pianist have stalled. Anton becomes a minor sensation as a street musician, but both Wes and Matthew conspire to use Anton in their own self-destructive battles. Anton innocently turns the tables on them both as his love of music and compassion for people allows all of them to reach their dreams. (Source)
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“Our marriage, their wedding.” It’s lesson number one for any newly engaged couple, and Lucia and Marcus are no exception. They learn the hard way that the path to saying “I do” can be rife with familial strife. When they return from college and too suddenly announce their marriage plans, they soon discover that their fathers – two highly competitive over-the-top egos – can wreak a major amount of havoc on their special day. With insults flying and tempers running high, it’s anyone’s guess if the alpha dads will survive to make it down the aisle in one piece. Lucia’s mother is busy planning the wedding of “her” dreams and the only levelheaded one in the bunch is Angela, the groom’s father’s best friend and lawyer, who manages to keep her cool when the madness reaches a crescendo. With only weeks to plan their wedding, Lucia and Marcus soon discover the true meaning of love and find there is truth to the saying – that when you marry someone, you marry their entire family. (Source)
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Jimmy (Hiroshi Watanabe, LETTERS FROM IWO JIMA) loves dinosaurs and sleeps on the top bunk. Unfortunately, Jimmy is 40, and shares the bunk bed with Bob, his 10—year—old nephew. Freshly divorced, Jimmy has moved in with his sister Aiko and her family while boldly searching for a new wife. His brother in—law, Tak, thinks he’s a disaster. And although Jimmy may lack social grace, he is convinced the best years of his life are just beginning. His plan seems like it’s all falling into place when Tak’s beautiful niece Ramona moves in. But once Jimmy sets his sights on her, he finds he has competition from his handsome co—worker Tim (James Kyson Lee, HEROES), and his intentions begin to go hilariously awry. (Source)
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