Until he was downsized, affable, amiable Larry Crowne (Hanks) was a superstar team leader at the big-box company where he’s worked since his time in the Navy. Underwater on his mortgage and unclear on what to do with his suddenly free days, Larry heads to his local college to start over. There he becomes part of a colorful community of outcasts, also-rans and the overlooked all trying to find a better future for themselves…often moving around town in a herd of scooters. In his public-speaking class, Larry develops an unexpected crush on his teacher Mercedes Tainot (Roberts), who has lost as much passion for teaching as she has for her husband. The simple guy who has every reason to think his life has stalled will come to learn an unexpected lesson: when you think everything worth having has passed you by, you just might discover your reason to live. (Source)
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Two spoiled sisters — Nora, a law student, and Mary, an undergrad party girl — live with their father in a luxurious mansion in Beverly Hills. Mary has become so “90210” she refuses to admit she is of Mexican descent. When dad suddenly passes away, their posh lives are turned upside down. They discover they have been left penniless and are forced to move into their estranged aunt Aurelia’s modest but lively home in the Latino-centric Boyle Heights neighborhood of East LA. They are terrified to leave their world of privilege; neither Nora nor Mary speak Spanish or have ever had to take on actual responsibility. The girls gradually adapt to their new environment; their BMW and Prius are traded for the public bus and a used car. As they embrace the culture that for so long they refused to accept, they both discover romance, the true meaning of family, and they learn that the life of PRADA actually means NADA without love, family and community. (
From Prada to Nada, a modern twist on Jane Austen’s Sense and Sensibility is a new romantic comedy starring Camilla Belle, Alexa Vega, Wilmer Valderrama, Kuno Becker and Academy Award nominee Adriana Barraza. It’s a whimsical fish-out-of-water story of two spoiled sisters: Nora (Camilla Belle), a law student, and Mary (Alexa Vega), an undergrad party girl, living with their father in a luxurious mansion in Beverly Hills. Mary has become so “90210” she refuses to admit she is of Mexican descent. When dad suddenly passes away, their posh lives are turned upside down. They discover they have been left penniless and are forced to move into their estranged aunt Aurelia’s (Adriana Barraza) modest but lively home in the Latino-centric Boyle Heights neighborhood of East LA. They are terrified to leave their world of privilege; neither Nora nor Mary speak Spanish or have ever had to take on actual responsibility. The girls gradually adapt to their new environment; their BMW and Prius are traded for the public bus and a used car. As they embrace the culture that for so long they refused to accept, they both discover romance, the true meaning of family, and they learn that the life of PRADA actually means NADA without love, family and community. (
James, a veteran of the Iraqi conflict, returns home to a small town in West Texas and struggles to reconcile his experiences overseas with the life and family he left at home. Having only scattered memories of the deadly hit on his humvee in Iraq, James quickly slips back into the rhythm of his home life with his wife, Sara, and his mother, Martha. However, taking a new job at his Father-In-Law’s slaughterhouse begins to stir his dormant anxieties. (
James (Ryan O’Nan) returns from Iraq to face a new battle—reintegrating into his small-town life in Texas. His wife (America Ferrera), his mother (Melissa Leo), and his friend (Jason Ritter) provide support, but they can’t fully understand the pain and suffering he feels since his tour of duty ended. Lonely, James reconnects with an army buddy (Wilmer Valderrama), who provides him with compassion and camaraderie during his battle to process his experiences in Iraq. But their reunion also exposes the different ways that war affects people—at least on the surface. This moving, taut story of redemption and reconstruction extends beyond a post-traumatic-stress-disorder narrative. O’Nan is heartbreaking as he explores the depths of his internal struggle; Ferrera fearlessly tackles her role of a young wife in turmoil. The Dry Land is about one man’s fight within his own terrain—his country, home, and mind—and his journey to rebuild what he’s lost. (