A suspenseful and gripping psychological thriller, Lynne Ramsay’s WE NEED TO TALK ABOUT KEVIN explores the factious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller). Based on the best-selling novel of the same name, WE NEED TO TALK ABOUT KEVIN explores nature vs. nurture on a whole new level as Eva’s own culpability is measured against Kevin’s innate evilness. Ramsay’s masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax. (Source)
Find more trailers and clips on our homepage.
CARNAGE is a razor sharp, biting comedy centered on parental differences. After two boys duke it out on a playground, the parents of the “victim” invite the parents of the “bully” over to work out their issues. A polite discussion of childrearing soon escalates into verbal warfare, with all four parents revealing their true colors. None of them will escape the carnage. (
After two boys duke it out on a playground, the parents of the “victim” invite the parents of the “bully” over to work out their issues. A polite discussion of child rearing soon escalates into verbal warfare, with all four parents revealing their true colors. None of them will escape the carnage. (
A hit at the Sundance 2011 Film Festival, TERRI is a moving and often funny film about the relationship between Terri (Jacob Wysocki), an oversized teen misfit, and the garrulous but well-meaning vice principal (John C. Reilly) who takes an interest in him. TERRI was produced by the team behind BLUE VALENTINE and HALF NELSON, and directed by Azazel Jacobs (MOMMA’S MAN). (
After the death of his professional mentor, a small-town, shy, naive Wisconsin insurance agent must represent his company at a regional insurance convention in Cedar Rapids, Iowa, where his mind is blown by the big city experience. (
To call insurance agent Tim Lippe (Ed Helms), “naive” is a gross understatement. He’s never left his small hometown. He’s never stayed at a hotel. And he’s never experienced anything like Cedar Rapids, Iowa. Sent to represent his company at the annual insurance convention, Tim is soon distracted by three convention veterans (John C. Reilly, Anne Heche and Isiah Whitlock Jr.) who will show him the ropes and push his boundaries. For a guy who plays everything by the book, this convention will be anything but conventional. (
A sophisticated and moving comedy from Bob Pulchini and Shari Springer-Berman, the Academy Award nominated writer/directors of American Splendor, THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel. When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a nine-to-five job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes). But it's Louis' new home life that really sparks his imagination. He rents a room in the ramshackle apartment of Henry Harrison (Kevin Kline), a penniless, wildly eccentric but brilliant playwright. When Henry's not dancing alone to obscure music or singing operettas, he's performing – with great panache – the duties of an “extra man”, a social escort for the wealthy widows of Manhattan high society. These two men, separated in age by more than forty years, develop a volatile mentor/apprentice relationship. Through a series of urban adventures where they encounter everything from a leaping lion to a wildly jealous hirsute neighbor, from drunken nonagenarians to a shady Swiss hunchback, Louis and Henry form a memorable bond that bridges their differences. (