Thirty years before the antics of Lindsay Lohan and Britney Spears were regular gossip fodder, Miss Wyoming Joyce McKinney made her mark as a tabloid staple ne plus ultra. Morris follows the salacious adventures of this beauty queen with an IQ of 168 whose single-minded devotion to the man of her dreams leads her across the globe, into jail, and onto the front page. Joyce's labyrinthine crusade for love takes her through a surreal world of kidnapping, manacled Mormons, risqué photography, magic underwear, and celestial sex-until her dream is finally realized in a cloning laboratory in Seoul, South Korea. A vivid portrayal of a phenomenally driven woman whose romantic obsessions and delusions catapult her over the edge into scandal sheet notoriety and an unimaginable life. (Source)
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Thirty years before the antics of Lindsay, Paris and Britney, Joyce McKinney made her mark as a peerless tabloid queen. In TABLOID, Academy Award(R)-winning filmmaker Errol Morris (THE FOG OF WAR) follows the salacious adventures of this beauty queen with an IQ of 168, whose single-minded devotion to the man of her dreams leads her on a labyrinthine crusade for love. Down a surreal rabbit hole of kidnapping, masochistic Mormons, risque photography, magic underwear, celestial sex, jail time and a cloning laboratory in South Korea, Joyce’s fantastic exploits were constant headlines. (
An examination of the unintended consequences of the Iraqi war with a focus on events at Abu Ghraib prison which began to appear in global media in 2004. The prison quickly became notorious for the shocking photos of the abuse and torture of terror suspects by military men and women. Ultimately, it is the story of soldiers who believed they were defending democracy but found themselves plunged into an unimagined nightmare. (
An examination of the unintended consequences of the Iraqi war with a focus on events at Abu Ghraib prison which began to appear in global media in 2004. The prison quickly became notorious for the shocking photos of the abuse and torture of terror suspects by military men and women. Ultimately, it is the story of soldiers who believed they were defending democracy but found themselves plunged into an unimagined nightmare. (
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America’s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few “bad apples”? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in the photographs. Who are these people? What were they thinking? Over two years of investigation, we amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded in moral ambiguity, but it is clear what happened there. The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further. In recent news reports, we have learned about the destruction of the Abu Zubaydah interrogation tapes. A coverup. It has been front page news. But the coverup at Abu Ghraib involved thousands of prisoners and hundreds of soldiers. We are still learning about the extent of it. Many journalists have asked about “the smoking gun” of Abu Ghraib. It is the wrong question. As Philip Gourevitch has commented, Abu Ghraib is the smoking gun. The underlying question that we still have not resolved, four years after the scandal: how could American values become so compromised that Abu Ghraib—and the subsequent coverup—could happen? (