The government says there’s nothing to worry about – it’s just a problem with bears making trouble in the mountains and forests of Norway. But local hunters don’t believe it – and neither do a trio of college students who want to find out the truth. Armed with a video camera, they trail a mysterious “poacher,” who wants nothing to do with them. But their persistence lands them straight in the path of the objects of his pursuits: Trolls. They soon find themselves documenting every move of this grizzled, unlikely hero – The Troll Hunter – risking their lives to uncover the secrets of creatures only thought to exist in fairy tales. (Source)
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15-year-old Rachel Barber is the perfect girl. A dancer, a beauty, a free spirit; she exudes grace and charm. She is the envy of all girls, especially her childhood friend Caroline Robertson. Caroline is filled with so much self-hatred that she becomes utterly dangerous to herself and those around her. She is intent on becoming someone new. Even if it means murder. One night when Rachel does not return home from dance class, her parents immediately know that something is very wrong. They start a desperate search for their daughter and with the help of the police, piece together the frightening last hours of their daughter's life. (
After witnessing her parents being murdered by the mob, 10-year-old Cataleya sets off on a 15-year journey for revenge that takes her across the world. (
MARTHA MARCY MAY MARLENE stars Elizabeth Olsen as Martha, a damaged woman haunted by painful memories and increasing paranoia, who struggles to reassimilate with her family after fleeing a cult. (
Someone is killing beautiful, young hipsters hipsters in East L.A. But while the bloody trail is cold for the super-apathetic detectives “investigating” the murders, Charlie, a crime scene cleaner with a penchant for Sherlockian deduction working for the private crime scene cleaning company, Aftershocks Inc. begins finding some unusual clues in the demo CDs of indie bands left behind at the murder sites. It’s a cinematic goldmine for Wallace and Roger, the out-of-luck filmmakers working as freelance crime scene videographers for the police homicide department. They hatch what is a possibly brilliant, but probably really dumb idea to begin filming Charlie as he cracks the case and actually begins solving the murders for what they think will be their career-breaking masterpiece, and maybe the most bizarre film-noir documentary ever made. Problem is, nobody is really sure that Charlie isn’t the serial killer. Meanwhile, the dead hipsters are piling up like pancakes (pancakes in thrift-store flannel), there’s a rival Danish film crew, and on top of everything else, it looks like the killer is now making an experimental film of his own…which is so not cool. (
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible — inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. (
Gavin, a young college professor, has stepped out onto the ledge of a high-rise building, determined to jump. However, a detective, who has recently suffered his own tragedy, is sent to talk Gavin down. And as the detective and the professor discuss the circumstances that have brought them to the brink of suicide, they’ll need to convince each other that life is worth living. (
Based on Anthony Burgess’s disturbing novel about England in the totalitarian future, Malcolm McDowell portrays Alex, a Beethoven-loving, head-bashing punk who leads his gang of “droogs” on ultra-violent assaults–until he is captured by authorities and subjected to nasty behavior-modification therapy. (
Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s ‘The Devil’s Double’ takes a white-knuckle ride deep into the lawless playground of excess and violence known as Bagdad, 1987. Summoned from the frontline to Saddam Hussein’s palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the “royal family” when he’s ordered to become the ‘fiday’ — or body double — to Saddam’s son, the notorious “Black Prince” Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sangier), Uday’s seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost. (