Every family has one: the sibling who is always just a little bit behind the curve when it comes to getting his life together. For sisters Liz (Emily Mortimer), Miranda (Elizabeth Banks) and Natalie (Zooey Deschanel), that person is their perennially upbeat brother Ned (Paul Rudd), an erstwhile organic farmer whose willingness to rely on the honesty of mankind is a less-than-optimum strategy for a tidy, trouble-free existence. Ned may be utterly lacking in common sense, but he is their brother and so, after his girlfriend dumps him and boots him off the farm, his sisters once again come to his rescue. As Liz, Miranda and Natalie each take a turn at housing Ned, their brother’s unfailing commitment to honesty creates more than a few messes in their comfortable routines. But as each of their lives begins to unravel, Ned’s family comes to realize that maybe, in believing and trusting the people around him; Ned isn’t such an idiot after all. (Source)
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As the owner of legendary hotspots like Limelight, Tunnel, Palladium, and Club USA, Peter Gatien was the undisputed king of the 1980s New York City club scene. The eye-patch-sporting Ontario native built and oversaw a Manhattan empire that counted tens of thousands of patrons per night in its peak years, acting as a conduit for a culture that, for many, defined the image of an era in New York. Then years of legal battles and police pressure spearheaded by Mayor Giuliani’s determined crackdown on nightlife in the mid-’90s led to Gatien’s eventual deportation to Canada, and the shuttering of his glitzy kingdom. Featuring insider interviews with famous players in the club scene as well as key informants in Gatien’s high-profile trial, Billy Corben’s (Cocaine Cowboys) exuberant documentary aims to set the record straight about Gatien’s life as it charts his rise and fall against the transformation of New York, offering a wild ride through a now-closed chapter in the history of the city’s nightlife. (
Millionaire infomercial guru, Robert Axle (Kevin Spacey) loses everything when one of his inventions has a design flaw that accidentally chops off the fingers of thousands of customers. After serving eight years in prison, a disgraced Axle is released, and ready to redeem his name and rebuild his empire with a new innovation. However, Axle’s ex-wife (Virginia Madsen) has spent all of his money and moved into his house with her new husband (Craig Robinson). Out of desperation, he finds a part-time job as a janitor, and is forced to move in with his estranged daughter (Camilla Belle) and her over-protective roommates. Despite these setbacks he is determined to pitch his newest gadget and rebuild his infomercial empire. But the world has changed in the last decade, and Axle finds himself out of step with current technology, his family, and the self-confidence that made him king of the infomercials in the past. With all his wheels spinning, Axle soon realizes before he can be successful with his new creation, first he must reinvent himself. (
While taking care of a deceased client's estate, a young lawyer encounters a mysterious woman dressed in black and uncovers a tragic secret. (
On the eve of her coronation as Empress (Carina Lau, 2046), China's most powerful woman is haunted by a chilling murder mystery: seven men under her command have burst into flames, leaving behind only black ash and skeletal bones. Recognizing this threat to her power, she turns to the infamous Dee Renjie: a man whose unparalleled wisdom is matched only by his martial arts skills. As he battles a series of bizarre dangers, he unveils a chilling truth that places his life, and the future of an entire dynasty, in peril. (
A speculative account of Maria Anna “Nannerl” Mozart, five years older than Wolfgang and a musical prodigy in her own right. Originally the featured performer, she has given way to Wolfgang as the main attraction, as their strict but loving father Leopold tours his talented offspring in front of the royal courts of pre-French revolution Europe. Approaching marriageable age and now forbidden to play the violin or compose, Nannerl chafes at the limitations imposed on her gender. But a friendship with the son and daughter of Louis XV offers an alternative. (
Griff, a shy and awkward office worker by day, finds escape from his ordinary life by assuming the identity of a fantastic superhero each night. Griff's secret is jeopardized when he meets Melody, a cute but unconventional daydreamer. She quickly becomes fascinated by his idiosyncrasies, which are equal only to her own. In the face of mounting pressure to live in the “real world,” it's up to Melody to rescue Griff for the sake of herself, Griff and their new found love for each other. (
Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona (Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. The pair set off on a search that doesn’t always lead them where they think they’re going, but gradually leads them to one another. (
A mesmerizing portrait of the artist Anselm Kiefer by acclaimed documentarian Sophie Fiennes (THE PERVERT’S GUIDE TO CINEMA), OVER YOUR CITIES GRASS WILL GROW is part tribute and part deconstruction; aided by beautiful widescreen cinematography, Fiennes captures the majesty of Kiefer’s architectonic installations alongside observational footage of his work process. (