The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn’t think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister’s chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don’t… well, they can always fire their Director of Communications Judy, who they never liked anyway and who’s back home dealing with voters with blocked drains and a man who’s angry about a collapsing wall. (Source)
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A middle-aged slacker living in a rundown, graffiti-ridden slum, Daisato’s job involves being shocked by bolts of electricity that transform him into a stocky, stick-wielding giant several stories high who is entrusted with defending Japan from a host of bizarre monsters. But while his predecessors were national heroes, he is a pariah among the citizens he protects, who bitterly complain about the noise and destruction of property he causes. And Daisato has his own problems -an agent insistent on branding him with sponsor advertisements, an Alzheimer-afflicted grandfather who transforms into a giant in dirty underwear, and a family who is embarrassed by his often cowardly exploits. (
Based on an incredible true story, this powerful tale of a village’s persecution of an innocent woman becomes both a daring act of witness and a compelling parable about mob rule. Who will join forces with the plot against her, who will surrender to the mob, and who will dare to stand up for what’s right. It is both a classic fable of good and evil and an inspiring tribute to the many fighting against injustice around the world. (
Julia (Tilda Swinton) is a middle-aged alcoholic who totters around nightclubs on six-inch heels, and gets by on nickel-and-dime jobs sandwiched between shots of vodka and one-night stands. Julia is manipulative, unreliable and a compulsive liar, and when an opportunity presents itself to make a substantial amount of money, she jumps at the chance and commits a desperate act. As the repercussions spiral beyond her control, she is forced to make a choice between sacrifice and redemption. (In theaters May 8, 2009) (
Turn-of-the-century tale of an experienced French courtesan and her young lover. (
Two siblings rival each other inside the world of professional soccer. (
Academy Award winner for Best Foreign Language Film, DEPARTURES is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan’s cultural heritage. “Departures” follows Daigo Kobayashi (Masahiro Motoki), a devoted cellist in an orchestra that has just been dissolved and who is suddenly left without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled “Departures” thinking it is an advertisement for a travel agency only to discover that the job is actually for a “Nokanshi” or “encoffineer,” a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living. A story of love, of discovery, of revelation and of the transcending human spirit, “Departures” will linger in your heart and mind long after viewing. (
Daigo Kobayashi is a young married cellist who played in an orchestra that has just been disbanded. Suddenly on the street without a job, Daigo decides to move back to his hometown with his wife. There he gets a job as an undertaker. He sees himself as a sort of gatekeeper between life and death. However, Daigo’s work is despised by all the people around him. But it is through his relationship with death on a daily basis that Daigo begins to understand what life is really about. (
“The divergent paths of 3 forty-something siblings collide when their mother, heiress to her uncle’s exceptional 19th century art collection, dies suddenly. Left to come to terms with themselves and their differences, Adrienne (Juliette Binoche), a successful New York designer, Frédéric (Charles Berling), an economist and university professor in Paris, and Jérémie (Jérémie Renier), a dynamic businessman in China, confront the end of childhood, their shared memories, background and unique vision of the future.” (