A handful of teenagers find the life they’ve known is slipping away from them in this independent coming-of-age drama. 19-year-old Ritchie Wheeler (Shiloh Fernandez) is the manager of a roller rink in a small town in East Texas. Ritchie’s job gives him a chance to hang out with his friends and get paid… for it, but fewer kids are interested in roller skating, and Ritchie’s life increasingly feel like an extension of high school as he parties his evenings away without moving forward. Ritchie’s kid sister Mary (Haley Ramm) and his girlfriend Michelle (Ashley Greene) both think its time he tried to make something of himself, but Ritchie isn’t sure which way to go, even as he sees a disturbing reflection of himself in Brent (Heath Freeman), Michelle’s older brother. Brent left town for a promising career in motorcycle racing until an accident ended his career and now he’s back, drinking beer with his sister’s friends and picking up high school girls. As the roller rink is poised to close and divorce tears apart both Ritchie and Michelle’s families, they find themselves leaving childhood behind while uncertain about what adulthood holds. The first feature film from director Anthony Burns, Skateland was an official selection at the 2010 Sundance Film Festival. ~ Mark Deming, Rovi (Source)
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RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of no reason. (
Sosa (Ricardo Darin, The Secret in Their Eyes) is an ambulance-chasing personal injury attorney with questionable ethics. Lujan (Martina Gusman, Lion’s Den) is a young, idealistic country doctor, new to the city. After Lujan and Sosa’s paths repeatedly cross, the two form an unlikely romance that is threatened by Sosa’s turbulent past. With traffic accidents as the number one cause of deaths in Argentina, bodies are currency and a black market strives to get rich from the personal tragedies that literally litter the streets. (
Recovering alcoholic stage actress, Thea Barfoed (Paprika Steen) has gone through turmoil. Having divorced her husband, Christian (Michael Falch), and relinquished custody of their two boys during her heavy drinking days, Thea wants to start over. As her past alcohol use and indiscretions still haunt her, the reality of a new beginning seems bleak. Thea uses her inner actress’s charm and manipulation to convince her ex-husband that she is fully recovered and capable of being a good mother to their children; however, she hasn’t completely convinced herself. On stage, Thea plays the binge drinking, ostentatious Martha in “Who’s Afraid of Virginia Woolf?” Ironically, her stage character bears an uncanny resemblance to her personal life. As her alcoholism and past regrets hang in the balance, Thea must decide whether to confront her inner demons or to let the show go on. (
You’re awake when everyone else is asleep. You’re standing still as traffic is whipping by at 70mph. Your off hours are spent trying to figure out why you’re here, whether you want to stay, and how to leave. In THE OFF HOURS, Amy Seimetz (TINY FURNITURE) alluringly commands the screen as Francine, a waitress whose liberation from her mundane existence is long overdue. In the restless world of the night shift at a highway diner, Francine’s life consists of casual encounters and transient friendships. What she wants is out of reach–or is it that she’s lost track of wanting anything at all? When a banker turned big-rig driver (BAGHEAD’s Ross Partridge) becomes a regular, he sparks hope in Francine. As change begins to invade the quiet diner, Francine is reminded that it is never too late to become the person she was meant to be. (
A sixty-something woman, faced with the discovery of a heinous family crime, finds strength and purpose when she enrolls in a poetry class. Lee Chang-dong’s follow-up to his acclaimed SECRET SUNSHINE is a masterful study of the subtle empowerment — and moral compass — of an indefatigable older woman. (
After losing contact with Earth, Astronaut LEE MILLER becomes stranded in orbit alone aboard the International Space Station. As time passes and life support systems dwindle, Lee battles to maintain his sanity – and simply stay alive. His world is a claustrophobic and lonely existence, until he makes a strange discovery aboard the ship. Driven by the powerful music of ANGELS and AIRWAVES, LOVE explores the fundamental human need for connection and the limitless power of hope… A high-impact visual adventure, that resonates a common truth, that everyone has a story to tell and something even greater to leave behind. (
In 2nd-Century Britain, two men – master and slave – venture beyond the edge of the known world on a dangerous and obsessive quest that will push them beyond the boundaries of loyalty and betrayal, friendship and hatred, deceit and heroism. In 140 AD, the Roman Empire extends all the way to Britain – though its grasp is incomplete, as the rebellious tribes of Caledonia (today’s Scotland) hold sway in the far North. Marcus Aquila arrives in Britain, determined to restore the tarnished reputation of his father, Flavius Aquila. It was 20 years earlier that Rome’s 5,000-strong Ninth Legion, under the command of Flavius and carrying their golden emblem, the Eagle of the Ninth, marched north into Caledonia. They never returned; Legion and Eagle simply vanished into the mists. Angered, the Roman Emperor Hadrian ordered the building of a wall to seal off the territory. Hadrian’s Wall became the northernmost frontier of the Roman Empire – the edge of the known world. Driven to become a brilliant soldier and now given command of a small fort in the southwest, Marcus bravely leads his troops during a siege. Commended by Rome for his bravery, yet discharged from the army because of his severe wounds, Marcus convalesces, demoralized, in the villa of his Uncle Aquila, a retired army man. When Marcus impulsively gets a young Briton’s life spared at a gladiatorial contest, Aquila buys the Briton, Esca, to be Marcus’ slave. Marcus is dismissive of Esca, who harbors a seething hatred of all things Roman. Yet Esca vows to serve the man who has saved his life. Hearing a rumor that the Eagle has been seen in a tribal temple in the far north, Marcus is galvanized into action, and sets off with Esca across Hadrian’s Wall. But the highlands of Caledonia are a vast and savage wilderness, and Marcus must rely on his slave to navigate the region. When they encounter ex-Roman soldier Guern, Marcus realizes that the mystery of his father’s disappearance may well be linked to the secret of his own slave’s identity and loyalty – a secret all the more pressing when the two come face-to-face with the warriors of the fearsome Seal Prince. (
The Fighter is the inspirational, true story of these two brothers who, against all the odds, come together to train for a historic title bout that will unite their fractured family, redeem their pasts and, at last, give their hard-luck town what it’s been waiting for: pride. The story unfolds on the gritty, blue-collar streets of Lowell, Mass, where Dicky was once known as “The Pride of Lowell” having gone the distance with the world champion Sugar Ray Leonard. However, after losing that fight, like the town of Lowell, Dicky’s fallen on hard times. His boxing days are behind him and his life has become shattered by drug abuse. Younger brother Micky, meanwhile, has become the family’s fighter and fading hope for a champion. But despite all of his work, Micky’s career is failing and he loses fight after punishing fight. Dicky and Micky’s tougher-than-nails mother, Alice (MELISSA LEO), manages his career and Dicky serves as his highly unreliable trainer. When Micky’s latest fight nearly kills him, it looks like it could all be over – until his iron-willed new girlfriend, Charlene (AMY ADAMS), convinces him to do the unthinkable: split with his family, pursue his own interests and train without his increasingly volatile and criminal brother. Now Micky has the chance of a lifetime as he earns a shot at the World Championship. But when his brother and dysfunctional family reenter his life, they must all reconcile their pasts and become more than just a family in name. With Micky and Dicky reunited, this becomes more than just a fight – it’s an all-out comeback for these brothers, their family, and their city. When it’s over, Micky will have become a World Champion, a Hall of Fame legend, and the new “Pride of Lowell”. The Fighter is a moving and often humorous drama about fighting for the people you love. (