In the early summer of 1956, 23 year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of ‘The Prince and the Showgirl’. The film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Aurthur Miller (Dougray Scott). Nearly 40 years on, his diary account The Prince, the Showgirl and Me was published, but one week was missing and this was published some years later as My Week with Marilyn – this is the story of that week. When Arthur Miller leaves England, the coast is clear for Colin to introduce Marilyn to some of the pleasures of British life; an idyllic week in which he escorted a Monroe desperate to get away from her retinue of Hollywood hangers-on and the pressures of work. (Source)
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Canned from a 20-year job as roadie for Blue Oyster Cult, Jimmy is broke and desperate. With nowhere else to go, he returns home to Forest Hills, Queens to visit his aging mother, where a wild night with some hard-partying high school friends shows him that some things never change. From director Michael Cuesta, ROADIE features powerful performances from Ron Eldard, Bobby Cannavale, Jill Hennessy and a refreshingly eclectic 70s hard rock soundtrack. (
Award winning actress Glenn Close (Albert Nobbs) plays a woman passing as a man in order to work and survive in 19th century Ireland. Some thirty years after donning men’s clothing, she finds herself trapped in a prison of her own making. Mia Wasikowska (Helen), Aaron Johnson (Joe) and Brendan Gleeson (Dr. Holloran) join a prestigious, international cast that includes Jonathan Rhys Meyers, Janet McTeer, Brenda Fricker and Pauline Collins. Rodrigo Garcia directs from a script that Glenn Close, along with Man Booker prize-winning novelist John Banville and Gabriella Prekop, adapted from a short story by Irish author George Moore. (
THE IRON LADY is a surprising and intimate portrait of Margaret Thatcher (Meryl Streep), the first and only female Prime Minister of The United Kingdom. One of the 20th century’s most famous and influential women, Thatcher came from nowhere to smash through barriers of gender and class to be heard in a male dominated world. (
The day is May 6, 2007, France’s run-up to the presidential elections. As the French people are getting ready to go to the polls to elect their new president, presidential candidate Nicolas Sarkozy has shut himself away in his home. Though Sarkozy soon learns he has won the election, he is alone, gloomy and despondent. For hours he has been trying to reach his wife, Cecilia, to no avail. The last five years start to unfurl before our eyes, recounting Sarkozy’s unstoppable ascent to power, riddled with in-party backstabbing, media manipulation, riots, sarcastic confrontations and extra-marital affairs. THE CONQUEST chronicles the volatile right-leaning Sarkozy’s startling rise to become President of France and the emotional and psychological stakes involving the conquest of power. On the day the diminutive Sarkozy conquered his ultimate ambition, his wife – who for twenty years had struggled to pull the man she loved from the shadow into the light – walked out on him for another man. (
Twelve-year-old Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric girl and the owner of a small toy booth in the train station, Hugo’s undercover life, and his most precious secret, are put in jeopardy. (
Joseph (Peter Mullan) is an unemployed widower with a drinking problem and a violent temper. When he meets Hannah (Olivia Colman), a devout Christian who works at a charity shop, the two form an unlikely bond where secrets are revealed and salvation is found in dark places. With striking performances and a deeply moving story, actor-turned-writer/director Paddy Considine’s film is a stunning debut about the emergence of grace and redemption from the least likely of places. Winner of the Sundance Film Festival’s World Cinema Jury Prize for Breakout Performances and the World Cinema Directing Awards. (