When they first met, Lonnie and Clover were young idealists, but an unplanned baby forced them to flip the script. Lonnie put his music on hold and got a shitty job. And now Clover is abandoning her activism for an “opportunity” in the corporate world. Drowning in disappointments, Lonnie decides he needs some time off work to reexamine his life. He calls in sick, but his abusive boss demands he show up or get fired. Lonnie panics and tells a shocking lie to justify his absence – and once the lie if out, there’s no going back. Now it’s only a matter of time before the grenade he’s thrown on his life explodes and Lonnie is suddenly pushed to figure out who he is, what he wants, and just maybe, what it means to be a father. (Source)
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Winner of Audience Awards at both SXSW and Outfest 2011 and the opening night selection of Brooklyn’s acclaimed BAMcinemafest, WEEKEND is a startlingly authentic love story, featuring the talents of two incredible new actors and the unique work of a fresh new voice in filmmaking, Andrew Haigh. After meeting one lonely Friday night at a bar, Russell (Tom Cullen) and Glen (Chris New) find themselves caught up in an lost weekend full of sex, drugs, and intimate conversation. Although they have conflicting ideas of what it is they want from life and certainly how to get it, they form a startling emotional connection that will resonate throughout their lives. (
A gritty, white-knuckle, action ride set in the near-future where the sport of boxing has gone high-tech, Real Steel stars Hugh Jackman as Charlie Kenton, a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max (Dakota Goyo) to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback. (
Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). But when he realizes that the gangsters are after more than the bag of cash in his trunk-that they’re coming straight for Irene and her son-Driver is forced to shift gears and go on offense. (
Family is the most important thing in the world to Kaja. She is an eternal optimist in spite of living with a man who would rather go hunting with the boys and isn’t interested in having sex with her anymore because she “isn’t particularly attractive.” Whatever. That’s life. But when “the perfect couple” moves in next door, Kaja struggles to keep her emotions in check. Not only do these successful, beautiful, exciting people sing in a choir, they have also adopted a child – from Ethiopia! These new neighbors open a whole new world to Kaja, with consequences for everyone involved. And when Christmas comes around, it becomes evident that nothing will ever be like before – even if Kaja tries her very best. (
Paris, 1960. Jean-Louis lives a bourgeois existence absorbed in his work, cohabitating peacefully with his neurotic socialite wife Suzanne while their children are away at boarding school. The couple’s world is turned upside-down when they hire a Spanish maid Maria. Through Maria, Jean-Louis is introduced to an alternative reality just a few floors up on the building’s sixth floor, the servants’ quarters. He befriends a group of sassy Spanish maids, refugees of the Franco regime, who teach him there’s more to life than stocks and bonds. The women’s influence on the house brings change… muy rápido! (
“Moneyball” is directed by Bennett Miller. The screenplay is by Steven Zaillian and Aaron Sorkin, from a story by Stan Chervin, based on the book by Michael Lewis. The film is produced by Michael De Luca, Rachael Horovitz, and Scott Rudin. (