A riveting portrait of the great writer whose stories became the basis of the Broadway musical Fiddler on the Roof. Sholem Aleichem: Laughing in the Darkness tells the tale of the rebellious genius who created an entirely new literature. Plumbing the depths of a Jewish world locked in crisis and on the cusp of profound change, he captured that world with brilliant humor. Sholem Aleichem was not just a witness to the creation of a new modern Jewish identity, but one of the very men who forged it. (Source)
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A portrait of one of the most innovative and influential hip hop bands of all time, the Queens NY collective known as A Tribe Called Quest. (
REJOICE AND SHOUT is the definitive history of GOSPEL music — some of the most emotional and powerful music in the world, and the foundation of the blues, country and rock n’ roll. Packed with evocative photos, rare audio, recordings, stirring film appearances and TV performances, REJOICE AND SHOUT is a jubilant journey through the 200 year musical history of African-American Christianity. Culled from hundreds of hours of music, REJOICE AND SHOUT features interviews and performances from the most celebrated voices in gospel music, including: Smokey Robinson, Mavis Staples and the Staple Singers, Mahalia Jackson, Clara Ward, Sister Rosetta Tharpe, Andrae Crouch, The Blind Boys of Alabama, the Selvey Family, Darrel Petties and many more. REJOICE AND SHOUT traces the evolution of Gospel through its many musical styles — the spirituals and early hymns, the four-part harmony-based quartets, the integration of blues and swing into Gospel, the emergence of Soul, and the blending of Rap and Hip Hop elements. Gospel music walks in step with the story of African-American culture — slavery, hardscrabble rural existence and plantation work, the exodus to major cities, the Depression, World War II, civil rights and empowerment. REJOICE AND SHOUT connects the history of African-American culture with Gospel as it first impacted popular culture at large. Years in the making, REJOICE AND SHOUT captures so much of what is special about this music and African-American Christianity — the sermonizing, the heartfelt testimonials, getting slain in the spirit, the hard hollering, and of course the inspiring music. (
Awarded for its visionary cinematography, GENERAL ORDERS No. 9 breaks from the constraints of the documentary form as it contemplates the signs of loss and change in the American South. The stunning culmination of over eleven years’ work from first time writer-director Bob Persons, GENERAL ORDERS No. 9 marries experimental filmmaking with an accessible, naturalist sensibility to tell the epic story of the clash between nature and man’s progress, and reaches a bittersweet reconciliation all its own. Told entirely with images, poetry, and music, GENERAL ORDERS No. 9 is unlike any film you have ever seen. A story told in maps, dreams, and prayers, it is one last trip down the rabbit hole before it’s paved over. (
REJOICE AND SHOUT is the definitive history of GOSPEL music – some of the most emotional and powerful music in the world, and the foundation of the blues, country and rock n’ roll. Packed with evocative photos, rare audio, recordings, stirring film appearances and TV performances, REJOICE AND SHOUT is a jubilant journey through the 200 year musical history of African-American Christianity. Culled from hundreds of hours of music, REJOICE AND SHOUT features interviews and performances from the most celebrated voices in gospel music, including: Smokey Robinson, Mavis Staples and the Staple Singers, Mahalia Jackson, Clara Ward, Sister Rosetta Tharpe, Andrae Crouch, The Blind Boys of Alabama, the Selvey Family, Darrel Petties and many more. REJOICE AND SHOUT traces the evolution of Gospel through its many musical styles – the spirituals and early hymns, the four-part harmony-based quartets, the integration of blues and swing into Gospel, the emergence of Soul, and the blending of Rap and Hip Hop elements. Gospel music walks in step with the story of African-American culture – slavery, hardscrabble rural existence and plantation work, the exodus to major cities, the Depression, World War II, civil rights and empowerment. REJOICE AND SHOUT connects the history of African-American culture with Gospel as it first impacted popular culture at large. Years in the making, REJOICE AND SHOUT captures so much of what is special about this music and African-American Christianity – the sermonizing, the heartfelt testimonials, getting slain in the spirit, the hard hollering, and of course the inspiring music. (
Twenty-something friends Brad, Will, Nessa, and Lisa take a road trip through the Eastern Canadian countryside on their way to a family reunion, and enter into a bloody fight for survival against six masked maniacs who emerge from the forest seeking to slaughter them all. As the dawn approaches, the few survivors realize that help is not on the way, and the most terrifying chapter of their tale has yet to be told. – Jason Buchanan, Rovi (
A look at the little known world of Irish dancing through the competitive World Irish Dancing Championships. Thousands of dancers spend years of hard work preparing for the big competition. Traveling from the Netherlands, Russia, Ireland and the UK, these aspiring world champions and their entourages descend on Glasgow for one drama-fueled week of dance competition. Here, we observe as the dancers push themselves to the limit in a quest for perfection, recognition and a coveted world title. (
The story of the legendary, 1964 LSD-fueled bus journey of author Ken Kesey and his co-horts, the Merry Pranksters. (
After a much-publicized departure from hosting NBC’s Tonight Show, O’Brien hit the road with a 32-city music-and-comedy show to exercise his performing chops and exorcise a few demons. Filmmaker Rodman Flender’s documentary, Conan O’Brien Can’t Stop, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career. It offers a window into the private writers room and rehearsal halls as O’Brien’s “Legally Prohibited From Being Funny on Television Tour” is almost instantly assembled and mounted to an adoring fan base. At times angry, mostly hilarious, we see a comic who does not stop — performing, singing, pushing his staff and himself. Did Conan O’Brien hit the road to give something back to his loyal fans, or did he travel across the continent, stopping at cities large and remote to fill a void within himself? (