Storytelling in all its forms is skewered in Todd Rohal’s hilarious THE CATECHISM CATACLYSM. A favorite of Sundance, SXSW and BAMcinemafest 2011, this divinely bizarre and funny tale infuses stories within stories with wild characters until lines between Biblical tales, Mark Twain, and campfire stories are hysterically blurred. From producers Jody Hill, Danny McBride and David Gordon Green, THE CATECHISM CATACLYSM tells the tale of Father Billy (Steve Little, EASTBOUND & DOWN), an eccentric young priest who tracks down his high school idol Robbie, an ex Heavy Metal rocker (Robert Longstreet, PINEAPPLE EXPRESS) who begrudgingly agrees to a canoe trip. As they embark on their journey, it slowly becomes clear that the two old friends might not be as close as Father Billy remembers. When night approaches, and they realize they have lost their way– that’s when things get weird. (Source)
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Katherine Heigl brings Stephanie Plum – the popular heroine of Janet Evanovich’s worldwide best-selling seventeenth-book mystery series – to vibrant life in Lionsgate and Lakeshore Entertainment’s ONE FOR THE MONEY. A proud, born-and-bred Jersey girl, Stephanie Plum’s got plenty of attitude, even if she’s been out of work for the last six months and just lost her car to a debt collector. Desperate for some fast cash, Stephanie turns to her last resort: convincing her sleazy cousin to give her a job at his bail bonding company…as a recovery agent. True, she doesn’t even own a pair of handcuffs and her weapon of choice is pepper spray, but that doesn’t stop Stephanie from taking on Vinny’s biggest bail-jumper: former vice cop and murder suspect Joe Morelli – yup, the same sexy, irresistible Joe Morelli who seduced and dumped her back in high school. Nabbing Morelli would be satisfying payback – and a hefty payday – but as Stephanie learns the ins and outs of becoming a recovery agent from Ranger, a hunky colleague who’s the best in the business, she also realizes the case against Morelli isn’t airtight. Add to the mix her meddling family, a potentially homicidal boxer, witnesses who keep dying and the problem of all those flying sparks when she finds Morelli himself…well, suddenly Stephanie’s new job isn’t nearly as easy as she thought. (
It’s a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can’t. (
On vacation in Los Angeles, Walter, the world’s biggest Muppet fan, and his friends Gary (Jason Segel) and Mary (Amy Adams) from Smalltown, USA, discover the nefarious plan of oilman Tex Richman (Chris Cooper) to raze the Muppet Theater and drill for the oil recently discovered beneath the Muppets’ former stomping grounds. To stage The Greatest Muppet Telethon Ever and raise the $10 million needed to save the theater, Walter, Mary and Gary help Kermit reunite the Muppets, who have all gone their separate ways: Fozzie now performs with a Reno casino tribute band called the Moopets, Miss Piggy is a plus-size fashion editor at Vogue Paris, Animal is in a Santa Barbara clinic for anger management, and Gonzo is a high-powered plumbing magnate. (
Norman Long is a high school loner, a self-aware and darkly funny teen who’s just trying to handle his daily existence. In the wake of his mother’s sudden death, Norman must now also deal with the reality that his father is starting to lose his battle with stomach cancer. Norman, depressed and angry, unintentionally gets caught in a lie that he, in fact, has stomach cancer. Soon his complete distortion of the facts spirals out of control. Part coping mechanism, partially as a way to feel closer to his father, and to a certain degree to prepare others for his possible suicide, Norman begins to imitate his father’s debilitating physical symptoms, dramatically affecting his life and the world around him. Emily, a magnetic girl with one of those rare enchanting smiles, gets caught up in Norman’s fabrication and struggles with her deep rooted romantic feelings in the face of Norman’s “impending” death. Ultimately, Norman must confront a burning set of conflicting emotions as he struggles to define his relationship with his father, his love for Emily, and ultimately who he will be as a young man. (
Paris, 1960. Jean-Louis lives a bourgeois existence absorbed in his work, cohabitating peacefully with his neurotic socialite wife Suzanne while their children are away at boarding school. The couple’s world is turned upside-down when they hire a Spanish maid Maria. Through Maria, Jean-Louis is introduced to an alternative reality just a few floors up on the building’s sixth floor, the servants’ quarters. He befriends a group of sassy Spanish maids, refugees of the Franco regime, who teach him there’s more to life than stocks and bonds. The women’s influence on the house brings change… muy rapido! (
“New Year’s Eve” celebrates love, hope, forgiveness, second chances and fresh starts, in intertwining stories told amidst the pulse and promise of New York City on the most dazzling night of the year. (