In the action film Colombiana, Zoe Saldana plays Cataleya, a young woman who has grown up to be an assassin after witnessing the murder of her parents as a child. Turning herself into a professional killer and working for her uncle, she remains focused on her ultimate goal: to hunt down and get revenge on the mobster responsible for her parents’ deaths. (Source)
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In the action film Colombiana, Zoe Saldana plays Cataleya, a young woman who has grown up to be an assassin after witnessing the murder of her parents as a child. Turning herself into a professional killer and working for her uncle, she remains focused on her ultimate goal: to hunt down and get revenge on the mobster responsible for her parents’ deaths. (Source)
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TUCKER & DALE VS EVIL is a hilariously gory, good-spirited horror comedy, doing for killer rednecks what Shaun of the Dead did for zombies. Tucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count. TUCKER AND DALE VS EVIL has been a hit on the festival circuit, debuting at Sundance, and winning the Midnight Audience Award at SXSW, the Jury Prize for First Feature at Fantasia, the Best Director award at Fantaspoa, and the Best Motion Picture Award at Sitges. (Source)
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LANCE PRESTON (Sean Rogerson) and the crew of “Grave Encounters”, a ghost-hunting reality television show, are shooting an episode inside the abandoned Collingwood Psychiatric Hospital, where unexplained phenomena has been reported for years. All in the name of good television, they voluntarily lock themselves inside the building for the night and begin a paranormal investigation, capturing everything on camera. They quickly realize that the building is more than just haunted – it is alive – and it has no intention of ever letting them leave. They find themselves lost in a labyrinth of endless hallways and corridors, terrorized by the ghosts of the former patients. They soon begin to question their own sanity, slipping deeper and deeper into the depths of madness, ultimately discovering the truth behind the hospital’s dark past… and taping what will be their final episode. (Source)
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Out of boredom and peer pressure, three best friends (Dan, Mark, and Hugh) go to visit Dan’s sister for dinner. Soon after meeting Dan’s brother-in-law Rick, the trio finds themselves miles from home and far outside their comfort zone. What started off as an innocent trip spirals into an outrageous series of events none of them were prepared for. (Source)
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From a snowy small town in Northern Michigan to the mountains of Afghanistan and back, WHERE SOLDIERS COME FROM follows the four-year journey of childhood friends, forever changed by a faraway war. A documentary about growing up, WHERE SOLDIERS COME FROM, is an intimate look at the young men who fight our wars and the families and town they come from. Returning to her hometown, Director Heather Courtney gains extraordinary access following these young men as they grow and change from teenagers stuck in their town, to 23-year-old veterans facing the struggles of returning home. (Source)
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Writer/Director Craig Brewer (“Hustle & Flow,” “Black Snake Moan”) delivers a new take of the beloved 1984 classic film, “Footloose.” Ren MacCormack (played by newcomer Kenny Wormald) is transplanted from Boston to the small southern town of Bomont where he experiences a heavy dose of culture shock. A few years prior, the community was rocked by a tragic accident that killed five teenagers after a night out and Bomont’s local councilmen and the beloved Reverend Shaw Moore (Dennis Quaid) responded by implementing ordinances that prohibit loud music and dancing. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel (Julianne Hough) in the process. (Source)
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Politics makes strange bedfellows, but never stranger than when a sexy, savvy, African-American conservative Republican reluctantly falls for his Democratic counterpart: a beautiful Indian-American Obama campaign volunteer. Sparks fly, tempers flare, heads turn, and romance blossoms for his mismatched pair of lovers in the frantic and intoxicating days leading up to Election Day. Can the politics of love conquer all? (Source)
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Taking the best from LA VIE EN ROSE and AMELIE, renowned comic book artist Joann Sfar’s GAINSBOURG: A HEROIC LIFE is a completely original take on one of France’s greatest mavericks, the illustrious and infamous Jewish singer-songwriter, Serge Gainsbourg (Eric Elmosnino). Born Lucien Ginsburg to Russian-Jewish parents, Sfar follows him from his precocious childhood in Nazi-occupied Paris, to his beginnings as small time jazz musician and finally pop superstar. Along the way he romances many of the era’s most beautiful women, including Juliette Greco (Anna Mouglalis), Brigitte Bardot (Laetitia Casta) and Jane Birkin (Lucy Gordon). Employing a witty surrealistic style and a soundtrack that includes many of the musician’s greatest hits, GAINSBOURG: A HEROIC LIFE is a quintessential time capsule to ’60’s Paris. (Source)
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Acclaimed Miami musician Clarence Reid could easily be your cranky grandfather… until he puts on the gold-spangled superhero costume of his alter ego, Blowfly, and starts singing some of the filthiest songs you’ve ever heard in your life. A major force in the Miami soul scene of the 60s and 70s, Reid wrote Top-10 songs for some of the greatest R&B acts of the era, while at the same time, his X-rated recordings and stage antics as Blowfly made him a star of the “party record” scene. Having changed the game in 1965 with what might be the world’s first rap song, Blowfly has shocked and grooved audiences for over forty years since. Today, he is still on tour, struggling for success and recognition after 50 years of making music. An intimate and revealing portrait, The Weird World of Blowfly celebrates Reid’s musical and cultural significance, and paints a picture of an unheralded, hilarious, and stunningly profane man that is as touching as it is obscene. (Source)
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