It remains as true today as it did in the days of the ancient Samurai: the weapons of the Ninja hold legendary powers for both good men and evil. The deadly weapons of the last Koga Ninja have now been entrusted to an American Ninjutsu student studying in Japan. Commanded by his Sensei to return to New York and protect the weapons at all cost, he must defeat the skilled Yakuza assassins hunting him and prevent the power of the weapons from falling into evil hands. (Source)
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An estranged father living in a small Southern beach town gets a chance to spend the summer with his reluctant teenaged daughter, who would rather be home in New York. He tries to connect with her through the only thing they have in common-music. (
Bruised and beaten, arm in a sling, neck in a brace, Arthur Poppington (Woody Harrelson) sits in front of court—appointed psychologist Ellen Park (Sandra Oh). After making her swear to secrecy, Poppington begins to tell the story of his secret life as “Defendor” – yes, that’s an “OR” – spelling is not one of his super powers. By day, Poppington directs traffic around road construction sites, but at night he dons a pair of black tights, a black jersey with a crude “D” duct—taped to his chest, and trawls the streets as his alter ago. As Defendor, Poppington engages in what he believes is a super heroic fight against crime in an attempt to fulfill his unrealized dream of capturing his archrival, Captain Industry – a gun trafficking crime lord who Poppington mistakenly believes is responsible for the death of his mother. Defendor’s problems with the law begin with his intervention in a trick gone bad. When coming to the aid of Katerina Debrofkowitz (Kat Dennings), an underage prostitute, Defendor tangles with her pimp, Chuck Dooney (Elias Koteas) – a crooked undercover cop. By doing so, Defendor bumbles his way into a criminal underworld, and the stage is set for a showdown with Captain Industry. DEFENDOR is the ultimate underdog story about the unlikeliest of super heroes. While he may be deficient in super powers, he has a surplus of heart and sometimes that’s all you need to make a difference. (
After a horrific car accident, Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna’s grief—stricken boyfriend Paul (Justin Long) still can’t shake the nagging suspicion that Eliot isn’t what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over the other side. With an unrelenting edge of menace, After.life is a stylish psychological thriller which provocatively questions the line between life and death. (
Kristen Stewart and Dakota Fanning star in this music—fueled story of the ground—breaking, all girl, teenage rock band of the 1970s: The Runaways. The film follows two friends, Joan Jett and Cherie Currie, as they rise from rebellious Southern California kids to rock stars of the now legendary group that paved the way for future generations of girl bands. Joan and Cherie fall under the Svengali—like influence of rock impresario Kim Fowley, played by Michael Shannon, who turns the group into an outrageous success and a family of misfits. With its tough—chick image and raw talent, the band quickly earns a name for itself—and so do its two leads: Joan is the band’s pure rock’ n’ roll heart, while Cherie, with her Bowie—Bardot looks, is the sex kitten. Written and directed by Floria Sigismondi, the film chronicles Joan and Cherie’s tumultuous relationship on and off stage, as the band starts to break out. (
From the team that brought the Pirates of the Caribbean trilogy to the big screen, Walt Disney Pictures and Jerry Bruckheimer Films present Prince of Persia: The Sands of Time, an epic action-adventure set in the mystical lands of Persia. A rogue prince (Jake Gyllenhaal) reluctantly joins forces with a mysterious princess (Gemma Arterton), and together, they race against dark forces to safeguard an ancient dagger capable of releasing the Sands of Time—a gift from the gods that can reverse time and allow its possessor to rule the world. (
The ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus is helpless to save his family from Hades, vengeful god of the underworld. With nothing left to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus and unleash hell on earth. Leading a daring band of warriors, Perseus sets off on a perilous journey deep into forbidden worlds. Battling unholy demons and fearsome beasts, he will only survive if he can accept his power as a god, defy his fate and create his own destiny. (
A platoon of eagles and vultures attack the residents of a small town. Many people died. It’s not known what caused the flying menace to attack. Two people managed to fight back, but will they survive Birdemic? (
Kyle Kingson has it all – looks, intelligence, wealth and opportunity – and a wicked cruel streak. Prone to mocking and humiliating “aggressively unattractive” classmates, he zeroes in on Goth classmate Kendra, inviting her to the school’s extravagant environmental bash. Kendra accepts, and, true to form, Kyle blows her off in a particularly savage fashion. She retaliates by casting a spell that physically transforms him into everything he despises. Enraged by his horrible and unrecognizable appearance he confronts Kendra and learns that the only solution to the curse is to find someone that will love him as he is – a task he considers impossible. Repulsed by his appearance, Kyle’s callous father banishes him to Brooklyn with a sympathetic housekeeper and blind tutor. As Kyle ponders how to overcome the curse and get his old life back, he chances upon a drug addict in the act of killing a threatening dealer. Seizing the opportunity, Kyle promises the addict freedom and safety for his daughter, Lindy if she will consent to live in Kyle’s Brooklyn home. Thus begins Kyle’s journey to discover true love in this hyper-modern retelling of the classic ‘Beauty and the Beast’ story. (