Space-time vortexes suck. Has been scientist Dr. Rick Marshall, is sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world. Sucked alongside him for the adventure are crack-smart research assistant Holly and a redneck survivalist named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally — a primate called Chaka to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they’re heroes. Get stuck, and they’ll be permanent refugees in the Land of the Lost. (Source)
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Ben Stiller returns to the role of night watchman Larry Daly in this sequel to the 2006 family film NIGHT AT THE MUSEUM. This adventure takes the action to Washington D.C, where things at the Smithsonian aren’t quite as quiet as one might think… (
Walt Disney Animation Studios presents the musical THE PRINCESS AND THE FROG, an animated comedy set in the great city of New Orleans. From the creators of “The Little Mermaid” and “Aladdin” comes a modern twist on a classic tale, featuring a beautiful girl named Tiana (ANIKA NONI ROSE), a frog prince who desperately wants to be human again, and a fateful kiss that leads them both on a hilarious adventure through the mystical bayous of Louisiana. THE PRINCESS AND THE FROG marks the return to hand-drawn animation from the revered team of John Musker and Ron Clements, with music by Oscar®-winning composer Randy Newman (“Monsters, Inc.,” “Cars,” “Toy Story”). (
It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Rob Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town’s got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable. (
Taking Woodstock is the new film from Academy Award-winning director Ang Lee – and it’s a trip! Based on the memoirs of Elliot Tiber, the comedy stars Demetri Martin as Elliot, who inadvertently played a role in making 1969’s Woodstock Music and Arts Festival into the famed happening it was. Featuring a standout ensemble cast, and songs from a score of ’60s musical icons including The Grateful Dead, The Doors, Jefferson Airplane, and Country Joe and the Fish – plus a new recording of “Freedom” from Richie Havens – Taking Woodstock is a joyous voyage to a moment in time when everything seemed possible. Working as an interior designer in Greenwich Village, Elliot feels empowered by the gay rights movement. But he is also still staked to the family business – a dumpy Catskills motel called the El Monaco that is being run into the ground by his overbearing parents, Jake and Sonia Teichberg (Henry Goodman and Imelda Staunton). In the summer of 1969, Elliot has to move back upstate to the El Monaco in order to help save the motel from being taken over by the bank. Upon hearing that a planned music and arts festival has lost its permit from the neighboring town of Wallkill, NY, Elliot calls producer Michael Lang (Jonathan Groff) at Woodstock Ventures to offer his family’s motel to the promoters and generate some much-needed business. Elliot also introduces Lang to his neighbor Max Yasgur (Eugene Levy), who operates a 600-acre dairy farm down the road. Soon the Woodstock staff is moving into the El Monaco – and half a million people are on their way to Yasgur’s farm for “3 days of Peace & Music in White Lake.” With a little help from his friends, including theater troupe leader Devon (Dan Fogler), recently returned Vietnam veteran Billy (Emile Hirsch), and cross-dressing ex-Marine Vilma (Liev Schreiber) – and with a little opposition from townspeople, including Billy’s brother Dan (Jeffrey Dean Morgan) – Elliot finds himself swept up in a generation-defining experience that would change his life – and popular culture – forever. (
TETRO is Francis Ford Coppola’s first original screenplay since THE CONVERSATION. It is his most personal film yet, arising from memories and emotions from his early life, though totally fictional. It is the bittersweet story of two brothers, of family lost and found and the conflicts and secrets within a highly creative Argentine-Italian family. (
In the action-thriller Public Enemies, acclaimed filmmaker Michael Mann directs Johnny Depp, Christian Bale and Academy Award® winner Marion Cotillard in the story of legendary Depression-era outlaw John Dillinger (Depp)—the charismatic bank robber whose lightning raids made him the number one target of J. Edgar Hoover’s fledgling FBI and its top agent, Melvin Purvis (Bale), and a folk hero to much of the downtrodden public. No one could stop Dillinger and his gang. No jail could hold him. His charm and audacious jailbreaks endeared him to almost everyone—from his girlfriend Billie Frechette to an American public who had no sympathy for the banks that had plunged the country into the Depression. But while the adventures of Dillinger’s gang—later including the sociopathic Baby Face Nelson (Stephen Graham) and Alvin Karpis (Giovanni Ribisi)—thrilled many, Hoover (Billy Crudup) hit on the idea of exploiting the outlaw’s capture as a way to elevate his Bureau of Investigation into the national police force that became the FBI. He made Dillinger America’s first Public Enemy Number One and sent in Purvis, the dashing “Clark Gable of the FBI.” However, Dillinger and his gang outwitted and outgunned Purvis’ men in wild chases and shootouts. Only after importing a crew of Western ex-lawmen (newly baptized as agents) and orchestrating epic betrayals—from the infamous “Lady in Red” to the Chicago crime boss Frank Nitti—were Purvis, the FBI and their new crew of gunfighters able to close in on Dillinger. (