Celebrity photographer Connor Mead loves freedom, fun and women… in that order. A committed bachelor who thinks nothing of breaking up with multiple women on a conference call, Connor’s mockery of romance proves a real buzz-kill for his kid brother, Paul, and a houseful of well wishers on the eve of Paul’s wedding. Just when it looks like Connor may single-handedly ruin the wedding, he is visited by the ghosts of his former jilted girlfriends, who take him on a revealing and hilarious odyssey through his failed relationships–past, present and future. Together they attempt to find out what turned Connor into such an insensitive jerk and whether there is still hope for him to find true love…or if he really is the lost cause everyone thinks he is. (Source)
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MISS MARCH tells the story of a young man (Cregger) who awakens from a four-year coma to hear that his once virginal high-school sweetheart (Alessi) has since become a naked centerfold in a men’s magazine. He and his sex-crazed best friend (Moore) decide to take a cross- country road trip in order to crash a party at the magazine’s legendary headquarters and win back the girl. (
From Nia Vardalos, writer and star of MY BIG FAT GREEK WEDDING, comes the hilarious comedy MY LIFE IN RUINS. Georgia (Nia Vardalos) has lost her kefi (Greek for “mojo”). Discouraged by her lack of direction in life, she works as a travel guide, leading a rag-tag group of tourists as she tries to show them the beauty of her native Greece. While opening their eyes to an exotic foreign land, she too begins to see things in new ways—finding her kefi in the process. (
Once upon a time, Buck Howard (John Malkovich) spent his days in the limelight. His mind-boggling feats as a mentalist extraordinaire – not to be confused with those of a mere magician – earned him a marquee act in Vegas and 61 appearances on Johnny Carson’s Tonight Show. In his own humble opinion, his talents go far beyond simple sleight of hand – he can read minds and hypnotize not just a single soul but an entire room of people! But nowadays, it’s clear to everyone but Buck that his act has lost its luster; he performs in faded community centers and hasn’t sold out a theater in years. Yet, with a hearty handshake and a trademark “I love this town!,” Buck Howard perseveres, confident in his own celebrity, convinced his comeback is imminent. He just needs a new road manager and personal assistant. As it turns out, recent law school drop-out and unemployed, would-be writer Troy Gable (Colin Hanks) needs a job and a purpose. Working for the pompous, has-been mentalist fills the former requirement, but how it satisfies the latter is questionable, especially to his father (Tom Hanks), who still assumes Troy is in law school. Nonetheless, with the aid of a fiery publicist (Emily Blunt) and a bold stroke of fate, Buck surprisingly lands back into the American consciousness, taking Troy along for the ride of his life. As the coveted spotlight again shines on the great Buck Howard, Buck becomes the unlikeliest of teachers as Troy learns a few tricks he couldn’t possibly have picked up in law school. (
In this high-octane sequel, hitman Chev Chelios’ (Statham) launches himself on an electrifying chase through Los Angeles in pursuit of the Chinese mobster who has stolen his nearly indestructible heart. CRANK: HIGH VOLTAGE is written and directed by Neveldine/Taylor, the duo behind the 2006 hit film CRANK, and the upcoming GAME starring Gerard Butler. Jason Statham (THE TRANSPORTER, THE BANK JOB) returns to star as hitman Chev Chelios. Reprising their roles from the 2006 original are Amy Smart (ROAD TRIP, the upcoming MIRRORS) as Eve, Dwight Yoakam (SLING BLADE) as Doc Miles, and Efren Ramirez (NAPOLEON DYNAMITE) as Venus. Rounding out the cast are Clifton Collins Jr. (CAPOTE, the upcoming STAR TREK prequel) and Bai Ling (RED CORNER, the upcoming LOVE RANCH). (
In TOKYO!, three visionary directors come together for an omnibus triptych examining the nature of one unforgettable city as it’s shaped by the disparate people who live, work (and run amok) inside an enormous, constantly evolving, densely populated Japanese megalopolis — the ravishing and inimitable Tokyo. In the tradition of such films as NEW YORK STORIES, NIGHT ON EARTH, PARIS JE T’AIME and its forthcoming sequel NEW YORK I LOVE YOU, TOKYO! addresses the timeless question of whether we shape cities, or if cities shape us — in the process revealing the rich humanity at the heart of modern urban life. (
After meeting at a nightclub in a Mediterranean resort, seven young adults decide to continue partying aboard a luxury yacht in the middle of the ocean. But when one of them dies in a freak accident the others argue about what to do, leading to a ruthless fight for survival. DONKEY PUNCH is the fourth film in Magnet’s “Six Shooter Film Series,” a series of six films highlighting the vanguard of genre cinema from around the globe. This series includes the following films: LET THE RIGHT ONE IN (Sweden), SPECIAL (US), Nacho Vigalondo’s TIMECRIMES (Spain), Ollie Blackburn’s DONKEY PUNCH (UK), EDEN LOG (France) and BIG MAN JAPAN (Japan). (
A man wakes up deep inside a cave. Suffering amnesia, he has no recollection of how he came to be here or of what happened to the man whose body he finds beside him. Tailed by a mysterious creature, he must continue through this strange and fantastic world. Enclosed, Tolbiac has no other option to reach the surface than to use REZO ZERO, secret observing cells in this cemetery-like abandoned mine. He embarks upon this journey guided by the roots of a plant, leading the way and the main subject of attention of the REZO. (
In addition to Ben Stiller, the cast will be rounded out by many from the original film as well as several new characters from history. The centerpiece of the film will be bringing to life the Smithsonian Institution, which houses the world’s largest museum complex with more than 136 million items in its collections, ranging from the plane Amelia Earhart flew on her nonstop solo flight across the Atlantic and Al Capone’s rap sheet and mug shot to Dorothy’s ruby red slippers and Archie Bunker’s lounge chair. No major film has ever shot inside the Smithsonian in Washington…until NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN. (
The Division, a shadowy government agency, is genetically transforming citizens into an army of psychic warriors–and brutally disposing of those unwilling to participate. Nick Gant, a second-generation telekinetic or “mover,” has been in hiding since the Division murdered his father more than a decade earlier. He has found sanctuary in densely populated Hong Kong–the last safe place on earth for fugitive psychics like him–but only if he can keep his gift a secret. Nick is forced out of hiding when Cassie Holmes, a 13-year-old clairvoyant or “watcher,” seeks his help in finding Kira, an escaped “pusher” who may hold the key to ending the Division’s program. Pushers possess the most dangerous of all psychic powers: the ability to influence others’ actions by implanting thoughts in their minds. But Cassie’s presence soon attracts the attention of the Division’s human bloodhounds, forcing Nick and Cassie to flee for their lives. With the help of a team of rogue psychics, the unlikely duo traverses the seedy underbelly of the city, trying to stay one step ahead of the authorities as they search for Kira. But they find themselves square in the crosshairs of Division Agent Henry Carver, a pusher who will stop at nothing to keep them from achieving their goal. (