Space-time vortexes suck. Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world—a place of spectacular sights and super-scaled comedy known as the Land of the Lost. Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally—a primate called Chaka (Jorma Taccone)—to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they’re heroes. Get stuck, and they’ll be permanent refugees in the Land of the Lost. Based on the classic television series created by Sid & Marty Krofft, Land of the Lost is directed by Brad Silberling and produced by Jimmy Miller and Sid & Marty Krofft. (Source)
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Derek Charles, a successful asset manager who has just received a huge promotion, is blissfully happy in his career and in his marriage to the beautiful Beth. But when Lisa, a temp worker, starts stalking Derek, everything he’s worked so hard for, are placed in jeopardy. (
Robert Langdon tries to solve a murder and unravel a plot by an ancient group, the Illuminati, to blow up the Vatican during a papal conclave. (
Earth’s natural resources have been exhausted by mankind and battle rages between the soldiers of four leading Corporations. (
Phoebe longs to be in the school production of Alice in Wonderland. After her peculiar drama teacher Miss Dodger casts her, Phoebe struggles to control her behavior so her Principal will allow her to continue being in the play. As Phoebe’s stress mounts, her behavior grows worse, creating intense pressure on her parents Hillary and Peter. Hillary, who already feels a failure in both her personal and professional life, desperately tries to understand and help her daughter. But this connection proves elusive as Phoebe begins retreating to an imaginary fantasy world peopled by characters from Alice in Wonderland, a world which grows increasingly disturbing and treacherous. As Alice observes to the Caterpillar, “It is very confusing being so many different sizes in a day,” and in the end both Hillary and Phoebe (under Miss Dodger’s tutelage) must try to navigate the strange, painful, exhilarating transformation from chrysalis to butterfly. (
Academy Award-winning director Quentin Tarantino’s World War II epic, Inglourious Basterds, starring Brad Pitt. (
Filmmaker Kate Churchill is determined to prove that yoga can transform anyone. Nick Rosen is skeptical but agrees to be her guinea pig. Kate immerses Nick in yoga, and follows him around the world as he examines the good, the bad and the ugly of yoga. The two encounter celebrity yogis, true believers, kooks and world-renowned gurus. Tensions run high as Nick’s transformational progress lags and Kate’s plan crumbles. What unfolds and what they discover is not what they expected. (
Set in a suburb of north-east Paris between December 1935 and July 1936 during the “revolutionary” period of the Popular Front (who introduced the first paid holidays and a shorter working week). Three unemployed performers decide to take over by force the music hall where they worked a few months earlier and stage a show there. (
SLEEP DEALER is our tomorrow today, a corporation-controlled, militarized near future where the United States has successfully closed its borders. Finally. Through American technology we have developed a capacity, a digital network, to have all the work with none of the workers constructing our buildings, picking our fruit, manning our planes. There are no water shortages. Memo Cruz (Luis Fernando Peña) lives with his parents and his brother in the small, dusty village of Santa Ana del Rio, in Mexico. Santa Ana is an isolated farming community, the kind of place that seems frozen in time — except for the hi-tech, militarized dam that was built by a corporation, and now controls Santa Ana’s water supply. Memo couldn’t care less about Santa Ana. He loves technology, and dreams of leaving his small pueblo and finding work in the hi-tech factories in the big cities in the north. But for now, Memo is trapped in Santa Ana del Rio. One night, while using his homemade radio, Memo stumbles across something he’s never heard before – the communications of the security forces that are constantly patrolling the area around his village, to protect the dam from ‘Aqua-Terrorists.’ Unknown to him, or his family, Memo is now under the crosshairs. Security agents at the water company’s headquarters in the United States, have spotted Memo’s radio intercept, and conclude that it’s a threat. Memo is then forced to realize his dream of leaving Santa Ana in the worst possible way when his homemade radio – and his house – are destroyed in a reckless remote-control bombing. Driven by feelings of guilt, and a need to earn money, Memo leaves his family and his pueblo to go north, find work, and help his family start again. He heads to the massive border city of Tijuana. On the way, Memo meets a young woman, sharp and beautiful, named Luz (Leonor Varela). Luz is an aspiring journalist who dreams of writing a story that might one day change the world. She’s curious about Memo, and she asks him a few questions as they approach Tijuana. As Memo arrives to Tijuana, “City of the Future,” we follow Luz. Alone in her apartment, Luz connects herself to the net, via implanted nodes in her body, and speaks. As she describes her day, the computer records visuals from her memories and the sound of her voice. She puts these recorded memories up for sale on the net — a blog, straight from the brain. The next day, to Luz’s surprise, someone, somewhere out there has bought her memory – and has paid in advance for more. A strange and complex relationship is set in motion between Memo and Luz. She wants to learn more about him, to sell more memories to her anonymous client. But he is cautious about revealing the real reasons he’s come to Tijuana. All Memo cares about is getting work that pays – and to do it he needs to connect to the network too – he needs nodes. When the identity of Luz’s reader is revealed, a chain of events is set in motion that will connect three strangers, and change their lives — maybe even change the world — forever. (