The documentary RELIGULOUS follows political humorist and author Bill Maher (“Real Time With Bill Maher,” “Politically Incorrect”) as he travels around the globe interviewing people about God and religion. Known for his astute analytical skills, irreverent wit and commitment to never pulling a punch, Maher brings his characteristic honesty to an unusual spiritual journey. Directed by Larry Charles (BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN, “Curb Your Enthusiasm”), RELIGULOUS will mark Charles’ first feature project since the critically acclaimed, wildly successful BORAT. Jonah Smith and Palmer West of Thousand Words (A SCANNER DARKLY, REQUIEM FOR A DREAM) and Bill Maher are producing. (Source)
Find more trailers and clips on our homepage.
When Andi (Emma Roberts) and her younger brother find themselves in a foster home with a strict “no pets” policy, Andi must use her quick wit to find a new home for their dog. (
Enthusiastic, big and a little clumsy, Po is the biggest fan of Kung Fu around…which doesn’t exactly come in handy while working every day in his family’s noodle shop. Unexpectedly chosen to fulfill an ancient prophecy, Po’s dreams become reality when he joins the world of Kung Fu and studies alongside his idols, the legendary Furious Five — Tigress, Crane, Mantis, Viper and Monkey — under the leadership of their guru, Master Shifu. But before they know it, the vengeful and treacherous snow leopard Tai Lung is headed their way, and it’s up to Po to defend everyone from the oncoming threat. Can he turn his dreams of becoming a Kung Fu master into reality? Po puts his heart – and his girth – into the task, and the unlikely hero ultimately finds that his greatest weaknesses turn out to be his greatest strengths. (
25-year-old Wes was the most disaffected, cube-dwelling drone the planet had ever known. His boss chewed him out hourly, his girlfriend ignored him routinely and his life plodded on interminably. Everyone was certain this disengaged slacker would amount to nothing. There was little else for Wes to do but wile away the days and die in his slow, clock-punching rut. Until he met a woman named Fox. After his estranged father is murdered, the deadly sexy Fox recruits Wes into the Fraternity, a secret society that trains Wes to avenge his dad’s death by unlocking his dormant powers. As she teaches him how to develop lightning-quick reflexes and phenomenal agility, Wes discovers this team lives by an ancient, unbreakable code: carry out the death orders given by fate itself. With wickedly brilliant tutors–including the Fraternity’s enigmatic leader, Sloan–Wes grows to enjoy all the strength he ever wanted. But, slowly, he begins to realize there is more to his dangerous associates than meets the eye. And as he wavers between newfound heroism and vengeance, Wes will come to learn what no one could ever teach him: he alone controls his destiny. (
Self-control, perseverance, integrity, indomitable spirit–that’s what it’s supposed to be all about at the Concord Tae Kwon Do Studio, where boys are turned into black-belts and suburbanites are chiseled into great warriors, all under the watchful tutelage of proud sensei Fred Simmons. That is, until Fred discovers his wife has been unfaithful and instantly descends into a blubbering mess. Ok, so maybe Fred is far more blowhard than kick-ass hero. But when he sets out on a last-ditch quest to meet his kung-fu idol–the 8-time undefeated champ and star of the “Seven Rings of Pain” trilogy, Chuck “The Truck” Wallace–Fred winds up on a wild, comical journey that will take him from egomaniacal bluster all to the way to becoming the stand-up man of his delusional dreams. (
Actor-turned-director Clark Gregg shows he is as adept behind the camera as he is in front of it with CHOKE, a wickedly colorful dark comedy about mothers and sons, sexual compulsion, and the sordid underbelly of Colonial theme parks. Victor Mancini (Rockwell), a sex-addicted med-school dropout, who keeps his increasingly deranged mother, Ida (Huston), in an expensive private medical hospital by working days as a historical reenactor at a Colonial Williamsburg theme park. At night Victor runs a scam by deliberately choking in upscale restaurants to form parasitic relationships with the wealthy patrons who “save” him. When, in a rare lucid movement, Ida reveals that she has withheld the shocking truth of his father’s identity, Victor enlists the aid of his best friend, Denny (Henke) and his mother’s beautiful attending physician, Dr. Paige Marshall (Macdonald), to solve the mystery before the truth of his possibly divine parentage is lost forever. (
Jack has a terrible secret. He is really the notorious Boy A (Andrew Garfield) who committed a terrible crime when he was just a child. Recently released from a juvenile prison, he enters a world he has never been part of. He is haunted by his grim past, and is more a boy than a man at 24. His caseworker Terry (Peter Mullan) sees the good in him and does everything in his power to give Boy A a second chance. Boy A chooses the name Jack and is set up with a job, a home and the opportunity for a new life. At his job he forms adult relationships for the first time. He bonds with Chris (Shaun Evans) and finds a girlfriend in Michelle (Katie Lyons), both co-workers who witness Jack’s newfound compassion and loyalty. Others are drawn to his shy, kind ways. As relationships develop, he is torn between the deceit in concealing his past and the potential exoneration by revealing his crime. Jack no longer doubts his capacity to love and has more to lose than ever. He seeks Terry’s approval to confess the truth to Michelle but is implored to keep his secret for fear of his own safety. Spending 14 years in prison has done nothing to persuade the public he’s paid his dues. Accompanying his release is a widespread, media frenzy which re-ignites public indignation. The crime and trial are covered as current news and feed a hunger for revenge. Although Jack bears little resemblance to the young Boy A, it becomes increasingly clear that the past may be impossible to escape. (