Untitled (Trailer)

Untitled Poster A New York City art gallerist (Marley Shelton) falls for a brooding new music composer (Adam Goldberg) in this comic tale about the state of contemporary art and music. (Source)

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(Untitled) (Theatrical Trailer)

(Untitled) (2009) Poster A satire that pokes fun of the nuanced world of the New York contemporary art scene through a pair of competitive brothers,€“ eclectic and self-important music composer Adrian and commercially successful painter Josh. When Chelsea art ‘€˜gallerina’€™ and Josh’€™s love interest Madeline attends Adrian’€™s concert (€“ featuring the sounds of paper-crumpling, glass-breaking and bucket-kicking )€“ she commissions him for a gallery performance and a love affair ensues. Further complicating the situation is that Josh’€™s highly commercial art work (€“ the financial backbone of the gallery )€“ is sold to corporate clients discreetly out of the gallery’€™s back room. (Source)

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(Untitled) (Trailer No. 1)

(Untitled) Poster Set in the artsy Chelsea neighborhood of Manhattan, (‘Untitled’) tells the story of Adrian Jacobs (Goldberg), a difficult composer of equally difficult music whose sparsely attended performances involve musicians breaking glass and kicking metal buckets. In contrast, Adam’s brother, Josh (Bailey), is a commercially successful painter of vapid canvasses that corporate clients snap up by the dozen.

But, Adrian’s luck appears set to change when Josh brings the stunning Madeleine (Shelton) to one of his concerts. Not only does she embrace his work and ask him to perform at her gallery, she invites him into her bed. As the two embark on a fiery affair, Adrian is introduced to a world of pretentious art collectors, dueling gallerists and eccentric artists, including Ray Barko (Vinnie Jones), whose bizarre creations include chandeliers of stuffed animals and dead cows draped with jewelry.

When Josh discovers Adrian and Madeleine’s relationship and Madeleine refuses to exhibit Josh’s paintings–even though the money they bring in is what keeps the gallery afloat–the stage is set for a showdown as comedic and discordant as Adrian’s music. (Source)

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