In THE PRINCESS OF MONTPENSIER, acclaimed filmmaker Bertrand Tavernier (‘ROUND MIDNIGHT) directs a spectacular cast in a riveting, lush romantic drama set in the high courts of 16th Century France. Against the backdrop of the savage Catholic/Protestant wars, Marie de Mezieres (Melanie Thierry), a beautiful young aristocrat finds herself married to a young prince (Gregoire Leprince-Ringuet LOVE SONGS), she does not love, haunted by a rakish suitor Gaspard Ulliel (A VERY LONG ENGAGEMENT) from her childhood, and advised by an aging nobleman Lambert Wilson (OF GODS AND MEN), harboring his own forbidden desire for her. The Princess of Montpensier must struggle passionately to stay alive in the intrigue of this corrupt political and romantic web of duty, passion, religion and war. (Source)
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Cistercian monks stand up for their beliefs when confronted by fundamentalists. (
Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. (
It is the not-too-distant future. Thousands of satellites scan, observe and monitor our every move. Much of the planet is a war zone; the rest, a collection of wretched way stations, teeming megalopolises, and vast wastelands punctuated by areas left radioactive from nuclear meltdowns. It is a world made for hardened warriors, one of whom, a mercenary known only as Toorop, lives by a simple survivor’s code: kill or be killed. His latest assignment has him smuggling a young woman named Aurora from a convent in Kazakhstan to New York City. Toorop, his new young charge Aurora and Aurora’s guardian Sister Rebeka embark on a 6,000 mile journey that takes them from Eastern Europe, through a refugee camp in “New Russia,” across the Bering Straight in a pilfered submarine, then through the frozen tundra of Alaska and Canada, and finally to New York. Facing obstacles at every turn, Toorop, the killer for hire, is tested like never before, in ways he could never have imagined–as he comes to understand that he is the custodian of the only hope for the future of mankind. For the first time in his life, Toorop has to make a choice: to make a difference or walk away and save himself. Too bad it came on the day he died.
A mercenary charged with delivering a young woman from Russia to Canada learns that she has been manipulated by a synthetic virus and what lies inside her could doom the human race. (
Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs, the nighttime janitor at London Diamond who is virtually invisible to the executives that work there, but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura’s frustration, he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura, Hobbs plans go even farther than he’s let on, and together they set in motion a thrilling heist of dizzying proportions, the likes of which London has never seen. (
From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs, the nighttime janitor at London Diamond who is virtually invisible to the executives that work there, but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura’s frustration, he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura, Hobbs plans go even farther than he’s let on, and together they set in motion a thrilling heist of dizzying proportions, the likes of which London has never seen. (