Set in 1977 in a provincial French town, POTICHE is a free adaptation of the 1970s eponymous hit comic play. Catherine Deneuve is Suzanne Pujol, a submissive, housebound ‘trophy housewife’ (or “potiche,”) who steps in to manage her wealthy and tyrannical husband (Fabrice Lucchini)’s umbrella factory after the workers go on strike and take him hostage. To everyone’s surprise, Suzanne proves herself a competent and assertive woman of action. But when her husband returns from a restful cruise in top form, things get complicated. Gerard Depardieu plays a former union leader and Suzanne’s ex-beau who still holds a flame for her. Acclaimed writer-director Francois Ozon (“Swimming Pool,” “Under the Sand,” “Time to Leave,”) who had previously directed Ms. Deneuve in “8 Women,” twists the original play on its head to create his own satirical and hilarious take on the war between the sexes and classes. (Source)
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Set in a French bourgeois province in 1977, Suzanne is the submissive wife of rich industrialist Robert Pujol who runs his umbrella factory with an iron hand. After the workers go on strike and hold Robert captive, Suzanne ends up managing the factory instead of her husband, who is disowned by the staff. Distressed and in poor health, Robert goes away for a while and, to the surprise of most, Suzanne proves to be an assertive woman of action. With the help of the communist deputy she puts an end to the strike, gets the factory running again and improves the employees’ working conditions. But when Robert returns from his trip in good health, the situation gets complicated. (
Lisa, the first wife of an author who died suddenly and brutally, ends up by chance in the city that her husband fled two years earlier. Not knowing anyone who can help her, she contacts her ex-husband’s second wife. The situation involves a police officer on the verge of retirement, who investigates the “hidden past” of a mafioso family. (
MESRINE: KILLER INSTINCT – the first of 2 parts– charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti–gang unit. Thirty years after his death, his infamy lives on. Mesrine was helped along the way by beautiful and equally reckless Jeanne Schneider (Cecile de France), a Bonnie to match his Clyde. Mesrine made up his own epic, between romanticism and cruelty, flamboyance and tragedy. Both a thriller and a biopic, KILLER INSTINCT explores the man behind the icon. In MESRINE: PUBLIC ENEMY No. 1 the story continues Mesrine's incredible life of crime while manipulating the media, the government and the police. He plans his last and greatest escape, hoping to leave France, and the character he has become, behind forever. (
Police captain, Paul Bellamy, takes on an investigation while on holiday with his wife and visiting drunken jealous half brother. (
MESRINE: KILLER INSTINCT – the first of two parts – charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti-gang unit. Thirty years after his death, his infamy lives on. Mesrine was helped along the way by beautiful and equally reckless Jeanne Schneider (Cecile de France), a Bonnie to match his Clyde. Mesrine made up his own epic, between romanticism and cruelty, flamboyance and tragedy. Both a thriller and a biopic, KILLER INSTINCT explores the man behind the icon. In MESRINE: PUBLIC ENEMY No. 1 the story continues Mesrine's incredible life of crime while manipulating the media, the government and the police. He plans his last and greatest escape, hoping to leave France, and the character he has become, behind forever. (
Now back in France, Mesrine is finally in police custody and facing justice for his crimes. After escaping a courtroom and kidnapping the judge at gunpoint, Mesrine is declared Public Enemy Number 1 and is eventually condemned to a maximum-security prison where he writes his memoirs, establishing himself as a household name and the anti-hero across France. Mesrine stages another daring escape and disappears into the lawless underworld, taunting the police and reinventing himself as a celebrity criminal through his savvy manipulation of the media. After such a monumental rise, comes the inevitable fall as the police close in, bringing the life of Jacques Mesrine to full bloody circle. (