In an alternate 1985 America, costumed superheroes are part of the fabric of everyday society, and the “Doomsday Clock” – which charts the USA’s tension with the Soviet Union – is permanently set at five minutes to midnight. When one of his former colleagues is murdered, the washed-up but no less determined masked vigilante Rorschach sets out to uncover a plot to kill and discredit all past and present superheroes. As he reconnects with his former crime-fighting legion – a ragtag group of retired superheroes, only one of whom has true powers – Rorschach glimpses a wide-ranging and disturbing conspiracy with links to their shared past and catastrophic consequences for the future. Their mission is to watch over humanity…but who is watching the watchmen? (Source)
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For super-dog Bolt, every day is filled with adventure, danger and intrigue – at least until the cameras stop rolling. When the canine star of a hit TV show is accidentally shipped from his Hollywood soundstage to New York City, he begins his biggest adventure yet – a cross-country journey through the real world. Armed only with the delusions that all his amazing feats and powers are real, and with the help of two unlikely traveling companions – a jaded, abandoned housecat named Mittens and TV-obsessed hamster in a plastic ball named Rhino – Bolt discovers he doesn’t need superpowers to be a hero. (
Just how hard is it to be happy? In the effervescent new comedy from writer/director Mike Leigh (“Vera Drake,” “Secrets & Lies”), Sally Hawkins stars as Poppy, an irrepressibly free-spirited school teacher who brings an infectious laugh and an unsinkable sense of optimism to every situation she encounters, offering us a touching, truthful and deeply life-affirming exploration of one of the most mysterious and often the most elusive of all human qualities: happiness. Poppy’s ability to maintain her perspective is tested as the story begins and her commuter bike is stolen. However, she enthusiastically signs up for driving lessons with Scott (Eddie Marsan), who turns out to be her nemesis — a fuming, uptight cynic. As the tension of their weekly lessons builds, Poppy encounters even more challenges to her positive state of mind: a fiery flamenco instructor, her bitter pregnant sister, a troubled homeless man and a young bully in her class, not to mention that she has also thrown out her back. How this affects not only Poppy’s world view but also the outlook of those around her begs the question, “glass half full or half empty?” (
Oscar-winning director Ron Howard brings to the screen writer Peter Morgan’s (The Queen, The Last King of Scotland) electrifying battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make, in the untold story of the historic encounter that changed both: Frost/Nixon. Reprising their roles from Morgan’s stageplay are Frank Langella, who won a Tony for his portrayal of Nixon, and Michael Sheen, who fully inhabited the part of Frost onstage in London and New York. For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost’s team harbored doubts about their boss’ ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Would Nixon evade questions of his role in one of the nation’s greatest disgraces? Or would Frost confound critics and bravely demand accountability from the man who’d built a career out of stonewalling? Over the course of their encounter, each man would reveal his own insecurities, ego and reserves of dignity—ultimately setting aside posturing in a stunning display of unvarnished truth. Frost/Nixon not only re-creates the on-air interview, but the weeks of around-the-world, behind-the-scenes maneuvering between the two men and their camps as negotiations were struck, deals were made and secrets revealed…all leading to the moment when they would sit facing one another in the court of public opinion. Frost/Nixon is a collaboration between Imagine Entertainment and Working Title Films, with Academy Award® winners Brian Grazer and Ron Howard joining Tim Bevan and Eric Fellner as producers. Joining Langella and Sheen as the colorful real-life personalities who provide the men counsel is a formidable roster of actors including Kevin Bacon, Oliver Platt, Sam Rockwell, Toby Jones and Matthew Macfadyen. (
Documents the filmmaker’s journey toward discovering the truth about an Israeli Army mission he participated in during the first Lebanon War of the early 1980s that left him with a loss of memory about the events. The long-forgotten images begin to resurface as the director interviews old friends and comrades around the world. (
If there’s one thing everyone can agree on, it’s that family time isn’t always a walk in the park. In Nothing Like the Holidays, two of today’s most talented actors, John Leguizamo (The Happening, The Take) and Freddy Rodriguez (“Six Feet Under,” Bobby), join Debra Messing (“Will & Grace,” “The Starter Wife”), Alfred Molina (The Da Vinci Code, Spider-Man 2), and director Alfredo de Villa (the award-winning Washington Heights) to tell the humorous and heartwarming story of one unforgettable family holiday. It’s Christmastime and the far-flung members of the Rodriguez family are converging at their parents’ home in Chicago to celebrate the season and rejoice in their youngest brother’s safe return from combat overseas. For Jesse (Freddy Rodriguez), coming home has rekindled feelings for an old flame, although she can’t seem to forgive him for leaving. His older sister Roxanna, a struggling actress, has been chasing her Hollywood dreams for years with little to show for it. And much to the dismay of their mother Anna (Elizabeth Peña), eldest brother Mauricio (John Leguizamo) brings home a high-powered executive wife (Debra Messing) who would rather raise capital than a child. In the course of one eventful week, traditions will be celebrated, secrets revealed and major life decisions made. It all begins when Anna announces to her children she is divorcing their father Eduardo (Alfred Molina). The shock waves from this familial upheaval prompt Roxanna, Mauricio and Jesse, each in their own way, to reevaluate the past and rethink the future. But when the Rodriguezes learn that one of their own is facing a true crisis, they instinctively pull together: Old resentments are forgotten, familial bonds are re-affirmed and the healing power of laughter works its magic as the family discovers they are much stronger than they ever realized. (
Maverick cop Max Payne (Wahlberg) is hell-bent on revenge against those responsible for the brutal murder of his family and partner. His obsessive investigation takes him on a nightmarish journey into a dark underworld. As the mystery deepens, Max is forced to battle enemies beyond the natural world and face an unthinkable betrayal. (
Theater director Caden Cotard is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis, is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele’s friend, Maria. His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire into the ground. Sammy and Tammy, the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden’s own deteriorating reality. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs. (
Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts. Even worse, they all want something from him, particularly Frank Herlihy, who pesters him into breaking up the impending marriage of his widow Gwen. That puts Pincus squarely in the middle of a triangle, with spirited results. (
It’s Christmastime and the far-flung members of the Rodriguez family are converging at their parents’ home in Chicago to celebrate the season and rejoice in their youngest brother’s safe return from combat overseas. For Jesse, coming home has rekindled feelings for an old flame, although she can’t seem to forgive him for leaving. His older sister Roxanna, a struggling actress, has been chasing her Hollywood dreams for years with little to show for it. And much to the dismay of their mother Anna, eldest brother Mauricio brings home a high-powered executive wife who would rather raise capital than a child. In the course of one eventful week, traditions will be celebrated, secrets revealed and major life decisions made. It all begins when Anna announces to her children she is divorcing their father Eduardo. The shock waves from this familial upheaval prompt Roxanna, Mauricio and Jesse, each in their own way, to reevaluate the past and rethink the future. But when the Rodriguezes learn that one of their own is facing a true crisis, they instinctively pull together: Old resentments are forgotten, familial bonds are re-affirmed and the healing power of laughter works its magic as the family discovers they are much stronger than they ever realized. (