Madea, everyone’s favorite wise-cracking, take-no-prisoners grandma, jumps into action when her niece, Shirley, receives distressing news about her health. All Shirley wants is to gather her three adult children around her and share the news as a family. But Tammy, Kimberly and Byron are too distracted by their own problems: Tammy can’t manage her unruly children or her broken marriage; Kimberly is gripped with anger and takes it out on her husband; and Byron, after spending two years in jail, is under pressure to deal drugs again. It’s up to Madea, with the help of the equally rambunctious Aunt Bam, to gather the clan together and make things right the only way she knows how: with a lot of tough love, laughter…and the revelation of a long-buried family secret. (Source)
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Madea, everyone’s favorite wise-cracking, take-no-prisoners grandma, jumps into action when her niece, Shirley, receives distressing news about her health. All Shirley wants is to gather her three adult children around her and share the news as a family. But Tammy, Kimberly and Byron are too distracted by their own problems: Tammy can’t manage her unruly children or her broken marriage; Kimberly is gripped with anger and takes it out on her husband; and Byron, after spending two years in jail, is under pressure to deal drugs again. It’s up to Madea, with the help of the equally rambunctious Aunt Bam, to gather the clan together and make things right the only way she knows how: with a lot of tough love, laughter… and the revelation of a long-buried family secret. (
When her five grown-up children fail to answer her call for a family gathering, exacerbated mother Shirley calls on outspoken force of nature Madea to see that everyone comes together to discuss some rather important issues in this filmed stage play written and directed by Tyler Perry. With everyone finally assembled thanks to Madea’s tenacity, Shirley addresses some important family secrets, reveals that she’s in the midst of a financial crisis, and engages her sons and daughters in a serious talk about drugs. Through it all, Madea makes it a point to emphasize the importance of faith in helping her family weather the rough waters ahead, and stay true to their values. – Jason Buchanan, Rovi (
“For Colored Girls” brings to the screen Ntozake Shange’s Obie Award-winning play, a poetic exploration of what is to be of color and a female in this world. (
In 1974, Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” made its stage debut, combining poetry, dance and music, and most significantly, placing the black female experience center stage. In lyrical, honest, angry, funny and tender language, Shange’s “colored girls” evoked the feelings woven into the fabric of black female life in America. Within two years, the play became a Broadway sensation, won an Obie and Tony Award, and would eventually be produced in regional theaters throughout the country. Now, thirty six years later, filmmaker Tyler Perry adapts this landmark work for the big screen, integrating the vivid language of Shange’s poems into a contemporary narrative that explores what it means to be a woman of color – and a woman of any color – in this world. (
“For Colored Girls” brings to the screen Ntozake Shange’s Obie Award-winning play, a poetic exploration of what is to be of color and a female in this world. (