When a successful British ghost writer, THE GHOST, agrees to complete the memoirs of former British Prime Minister ADAM LANG, his agent assures him it’s the opportunity of a lifetime. But the project seems doomed from the start—not least because his predecessor on the project, Lang’s long—term aide, died in an unfortunate accident. The Ghost flies out to work on the project, in the middle of winter, to an oceanfront house on an island off the U.S. Eastern seaboard. But the day after he arrives, a former British cabinet minister accuses Lang of authorizing the illegal seizure of suspected terrorists and handing them over for torture by the CIA—a war crime. The controversy brings reporters and protesters swarming to the island mansion where Lang is staying with his wife, RUTH, and his personal assistant (and mistress), AMELIA. As The Ghost works, he begins to uncover clues suggesting his predecessor may have stumbled on a dark secret linking Lang to the CIA—and that somehow this information is hidden in the manuscript he left behind. Was Lang in the service of the American intelligence agency while he was prime minister? And was The Ghost’s predecessor murdered because of the appalling truth he uncovered? Resonating with topical themes, this atmospheric and suspenseful political thriller is a story of deceit and betrayal on every level— sexual, political and literary. In a world in which nothing, and no one, is as it seems, The Ghost quickly discovers that the past can be deadly—and that history is decided by whoever stays alive to write it. (Source)
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A man stumbles through a series of midlife missteps and decides to write a play based on the relationships with women in his life. As the play becomes successful, the man’s real life collapses. (
It’s New York, 1979. Gabriel Richmond is a talented architect with a seemingly rich life as he has a caring wife, loving daughter and life long friends. Yet, he spends most days in the movie theater, hiding out from work, escaping into a fictional world where he can more readily relate to the made up characters. When fiction shines a mirror on his own life, an inspired Gabriel begins writing a play not-so-loosely based on his reality, examining all of the relationships that make his life what it is. At first a hobby, the play begins to consume Gabriel’s own self-examination. Slowly he realizes the fragility of his relationships and overall decisions in life, but does not know what to do with this information other than write about it. Gabriel’s work eventually gains momentum just as his real life begins to fall apart. Equipped with a hand-held tape recorder and typewriter, he begins a journey to re-author his own life, looking back on the pieces of his fractured self. He begins to see that life is not always as controlled as a play or movie and sometimes the best thing an author can do is let the characters speak for themselves. Emblematic of the self-discovery that was hatching in New York (and many other cities) at the end of the 1970’s, Multiple Sarcasms shines a light on not only Gabriel’s life, but also the complex people that make it up. From his wife and daughter to his colleagues at work and lifelong best friend – Gabriel tries to understand these complex people who collectively make up too much of his own self worth. Driven by an ensemble of actors’ actors, Multiple Sarcasms is a touching film that is all at once original and refreshingly derivative. (
Louise (Meg Ryan), a high-powered Manhattan lawyer, is touched when she arrives for the weekend to her family’s upstate getaway to find it strewn with rose petals by her husband of 13 years, Ian (Timothy Hutton). Unfortunately … Ian is not expecting Louise, rather his much younger girlfriend (Kristen Bell). In fact, he’s actually in the process of writing Louise a letter explaining his intention to leave her for good. An oddly cool Louise has other plans. She takes Ian captive, refusing to release him until he commits to working on their marriage together. When Ian’s impatient mistress shows up, not to mention an opportunistic gardener (Justin Long), things start to get seriously complicated. Not merely a war of the sexes, SERIOUS MOONLIGHT is a story of a war of the wills as Ian tries to talk his way out of the situation. (
After she arrives at her country home for a romantic weekend getaway, things don’t go exactly as planned for high-powered Manhattan lawyer Louise. First, her husband of 13 years, Ian, tells her that he’s leaving her for a younger woman. Then, one thing leads to another, and pretty soon Ian finds himself held captive by an oddly cool Louise who explains that she won’t release him until he professes his love for her and commits to working on their marriage. And that’s when things REALLY start to go wrong. The unexpected arrival of an opportunistic young gardener and Ian’s impatient mistress only serve to complicate the crisis even further, while somehow forcing Louise and Ian to reckon with their past and realistically deal with their future. (
Tommy was born and raised on a rocky, drought ridden sheep station in the middle of the Australian Outback. He works at the station and does all he can to appease his demanding father but in his heart wants to be a great musician. That all changes when Tommy meets his new classmate Kat, a bold and brash beauty, who at first doesn’t notice him at all. As Tommy tries desperately to get her attention his antics cause him to fall into hot water with the local police. He luckily escapes jail and chooses to do community service at the nearby prison to stay out of trouble. Soon the stakes for Tommy are raised when his music teacher and mentor lands him an audition for the elite music conservatorium. Against all odds, Tommy gains the affections of Kat, finds a way to reconcile with his father and conducts the concert of his life. (
Temporary Synopsis: A comedy based on the book by David Foster Wallace, and an all-star ensemble cast including Krasinski, Will Arnett, Bobby Canavale, Dominic Cooper, Max Minghella, Timothy Hutton, and Julianne Nicholson. (