Hank Williams pioneered and pretty much invented what we know today as country music. At the peak of his career, he was acknowledged to be the greatest singer-songwriter in American history. But after a meteoric rise to record and radio super-stardom in the late 1940’s, the man had made a train wreck of his life. Drugs, alcohol, and a hair-trigger temper had ended two marriages, ruined a host of friendships and made the tortured genius a virtual untouchable in the music business. So at the end of 1952, Hank Williams gathered what was left of his physical strength to make things right, and begin the long road back. He booked New Years shows in West Virginia and Ohio, and hired a local kid who didn’t even own a radio, much less know who this legend was, to drive him there from Montgomery Alabama. Inspired by the mysterious final days Hank Williams’ mercurial life, THE LAST RIDE is the story of that final drive through the bleak Appalachian countryside of 1950’s America. A lonely two-man odyssey; a boy coming of age, and a man leaving this world way before his time, a victim of his own abuses. (Source)
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Abner Meecham (Hal Holbrook), an aging Tennessee farmer discarded to a nursing facility by his lawyer son, flees the old folks home and catches a ride back to his country farm to live out his days in peace. Upon his return, he discovers that his son (Walton Goggins) has leased the farm to an old enemy and his family. Not one to suffer fools or go down easy, Abner moves into the old tenant shack on the property and declares that he will not leave until the farm is returned to his possession. But Lonzo Choat (Raymond McKinnon), the new tenant, has no intention to move out or give in to the demands of the old man. This sets up a ruthless grudge match between Abner and Choat, each man right in his own eyes, each too stubborn to give an inch. Angered by the betrayal of his son and haunted by recurring dreams of his long-dead wife (Dixie Carter), Abner sets about his own path toward reclaiming his life. Lines are drawn, threats are made, and the simmering tension under the Southern sun erupts, inevitably, into savagery. (
Michael Oher, a homeless African-American youngster from a broken home, is taken in by the Touhys, a well-to-do white family who help him fulfill his potential. At the same time, Oher’s presence in the Touhys’ lives leads them to some insightful self-discoveries of their own. Living in his new environment, the teen faces a completely different set of challenges to overcome. As a football player and student, Oher works hard and, with the help of his coaches and adopted family, becomes an All-American offensive left tackle. (